Steven Macy lusts after his boss' wife and plans to use an earwig to be rid of him. / The government plays up to a genius' delusion that his dead daughter still lives so he can finish his experiments...
Famine runs rampant in medieval Wales, forcing terrified young Ian to feast on the sins of deceased Mr. Craighill. / The Fultons delight in the sadistic torture of servants, but, may have met their ...
A Gothic love story about a woman and a man who lives in a refrigerated apartment. / Miserly banker Sharsted finds himself trapped after viewing his client's strange optical device. / Edgar Allan Poe...
A seemingly haunted painting drives a greedy man insane. A rich blind woman gets a new pair of eyes that allow her to see for only one brief ironic moment. An idyllic painting gives a Nazi war criminal in hiding some fleeting comfort.
Series of unrelated short stories covering elements of crime, horror, drama, and comedy about people of different backgrounds committing murders, suicides, thefts, and other sorts of crime caused by certain motivations, perceived or not.
A modern revival of the classic science fiction horror anthology show The Outer Limits (1963). Episodes often have twist-endings and involve aliens. Sometimes, a story from one episode continues in a later episode.
Produced at the same time as the more well-known The Twilight Zone (1959), this series was an extension of the tradition of radio horror and supernatural dramas such as Light's Out, The ... See full summary »
Similar in format to Serling's much more famous "Twilight Zone" series. Each week we get a new tale, represented by a painting in an old museum. Whereas the tales in "Twilight Zone" were more science fiction, these tales have a darker, more horrific edge.Written by
The syndicated version of the series took individual segments from the original hour long program and worked them into half-hour episodes. This sometimes meant editing out footage from original episodes that ran longer than a half an hour, or adding footage to those that originally were shorter than half an hour. See more »
For those of you who've never met me, you might call me the under-nourished Alfred Hitchcock.
See more »
Major changes were made to most episodes for syndication. The 60-minute episodes were edited down to 30 minute packages, with major edits to some of the 30-40 minute segments of the original shows. In cases of segments that were only 15-20 minutes in length, these were padded out by adding stock footage, newly shot scenes, and footage from Hollywood movies such as Silent Running and Fahrenheit 451. Most musical cues were also replaced for syndication. In order to augment "Night Gallery"'s syndicated run, episodes of The Sixth Sense were edited down to 30 minutes, had new introductions by Rod Serling tacked on, and were added to the syndicated run of "Night Gallery." See more »
Often lost in the shadow of Rod Serling's first series, "The Twilight Zone," "Night Gallery" was a fascinating experiment in the anthology format. Instead of one story per episode, the hour was splintered into two, three, or four different stories of varying length. Some were quite brief, lasting no more than a minute; others lasted over 40 minutes. The quality often varied, too. A few of the little vignettes were quite bad. Some stories were quite good. And on more than a few occasions, this little mini-film festival on Wednesday nights produced segments that were as good as anything else on TV at the time. Classic episodes included "They're Tearing Down Tim Riley's Bar," "Pickman's Model" (both nominated for Emmys), "The Caterpillar," "Class of '99," "Green Fingers," "The Messiah on Mott Street," "The Sins of the Fathers," "The Doll," "Cool Air," "Silent Snow, Secret Snow," "A Question of Fear," "The Little Black Bag," and "The Dead Man." Because one of these classics could often be followed or preceded by a story of lesser quality, the series got a reputation for being wildly uneven. It was universally lambasted during its network run by near-sighted critics who were thrown off by its inconsistency, and missed the quality elements: intelligent, stylish writing by Serling and others, top-notch production values (particularly in cinematography and music), and innovative directorial touches. For its syndication run, the series segments were butchered to fit into a half-hour time slot, some losing half their length in the editing, and is a travesty, a mere shadow of its former self. Episodes of a boring ESP potboiler, "The Sixth Sense," were annexed into the syndie package with terrible results. Stick to the uncut version.
34 of 38 people found this review helpful.
Was this review helpful to you?
| Report this