Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
It's nearing the end of the school year. High school senior Carrie White is a social outcast, largely due to being unwise to the ways of the world based on her upbringing. Her mother, Margaret White, is a religious fanatic, her extreme views primarily targeted against sex, which she believes is a sin. She even believes natural associated processes such as menstruation are a sin, about which she has refused to mention to Carrie. Mrs. White's beliefs were taken to that extreme largely because of her own failed marriage and her husband Ralph long ago having run off with another woman. The only adult authority figure who tries to help Carrie with her life is her phys ed teacher, Miss Collins, who is nonetheless warned not to get too close to go against how Mrs. White chooses to raise Carrie, Mrs. White whose beliefs are well known in the community. An impromptu event that happens among Carrie's phys ed classmates against her leads to her classmates being punished. One of those students, ...Written by
An early draft of the screenplay had Margaret reciting a verse from the Bible, just before she attacks Carrie with a large knife. Said verse recounts the prophet Jeremiah's use of a flawed vase to illustrate for the Hebrews how Judea had become a wicked nation by rejecting God; as it could no longer serve God's cause, the only way He could make a good nation was to destroy this one and start over.
In this speech, Margaret likens Carrie to a flawed vessel who can no longer serve the Lord's purpose for her and therefore must be destroyed so that He can begin anew. Never does it occur to Margaret that such applies more to herself than it does to her daughter; having been raised with torture and mistrust instead of with love or sympathy, Carrie has come to view God and Satan as one and the same. Such is one of very few things she has in common with her mother, who also fails to recognize the difference between good and evil; Margaret's constant denouncement and persecution of everybody and everything around her (because she considers it to be sinful) has prevented her from ever being well and truly righteous (shades of Rod Serling's FOUR O'CLOCK). See more »
When Chris and Billy are in the car, Chris calls Billy a stupid shit and he slaps her cheek with the back of his hand. A loud sound is heard, but he clearly isn't actually hitting her hard. See more »
In the gym fire, some prints show the principal, Mr. Morton screaming out to the teacher who humiliated Carrie in class, (Mr. Fromm) as Mr. Fromm is electrocuted. He screams, "Mr. Fromm!" In most prints shown today, including premium cable channels, you see the image of Mr. Fromm being electrocuted, but don't hear Mr. Mortin yelling out to him, in shock. See more »
Watching the TV remake of Carrie last week just made me miss the original version all the more. There were so many elements that made the 1976 movie a classic, but I will try to name just a few...
First of all, the original actresses could never be replaced. Sissy Spacek as Carrie White goes without saying. Sissy gave Carrie a child-like quality that no other actress can touch. You not only root for Spacek's Carrie, but you want to reach in and hug her. Equally irreplacable was Piper Laurie who brings a manic energy to her role as the religious-wacko Mrs. White. I loved how Piper and Sissy's southern accents enhanced their characters. I don't know if it was Stephen King's intention or not, but the way Carrie said "Momma" was just so southern. It was fun seeing Piper and Sissy reunited onscreen as southern sisters in the Grass Harp.
Two supporting actresses in the film who get little credit are Amy Irving and Betty Buckley. Irving brought an intelligent, thoughtful depth to the character of Sue Snell. Buckley as the caring gym teacher stole every scene she was in. One of the most touching moments was Miss Collins taking Carrie in front of the mirror and telling her that she is a pretty girl. Then the terrible realization on her face as she wonders if it is another cruel joke. And who didn't love it when Buckley slapped Nancy Allen's face?
Maybe the single most important element in Carrie is the suspense-building music. I can't express how perfectly the music framed every scene. It should have won an oscar for the soundtrack alone. The two beautiful themes still stick in my mind, "Born To Have It All" which was playing in the shower scene and "I Never Dreamed Someone Like You (Could Love Someone Like Me)" which Carrie and Tommy danced to at the prom. Even the cheesy band playing at the prom fit the mood just right with the lyrics, "The Devil's Got a Hold Of Your Soul".
Carrie is campy nostalgia. It really is a time capsule of that era in history. The polyester, the gym shorts and knee socks, the afros and farrah-hair just take you back to 1976. Where else can you see the stars of Welcome Back Kotter and Eight Is Enough in the same movie?
68 of 82 people found this review helpful.
Was this review helpful to you?
| Report this