Based on the film of the same name, this TV comedy series focused the drivers of the privately-owned LAambulance company, F&B; longtime driver,'mother', guys partner, 'speed', and former ... See full summary »
Record executives want a highly-regarded record producer to focus on a white pop act whom they feel has the sound America wants. To keep his creative integrity, Buckmaster carefully begins to fight the system that has made him the respected producer he has become.
At last, we're given the answers to the questions raised by the haunting 1967 Bobbie Gentry song of the same title. Eighteen- year-old Billy Joe McAllister is in love with Bobbie Lee, but ... See full summary »
Max Baer Jr.
The production company found a pool hall in Venice, California that was being condemned, and turned it into the F & B Ambulance Company. See more »
At several places in the film, the actor's lip movements do not match the audio, revealing that the dialogue was toned down. During Tony's job interview, Fishbein is heard saying "all-day heat on" but his lip movements are "hard-on." Later, when discussing Murdoch, Jugs is heard saying "a $100 bill sticking out of his ear" but her lips clearly say "out of his ass." See more »
One of these days, Murdoch, we're gonna pool together and get you something that won't fight back. Like a quadruple amputee.
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'Mother' chronicles the adventures of a group of privatized ambulance drivers (in 1976?) working for the Fishbine Ambulance company. You get the usual assortment of stiffs for the mid-70s; the new guy, Speed (Harvey Keitel), the hot chick, Jugs (Raquel Welch), the lecherous loser, Murdoch (Larry Hagman), the overbearing boss, Fishbine (Allen Garfield), the nerdy effete guy, Bliss (Allan Warnick), and your resident smart-ass, Mother (Bill Cosby). Now, these days, you don't think of Bill Cosby when you think of smart-ass, but this was almost thirty years ago. Things were different.
'Mother' is a product of its time, very 70s, with a rant about inflation and how bad the economy is; Mother's partner Leroy (a very young Bruce Davison) gets high all the time, and there's a flap later on when Jugs earns her EMT certificate and wants to ride in the ambulance with the guys. Such a thing wouldn't even bat an eye now, but was an issue back then. But 'Mother' is also amusing. Some of the comedy is obvious one extremely obese black woman is too heavy to carry and her gurney slips from their grip, taking a joyride down a hilly street. But a lot of it is surprisingly sharp, thanks mostly to Cosby's excellent timing and deadpan delivery. Mother has a one-liner for every situation, and, surprise, most of them are really funny.
While the rest of the cast is fine Keitel portrays a slightly nicer version of the cool, collected guy he often plays, Welch is pleasant but her character isn't particularly deep, and Garfield is good as a sort of proto-Louie DePalma the movie is really Cosby's show. From bribing the cops to drinking beer on the job, from buzzing' the nuns with his siren to eating his hamburgers with peanut butter, onions, and mayonnaise on them, Mother is a real character in every good sense of the word. While the film does not always excel and in some places falls sort of flat, Cosby is always spot on here, and it's worth sitting through some of the slower stretches for him alone.
I was thinking as I was watching this film that it would be prime fodder for a remake. Bernie Mac would ace the Cosby role, you could find any number of women to play Jugs (I suggest Heather Graham), and it would be almost painfully easy to update the 70s-isms into modern day slang/events. You could even be topical and switch Bliss from metrosexual to full-out gay (which is implied but never said in the film anyway). In looking up this film on the IMDB, however, I discovered someone already did try to make this into a TV show, so apparently I wasn't the first one who thought this had potential (though TV is the wrong venue; much of the film's humor is ribald, and you sure as hell couldn't call any woman on TV Jugs'). 'Mother' is an enjoyable film, not much more than your average summer filler, but still able to elicit several good chuckles almost thirty years later. It's certainly worth it to see Cosby play the bad boy with aplomb.
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