6.1/10
390
10 user 1 critic

The Fiction-Makers (1968)

The Saint is asked to act as a bodyguard to the best-selling adventure author Amos Klein, a young woman who uses a male pen-name.

Director:

Roy Ward Baker (as Roy Baker)

Writers:

Leslie Charteris (The Saint by), John Kruse (story) | 3 more credits »
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Cast

Cast overview, first billed only:
Roger Moore ... The Saint
Sylvia Syms ... Amos Klein
Justine Lord Justine Lord ... Galaxy Rose
Kenneth J. Warren Kenneth J. Warren ... Warlock
Philip Locke ... Frug
Tom Clegg Tom Clegg ... Monk
Nicholas Smith ... Bishop
Roy Hanlon Roy Hanlon ... Nero Jones
Caron Gardner ... Carol Henley
Peter Ashmore Peter Ashmore ... Finlay-Hugoson
Frank Maher Frank Maher ... Rip Savage
Graham Armitage ... Carson
Lila Kaye ... Ma
Joe Gibbons Joe Gibbons ... Pa
Anthony Blackshaw ... Morgan
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Storyline

The Saint is asked to act as a bodyguard to the best-selling adventure author Amos Klein, a young woman who uses a male pen-name.

Plot Summary | Add Synopsis

Taglines:

The Saint's most dangerous mission!


Certificate:

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Details

Country:

UK

Language:

English

Release Date:

8 December 1968 (UK) See more »

Also Known As:

Az Angyal elrablása See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (photographed in) (Eastmancolor)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Opening credits: All characters and events in this film are fictitious any similarity to actual persons or events is purely coincidental. See more »

Connections

Edited from The Saint: The Fiction Makers: Part 2 (1968) See more »

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User Reviews

 
Mildly Entertaining and a feint tribute to 60s heist and spy films
24 February 2019 | by shakercoolaSee all my reviews

This feature length British spy film adventure, which dovetailed with the successful TV series of "The Saint", had a limited release and departed slightly from the drama of the series by showcasing the talents of, by then, the light comedy talents of stars, Roger Moore and Sylvia Sims. Technically, it has a flat TV look with full screen ratio because of its release previously as a two-part TV format. As a flick it works better. It has an interesting and ingenious plot, and the action, while not particularly suspenseful, is enjoyable and the third act holds up quite well. Despite it's low budget and a TV stage feel, the film has good production values and is well produced. The film pays tribute in a small way to a burgeoning new genre of fantasy spy and heist films, and as an aside, several scenes and motifs in the film resemble other such films: Goldfinger (1964), Pink Panther (1964) and Entrapment (1999).


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