A woman gives birth to a baby, but this is no ordinary little tyke. The child is seemingly possessed by the spirit of a freak dwarf who the mother once spurned. Cue a spate of strange ...
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After her daughter's death, wealthy American homemaker Julia Lofting moves to London to restart her life. All seems well until she is haunted by the ghosts of other children while mourning for her own.
A disturbed telepathic man is unable to fully control his ability to transmit his dreams and visions into the minds of the people around him, or even influence reality. A female therapist tries to help him, but his mother gets in the way.
A newly hired house-keeper in a secluded area is alarmed to discover that her boss's eleven-year-old daughter is using her supernatural powers to take revenge on the people she holds ... See full summary »
A woman gives birth to a baby, but this is no ordinary little tyke. The child is seemingly possessed by the spirit of a freak dwarf who the mother once spurned. Cue a spate of strange deaths, the one common factor being the presence of a baby in pram at the scene...Written by
I really hate saying this about 70's Brit horror but this is a very, very BAD film! Everything that could possibly go wrong actually features here in this lame horror vehicle. A really bad basic idea, for starters, handling about Joan Collins giving birth to an (unusually big) baby possessed by evil and controlled by a dwarf Collins once spurned. This film 'borrows' style and script elements from Rosemary's Baby, The Exorcist, Don't Look Now, It's Alive and even tiny details from Hammer and Amicus successes. The screenplay is extremely poorly written and Peter Sasdy's directing is the worst of all disasters. What happened to this guy? He was responsible for an endless amount of great TV-movies and a few downright classic Hammer titles (like 'Countess Dracula' and 'Hands of the Ripper') but, ever since Doomwatch, he just seems to make crap. This production is very banal, not the least bit scary or atmospheric and the bloodshed is kept to a minimum. It looks like this film is blessed with a terrific all-star cast, but everybody is performing far below their normal acting skills. Donald Pleasance looks dead long before his character is actually slaughtered and Ralph Bates' character is far too fake. Eileen Atkins triumphs as the worst cast-member though. She stars as an Italian nun (?) and speaks with the most atrocious accent I ever heard. The only one that gets a little sympathy is the beautiful Caroline Munro as the sexy cabaret dancer. I don't Want to be Born is a giant disappointment in every respect and better left unmentioned. Avoid!
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