A man returns to visit his native Sicily after living in New York for a long time. He learns about the Sicilian way of life from stylized conversations with an orange picker, his fellow ... See full summary »
A shot from a car coursing through Rome in 1972 opens this interpretation of Brecht's unfinished experimental novel The Business Affairs of Mr. Julius Caesar. In a second part set in ... See full summary »
In expressive, melodic tones, the fraternal pair debate God's true message and intent for His creations, a conflict that leads their followers - in extravagantly choreographed song and dance - towards chaos and sin.
Two segments. The first one arranges six stories from Cesare Pavese's "Dialoghi con Leucò", taken from classical mythology. The second segment is taken from Pavese's novel "La luna e i falò... See full summary »
After making the domestic servant pregnant, a woman who doubles his age, a young man of only seventeen years from the German bourgeoisie is sent by his family to the United States in order to avoid a huge scandal.
The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social ... See full summary »
A chronicle of Johann Sebastian Bach's life, eschewing drama to focus almost entirely on his music. Narrated by his wife Anna in voiceover, it consists largely of static scenes of Bach conducting and/or playing his brilliant compositions.Written by
Mike D'Angelo <email@example.com>
Gustav Leonhardt portrays Bach in his only performance as an actor. He is a music scholar of International renown, specialized in the works of Johann Sebastian Bach, and a harpsichord virtuoso whose Bach recordings (both as harpsichord player and conductor) are among the finest to be found in recording History. See more »
Very stark, very drab, no real drama. Why not just make a documentary? This isn't exactly The Passion of Joan of Arc. The only reason for seeing Chronicles is to hear the performances. I love Bach's music and even I found it hard to sit through this misery of a film. The great Gustav Leonhardt plays (in two senses of the word) Bach. We don't get much of a sense of him as an actor, since he's given so little to do dramatically. Mostly, he gets to walk purposefully or angrily out of various rooms. Bach's life, of course, was not an Errol Flynn movie. It was indeed fairly drab and more than a little hard. This probably means that the life isn't a terrific candidate for a film. The music, of course, is another story. I recommend The Stations of Bach. Far more information, for one thing, and some insight into the music, which is, after all, why Bach interests us in the first place.
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