After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
On the eve of her seventeenth birthday, Mari Collingwood tells her parents that she is going to the concert of underground band Bloodlust in New York with her friend Phyllis Stone. She borrows the family's car and heads with her friend to a dangerous neighborhood in the city. Meanwhile, the sadistic and cruel escapees Krug Stillo and Fred 'Weasel' Podowski are hidden in a hideout with their partners Sadie (Jeramie Rain) and Krug's addicted son Junior Stillo (Marc Sheffler) after killing two guards and one shepherd in their runaway. The two girls seek marijuana near the theater and meet Junior that offers some Colombian grass to them. They go to his apartment and are subdued by the criminals that rape Phyllis. On the next morning, they hide the girls in the trunk of their convertible and head to Canada. However, they have a problem with the car's rod and they stop on the road close to Mari's house. When Phyllis tries to escape, the gang stabs her to death and shots Mari after ...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to various cast and crew members (especially David Hess and Fred J. Lincoln), actress Sandra Peabody was genuinely terrified throughout most of the shoot, at one point walking off-set. Eventually the filmmakers caught up with her and convinced her to return and finish the film. See more »
Before being raped, there is blood on Mari where Krug carved his name. After the rape scene when Mari gets up, you can see her chest with no blood, but after she gets up after praying, her chest is covered in blood again. See more »
Hello, Cassie! Hiya, girl! Hello, there! Now, let's see.
[looks through mail]
Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
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In the 1980s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you. From the producers of Last House On The Left, and the director of Friday the 13th Part V, ... The Last House On The Left, Part II. You won't believe your eyes!" (No sequel ever materialized) See more »
The MGM DVD features a section with outtakes and dailies that feature the full intestine pulling scene and more. Mentioned in the MGM DVD featurette, there was an alternate chest-carving sequence that was a lot more graphic than what is in the unrated version of the film. See more »
Whether you love it or hate it (there really seems to be no in-between), you must admit that Last House on the Left is a powerful film. In my opinion, it may be one of the most important American films ever made. Screw Scream--this is Wes Craven's best. Combining professional and amateurish elements on a low budget, it has the scratchy, over-saturated look of a perverse home movie--and the rough edges make it all the more unforgettable. The actors are very good, especially David A. Hess in his definitive role as sadistic sex murderer Krug and Jeramie Rain as a deranged woman obviously modeled after Sadie Glutz. The brutal rape-murders and scenes of vengeance are staged in a chilling, claustrophobic manner that makes you feel like you're there. Oddly enough, the clash of light (the comically inept cops, the cheery soundtrack) and dark elements creates a juxtaposition that's even more disturbing; despite what's happening, the three nuts are enjoying themselves without remorse and the rest of the world just bounces along obliviously. Also, the cop scenes often provide a necessary break from the brutality, giving you a brief second to breathe before plunging you back in. A tone of grim tension is maintained throughout, and it clings to you long after you've left the Last House. How, you ask, could a person enjoy something like this? Because it does what a horror movie is ultimately supposed to do, and I know that in the end, "It's only a movie...only a movie...only a movie..."
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