7.6/10
12,476
109 user 24 critic

The Sand Pebbles (1966)

In 1926, a U.S. Naval engineer gets assigned to a gunboat on a rescue mission in war-torn China.

Director:

Robert Wise

Writers:

Richard McKenna (novel), Robert Anderson (screenplay)
Reviews
Nominated for 8 Oscars. Another 2 wins & 13 nominations. See more awards »

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Director: Robert Mulligan
Stars: Lee Remick, Steve McQueen, Don Murray
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Cast

Cast overview, first billed only:
Steve McQueen ... Jake Holman
Richard Attenborough ... Frenchy Burgoyne
Richard Crenna ... Captain Collins
Candice Bergen ... Shirley Eckert
Emmanuelle Arsan ... Maily (as Marayat Andriane)
Mako ... Po-han
Larry Gates ... Jameson
Charles Robinson ... Ensign Bordelles
Simon Oakland ... Stawski
Ford Rainey ... Harris
Joe Turkel ... Bronson
Gavin MacLeod ... Crosley
Joe Di Reda Joe Di Reda ... Shanahan (as Joseph di Reda)
Richard Loo ... Major Chin
Barney Phillips ... Franks
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Storyline

Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and cynical nature soon clash with the "rice-bowl" system which runs the ship and the uneasy symbiosis between Chinese and foreigner on the river. Hostility towards the gunboat's presence reaches a climax when the boat must crash through a river-boom and rescue missionaries upriver at China Light Mission. Written by Martin H. Booda <booda@datasync.com>

Plot Summary | Plot Synopsis

Taglines:

This is the heroic story of the men on the U.S.S. San Pablo who disturbed the sleeping dragon of savage China as the threatened world watched in breathless terror See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence and sexual material | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Mandarin

Release Date:

20 December 1966 (USA) See more »

Also Known As:

The Sand Pebbles See more »

Filming Locations:

Taipei City, Taiwan See more »

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Box Office

Budget:

$12,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (BBFC submission before censorship) | (roadshow)

Sound Mix:

70 mm 6-Track (70 mm prints) (Westrex Recording System)| Mono (35 mm prints) (Westrex Recording System)| 4-Track Stereo

Color:

Color (Color by Deluxe)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The only Best Picture Oscar nominee that year not to be nominated in any of the writing categories. See more »

Goofs

When Hollman reports aboard San Pablo, he salutes twice, once ostensibly for the National Ensign and once to the Officer of the Deck. As it is after dark, the Ensign is not flying and there is no saluting it. See more »

Quotes

Frenchy Burgoyne: [exchanging marriage vows; slowly and with feeling] We're mixing our lives together, Maily, and we'll never be able to unmix them again, and we'll never want to. I take you for what you are, and all that you are, and mix you with all of me, and I don't hold back nothing. When you're cold, and hungry, and afraid, so am I. I'm going to stay with you all that I can, take the best care of you that I can, and love you 'til I die.
Maily: I will always love you and honor you and serve you, and stay as near to...
See more »

Crazy Credits

There is a credit for 'Diversions by Irving Schwartz' in tribute to a mysterious, unknown correspondent whose letters proved a morale booster to cast and crew during trying location work in Hong Kong and Taiwan. See more »

Alternate Versions

The original "roadshow" version ran 196 minutes; later cut to its present length (182 minutes) for its general release. The roadshow version was included in a 2007 special edition DVD release, which provided the first viewing of this version since the original 1966 release. See more »

Connections

Referenced in Free Love Confidential (1967) See more »

Soundtracks

Sleepy Time Gal
(uncredited)
Music by Richard A. Whiting and Ange Lorenzo
Lyrics by Ray Egan and Joseph R. Alden
See more »

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User Reviews

 
The Sand Pebbles - a powerful and human anti-war film
11 October 2000 | by ferniesSee all my reviews

`The Sand Pebbles' has been one of my favourite films since I first saw it on television in 1976. The widescreen version does justice not just to the sweeping panoramas of the quite breathtaking Chinese scenery, but also to the sweeping events and themes of the story. It is in every way a `big' film, dealing with political and military intervention (clear parallels with Vietnam at the time of release), nationalism, racism, and the horrors of war. Yet for all its heavy themes, it is most successful in the depiction of its very human characters. These characters are not just the means of conveying the `messages' of the film, or fodder for the gripping and well-staged action scenes. They are individuals in their own right, involved in something far greater than their own destinies. Some are unpleasant and ignorant while others are honourable but lost in the sea of historic events surrounding them. Some, like Jake Holman (Steve McQueen), demand sympathy and respect as they struggle to come to terms with their personal challenges brought to the fore by these historically significant and politically dangerous events.

Inevitably there are slow and confusing passages as the political implications are expounded, but these are more than compensated for by our emotional engagement as we become involved in the stories of the people caught up in the political fall-out. Robert Wise's direction is strong and emotionally charged, complemented perfectly by Jerry Goldsmith's wonderfully haunting and ominous music. Steve McQueen gives what was probably the performance of his career (receiving his only Academy Award nomination), and he is supported by a wonderful cast including Richard Attenborough, Richard Crenna, Candice Bergen (aged just 19), and especially Mako. But it is really McQueen's film. His very presence lifts scenes and he manages to convey authenticity and gain the sympathy of the viewer with consummate ease. Apparently misunderstood by some critics on its release, it is a powerful and intrinsically human anti-war film. It is not a happy film, but it is totally absorbing and thought provoking.


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