Following a triple professional hit a U.S. agent arrives in Amsterdam to investigate a heroin smuggling ring. He finds a city rife with drugs and a police force unable or unwilling to do ... See full summary »
On the remote Norwegian Bear Island, used as a submarine base by the Germans during World War II, U.N. scientist Larsen sends a distress signal using an emergency N.A.T.O. frequency, and is received by scientific vessel Morning Rose.
During World War I, a British aristocrat, an American entrepreneur, and the latter's attractive young daughter, set out to destroy a German battlecruiser, which is awaiting repairs in an inlet just off Zanzibar.
American Neil Bowman is traveling through France when he meets British photographer Lila. They are hired by French land owner Duc de Croyter to escort a Hungarian scientist to New York. But... See full summary »
For this, his first major starring role, Sir Anthony Hopkins earned eight thousand British pounds. See more »
During Calvert's fight with the bald man at the beginning, you can see that in some shots the actor has been replaced by a stunt double wearing a bald cap. See more »
[Uncle Arthur staggers out of a cabin, looking very seasick]
Boats would be wonderful... if only one didn't have to go to sea in them.
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Unpretentious and entertaining
I saw this at the cinema when it was first released. I was nine at the time and I notice the DVD has now been released with a '15' certificate. Oh, well. I suppose there are some scenes (helpless men shot from a boat as 'payback' for a dead colleague, a very graphic harpooning) that are best not seen by children. In 1971 it just seemed very exciting (and had an 'A' certificate).
I enjoyed the film when I first saw it and while it seems rather dated now, I think it's still worth viewing. It sets out to provide escapist entertainment and on that level it succeeds. My memories of seeing the film 34 years ago (help!) was of the waves crashing against huge black cliffs and *feeling* the cold dampness of North-West Scotland on the edge of the Atlantic. The locations are very well used indeed, the viewer gets a real sense of place.
The cast perform their roles well, Anthony Hopkins and Robert Morley particularly playing mutual antagonism with some nice comic touches.
One reviewer mentioned that Charles Gray's dubbing of Jack Hawkins's voice seemed a bit slapdash. When Charles Gray was interviewed about dubbing Hawkins (which he did quite regularly after the mid-60's) he said that Hawkins insisted on *speaking* his lines even after his voice was gone. The result was to make his delivery very erratic and therefore difficult to voice-over. Jack Hawkins was one of the best actors we've had (Cruel Sea, Bridge on the River Kwai, Ben-Hur, Lawrence of Arabia, etc., etc.) and these supporting roles made a rather sad postscript to his career.
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