In 1920 an archaeological expedition discovers the tomb of an ancient Egyptian child prince. Returning home with their discovery, the expedition members soon find themselves being killed ... See full summary »
Young workers are dying because of a mysterious epidemic in a little village in Cornwall. Doctor Thompson is helpless and asks professor James Forbes for help. The professor and his ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at Count Dracula's castle. He is murdered. After some time has passed, the young man's brother Simon comes to the small town ... See full summary »
Roy Ward Baker
On the night before her anniversary, Margaret Fuchs receives an ancient Egyptian ring with a red stone as a birthday gift from her father, Prof. Julian Fuchs. Margaret has frequent nightmares about an expedition in Egypt with five members, including her father, finding the tomb of Queen Tera, an evil sorcerer with a severed hand. The members collect the sarcophagus with a totally preserved mummy, the severed hand with the ring with a red stone, and three relics. Margaret is possessed by the spirit of Tera and chases the expedition members to retrieve the objects and gives life back to Tera.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The to-let sign outside the house occupied by the nefarious Corbeck bears the company name Neame and Skeggs, named for the film's production manager and production supervisor, Christopher Neame and Roy Skeggs, respectively. See more »
In the burial scene the dead princess is still breathing. See more »
The meek shall NOT inherit the earth. They can't be trusted with it.
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The 1971 cinema version was cut and this seems to have become the definitive version for all videos/DVDs since (Region 1 and 2 releases). The cuts were: A shot of a hospital orderly striking an inmate was removed. See more »
It never crossed my mind that archeology could get so sexy. The findings usually tend to have a much drier and dustier appearance. Valerie Leon has really showed new aspects to Egyptology here. In her double role as remarkably well ministered mummy of Queen Tera and Margharet Fuchs she is widely let use the two most expressive features of her physique and to steal the scenes totally without really doing anything. Her lovely eyes.
After countless variations of Count Dracula it was nice to see Hammer studios make good use of another story from Bram Stoker for a change. Mind you, the original novel 'Jewel of the Seven Stars', which this film is based on, does seem to use many of the same kind of story elements; a living dead with a curse and otherworldly powers, bringing the evil to London to be unleashed, a lunatic asylum patient closely connected to proceedings, a beauty with meaningful nightmares and so on. But it doesn't really matter, nobody here gets bitten too badly, anyway.
The film is occasionally rather slow moving and maybe a little too carelessly scripted, but it looks fantastic with the sets and props of Egyptian theme. And the loose hand of the mummy saying hi here and there brings joy every time. For the general mood the whole film seems to have a certain peculiar halo with heavily bright lighting, specially those scenes taking place towards the end. The shine of the curse coming true perhaps. Or good natured fun of silliness.
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