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Sympathy for the Devil (1968)

Not Rated | | Documentary, Music | 22 April 1969 (USA)
Godard's documentation of late 1960s Western counter-culture, examining the Black Panthers, referring to works by LeRoi Jones and Eldridge Cleaver. Other notable subjects are the role of ... See full summary »

Director:

Jean-Luc Godard

Writer:

Jean-Luc Godard
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Cast

Cast overview, first billed only:
Sean Lynch ... Commentary (voice)
Mick Jagger ... Himself - The Rolling Stones
Brian Jones ... Himself - The Rolling Stones
Keith Richards ... Himself - The Rolling Stones (as Keith Richard)
Charlie Watts ... Himself - The Rolling Stones
Bill Wyman ... Himself - The Rolling Stones
Anne Wiazemsky ... Eve Democracy
Iain Quarrier ... Fascist porno book seller
Frankie Dymon Frankie Dymon ... Black power militant (as Frankie Dymon Jnr.)
Danny Daniels ... Black power militant
Ilario Bisi-Pedro Ilario Bisi-Pedro
Roy Stewart ... Black power militant
Linbert Spencer Linbert Spencer
Tommy Ansah Tommy Ansah ... (as Tommy Ansar)
Michael McKay Michael McKay
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Storyline

Godard's documentation of late 1960s Western counter-culture, examining the Black Panthers, referring to works by LeRoi Jones and Eldridge Cleaver. Other notable subjects are the role of news media, the mediated image, a growing technocratic society, women's liberation, the May revolt in France and the power of language. Cutting between three major scenes, including the Rolling Stones in the studio, the film is visually intercut with Eve Democracy (Wiazemsky) using graffiti which amalgamates organisations, corporations and ideologies. Godard also examines the role of the revolutionary within Western culture. Although he believes Western culture needs to be destroyed, it can only be done so by the rejection of intellectualisation. "There is only one way to be an intellectual revolutionary, and that is to give up being an intellectual" Written by <gary.elshaw@vuw.ac.nz>

Plot Summary | Add Synopsis

Taglines:

In Eastmancolor and English See more »

Genres:

Documentary | Music

Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

22 April 1969 (USA) See more »

Also Known As:

One Plus One See more »

Company Credits

Production Co:

Cupid Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Producer Iain Quarrier re-cut Godard's original ending. Godard was so enraged when he discovered this at the film's premiere that he punched Quarrier in the mouth. See more »

Alternate Versions

Jean-Luc Godard's original director's cut (titled "One Plus One") runs approximately 110 minutes and consists largely of additional footage of the black power militants. The film's producers were dissatisfied with this cut and deleted 11 minutes, changed the title to "Sympathy for the Devil" to underscore the Stones connection, and added the final version of the title song to the film's soundtrack, over a freeze-frame of the last shot. These changes were all made without Godard's knowledge; when he finally saw them at the film's London Film Festival premiere, he allgedly went berserk and physically attacked one of the producers. See more »

Connections

References All About Eve (1950) See more »

Frequently Asked Questions

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User Reviews

 
Rock Dijon on congas, more....
11 October 2006 | by newsphotoSee all my reviews

Rocky Dijon plays congas. Also engineer Andy Johns is seen and my father, producer Jimmy Miller can be seen through the studio window and heard talking to Mick. The band was working at Olympic studios in London. I spent my childhood in England and many weekends and holidays at Olympic Studios while my father recorded the Stones and Traffic. I made tea or brought soda for everyone while they worked. I sometimes sat on the drums and played around. Charlie said he would give me his kit from his home and I am still waiting for the drums to arrive. The memories will last forever. Now if there was a way to return to the 1960s I would in a heart beat. Steve Miller


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