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Bonnie and Clyde (1967)

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Bonnie Parker, a bored waitress falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.

Director:

Arthur Penn
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2,265 ( 290)
Won 2 Oscars. Another 20 wins & 27 nominations. See more awards »

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Cast

Complete credited cast:
Warren Beatty ... Clyde Barrow
Faye Dunaway ... Bonnie Parker
Michael J. Pollard ... C.W. Moss
Gene Hackman ... Buck Barrow
Estelle Parsons ... Blanche
Denver Pyle ... Frank Hamer
Dub Taylor ... Ivan Moss
Evans Evans Evans Evans ... Velma Davis
Gene Wilder ... Eugene Grizzard
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Storyline

1934. Young adults Bonnie Parker, a waitress, and Clyde Barrow, a criminal just released from prison, are immediately attracted to what the other represents for their life when they meet by chance in West Dallas, Texas. Bonnie is fascinated with Clyde's criminal past, and his matter-of-factness and bravado in talking about it. Clyde sees in Bonnie someone sympatico to his goals in life. Although attracted to each other physically, a sexual relationship between the two has a few obstacles to happen. Regardless, they decide to join forces to embark on a life of crime, holding up whatever establishments, primarily banks, to make money and to have fun. They don't plan on hurting anyone physically or killing anyone despite wielding loaded guns. They amass a small gang of willing accomplices, including C.W. Moss, a mechanic to fix whatever cars they steal which is important especially for their getaways, and Buck Barrow, one of Clyde's older brothers. The only reluctant tag-along is Buck's ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

They met in 1930. She was stark naked, yelling at him out the window while he tried to steal her mother's car. In a matter of minutes they robbed a store, fired a few shots and then stole somebody else's car. At that point they had not yet been introduced. See more »


Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Warner Bros [United States]

Country:

USA

Language:

English

Release Date:

14 August 1967 (USA) See more »

Also Known As:

Bonnie and Clyde See more »

Filming Locations:

Crandall, Texas, USA See more »

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Box Office

Budget:

$2,500,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

To avoid censorship problems, Warren Beatty held off sending a script to the Production Code Administration (PCA), the industry's self-censorship organization, until just before shooting began. Even so, PCA head Geoffrey Shurlock fought, unsuccessfully, to remove the intimation that Bonnie was nude in the first scene, the suggestion of oral sex in one bedroom scene, and the scene in which a bank teller is shot in the face when he jumps on the getaway car's running board. Later, Beatty had another fight to convince the head of the National Catholic Office of Motion Pictures (the successor to the Legion of Decency) that Faye Dunaway was properly covered when she runs downstairs to meet Beatty in the film's first scene. The official kept insisting that he could see her breasts. See more »

Goofs

Still on the bed, after Clyde stands up, Bonnie appears with a gun near her face in close-up. The subsequent shows her standing up with no gun nearby at all. See more »

Quotes

Clyde Barrow: This here's Miss Bonnie Parker. I'm Clyde Barrow. We rob banks.
See more »

Alternate Versions

The shots of Bonnie (Faye Dunaway) attempting to perform oral sex on Clyde ('Warren Beatty') were removed from network television versions. See more »

Connections

Referenced in All Over Me (1997) See more »

Soundtracks

I Love to Spend Each Sunday with You
(uncredited)
Written and Performed by Eddie Cantor
Played on the radio
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Frequently Asked Questions

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User Reviews

 
Bloodshed in the American Dustbowl...
7 October 2008 | by moonspinner55See all my reviews

Although numerous chapters in film manuals have been dedicated to Arthur Penn's violent, jagged, cynical "Bonnie and Clyde"--and, indeed, it kick-started a new permissiveness in American movies which then generated many imitations--the first 20 or so minutes of the picture are pretty awful. Depression-era waitress, bored and thrill-seeking, finds herself drawn to a smooth-talking, reckless hood, an ex-con who, when playfully dared to, robs a general store right in front of her. He's sexually impotent but does have a sympathetic heart for the unfortunates and the working class; she's a high-wire act, strictly amoral and greedy. Their initial meeting outside her house has all the conventions of a standard 1930s drama--and just because the movie's look is generally correct doesn't mean what's happening on the screen is original. Producer Warren Beatty and screenwriters Robert Benton and David Newman were inspired by the French New Wave in regards to the film's approach and style, and their efforts to duplicate the amoral feel of European films paid off (this is a good-looking picture shot by Burnett Guffey, who won an Oscar). However, Arthur Penn's direction isn't visionary, and the multiple car-riding shots with back projection don't seem to break new ground. The film's greatest achievement--aside from its textured look--is the casting: Beatty and Faye Dunaway do marvelous work in the leads; Gene Hackman and Estelle Parsons are also fine as Clyde's brother and sister-in-law (Parsons won the film's second of two Oscars as Best Supporting Actress); Michael J. Pollard is an amiable curiosity as partner C.W.; and there are dandy smaller bits by Denver Pyle, Dub Taylor and Gene Wilder. The violence grows increasingly, steadily, as the film inches toward its queasy conclusion, while Penn juggles (successfully at times) ribald character moments with deadly serious--and bloody--scenes (which also became fashionable). The sweat and the flies, the downtrodden and the righteous, they all get a work-out in this scenario, which, in its best moments, has a prickly-comic and dangerous edge. Nominated for 10 Oscars in all, including Warren Beatty as Best Actor and producer of the Best Picture, Dunaway as Best Actress, Hackman and Pollard in the Supporting Actor category, Penn for his direction, Benton and Newman for their original screenplay and Theodora Van Runkle for her costumes (which started a brief fashion trend). *** from ****


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