Ten years after a worldwide series of ape revolutions and a brutal nuclear war among humans, Caesar must protect survivors of both species from an insidious human cult and a militant ape faction alike.
In a futuristic world that has embraced ape slavery, Caesar, the son of the late simians Cornelius and Zira, surfaces after almost twenty years of hiding out from the authorities, and prepares for a slave revolt against humanity.
J. Lee Thompson
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society, but one man believes them to be a threat to the human race.
After conquering the oppressive humans in "Conquest for the Planet of the Apes", Caesar must now keep the peace among the humans and apes. Gorilla General Aldo views things differently, and tries to cause an ape civil war. In the meantime, other human survivors learn of the ape city, and decide they want to take back civilization for themselves, thus setting the stage of warring ape factions and humans.Written by
There's an intentional irony between Caesar and Aldo, other than one being a peaceful (until pushed) Chimpanzee and the other a warlike Gorilla: Aldo is named after the ape that led the revolt against humans in the original timeline while Caesar led the revolt in the second timeline. See more »
Caesar's famous "Now, fight like apes!" line is marred by his ape lower-mouth appliance beginning to fall off, revealing his own human mouth inside. The director tried to hide this by blurring those frames of film at the lower end of the screen. What looks like dust on the camera was intentional. See more »
North America, 2670 A.D.
In the beginning God created beast and man so that both might live in friendship and share dominion over a world of peace. But in the fullness of time evil men betrayed God's trust and in disobedience to His holy word waged bloody wars, not only against their own kind, but against the apes, whom they reduced to slavery. Then God in his wrath sent the world a saviour, miraculously born of two apes who descended on Earth from Earth's own future and man was ...
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The 20th Century-Fox logo does not appear on this film. See more »
The Japanese laserdisc edition and the Legacy Collection DVD edition of the film are ten minutes longer that the U.S. version and include scenes also used in the television version. The following is a detailed list of changes:
8'03:the score continues to its original ending for 25 seconds with extra footage of General Aldo approaching on a horse.
13'37: The gorillas' chase of the Teacher is longer by 20 seconds.
26'57: Governor Kolp is walking around in his HQ and has more dialogue (30 sec)
29'38: Caesar's party's entry into the ruined city is 40 seconds longer with more dialogue.
34'32: The escape from the Mutant's City is longer and contains more dialogue.
42'06: The scene were Cornelius is "shot" by a human boy is extended and makes the fact that they're playing a game apparent sooner. (15 sec).
46'47: DELETED SCENE: Kolp activates the Alpha-Omega missile and tells Alma to fire it on Ape City if he sends a special coded signal. (1'16")
56'43: The mutant assault is extended by 45 seconds. (In this sequence there are three more smaller cuts that reduce the battle scene by 40 additional seconds and there is no musical score.)
1'02'18: The scene where Kolp calls Sergeant York is missing. (1 min)
1'07'57: More segments from the battle are cut by almost 40 sec.
1'08'50: There are additional shots and dialogue before the mutants lay the smoke screen.
1'09'29: 15 seconds of the battle are cut.
1'10'00: 20 seconds of battle footage cut.
1'16'00: The scene were Aldo kills Kolp, the Mutant Captain, and other fleeing mutants in the school bus is restored.
1'22'10: The fight between Aldo and Caesar is longer.
1'24'00: DELETED SCENE: Sergeant York tells Alma and Mendez that Kolp's attack failed. Alma leaves to launch the Alpha-Omega missile but Mendez talks her out of it, explaining it must never be used and that it must be venerated. Why this scene was cut from the original release is unknown, since without it the Mutant storyline is left unresolved.
This movie had big ambitions:the hero,Ceasar,Cornelius's and Zira's son,has to change the future,like Bruce Willis would have to do a quarter of century later in "twelve monkeys" -no pun intended-.But the results are not up to scratch,by a long shot:the last two sequels are the poorest of a saga which brilliantly began with Shaffner's classic in 1967(adapted from Pierre -Bridge on the river Kwai-Boulle's absorbing book).
One should note than the first five minutes are footage from 'escape from...." which tend to reinforce Ceasar's Christlike nature ;and it's even enhanced by John Huston's patriarch "lawgiver" (sic) character. And if we consider there are still two or three minutes of footage of "escape" in the middle of the movie,one realizes "battle" is really short weight.No character on the screen ( in spite of Roddy McDowall) can sustain interest as Taylor,Nova,Cornelius,Zira,Zaius and co used to do. Better watch the first one again and again,and avoid Burton's remake.
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