6.0/10
2,400
31 user 11 critic

Roustabout (1964)

After a singer loses his job at a coffee shop, he finds employment at a struggling carnival, but his attempted romance with a teenager leads to friction with her father.

Director:

John Rich

Writers:

Anthony Lawrence (screenplay), Allan Weiss (screenplay) | 1 more credit »
1 nomination. See more awards »

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Cast

Complete credited cast:
Elvis Presley ... Charlie Rogers
Barbara Stanwyck ... Maggie Morgan
Joan Freeman ... Cathy Lean
Leif Erickson ... Joe Lean
Sue Ane Langdon ... Madame Mijanou
Pat Buttram ... Harry Carver
Joan Staley ... Marge
Dabbs Greer ... Arthur Nielsen
Steve Brodie ... Fred
Norman Grabowski ... Sam
Jack Albertson ... Lou
Jane Dulo Jane Dulo ... Hazel
Joel Fluellen Joel Fluellen ... Cody Marsh
Wilda Taylor ... Little Egypt
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Storyline

Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate dad runs him off the road when he flirts with his daughter. He's forced to hook up with a traveling carnival until his bike can be fixed. The carnival is run by a tough old broad, a broken-down drunk and his nubile daughter. Along the way, Charlie (who's got a chip on his shoulder about being an orphan) somehow learns about family values from this vaguely dysfunctional one. A scheming rival carny shows up, based on the legend of Colonel Tom Parker, Elvis Presley's real-life manager. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Elvis Presley as a Roving, Restless, Reckless, ROUSTABOUT


Motion Picture Rating (MPAA)

Rated PG for mild thematic elements and language | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

11 November 1964 (USA) See more »

Also Known As:

Right This Way Folks! See more »

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Box Office

Gross USA:

$3,000,000
See more on IMDbPro »

Company Credits

Production Co:

Wallis-Hazen See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When Cathy and Charlie ride the Ferris wheel, there's a point of view shot. It's actually the view from the back of the seat, not the front. The Ferris wheel pulls the characters backwards and the Merry-go-round can be seen behind them as the sit down. If it were the point of view of the characters, you would see the framework of the wheel. See more »

Goofs

Several new vehicles in the film, including police cars, display California dealer license plates. See more »

Quotes

Charlie Rogers: Are you cold or do I make you nervous?
Cathy Lean: Both.
Charlie Rogers: You can come a bit closer you know, I give off plenty of body heat.
See more »

Connections

Referenced in The Haunted World of Edward D. Wood Jr. (1995) See more »

Soundtracks

Hard Knocks
Written by Joy Byers
Performed by Elvis Presley
See more »

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User Reviews

 
ROUSTABOUT (John Rich, 1964) **1/2
25 August 2007 | by Bunuel1976See all my reviews

Once again, this is an above-average Elvis Presley star vehicle but which, at the end of the day, offers nothing really new; still, I feel that the star’s own performance here is near the best that I’ve seen him give as he is well up to the challenge of playing a relatively complex character: alternately selfish, cocky, rebellious but, eventually, compassionate and even shrewd.

Presley, however, is let down by the plot which, as I said, is not only formulaic and, therefore, entirely predictable but rather sentimental as well, what with Barbara Stanwyck’s carny show forever on the brink of foreclosure; one other definite thorn in the film’s side is the one-dimensional nature of Leif Erickon’s grumpy characterization. On the other hand, Stanwyck’s participation adds undeniable distinction to the film (her role had previously been offered to Mae West!) and lovely Joan Freeman projects the right mix of independence and vulnerability as the heroine.

At least, the vivid carnival setting does provide plenty of opportunity for color, action, thrills, romance, comedy (courtesy of Sue Ane Langdon as a flirtatious fortune-teller) and, of course, songs which are not too bad – “Poison Ivy League”, “One Track Heart” and, especially, the Jerry Leiber-Mike Stoller penned “Little Egypt” – though, again, Elvis has certainly sung better ones in his Fifties heyday.

For the record, an uncredited Raquel Welch can be glimpsed among the college kids in the film’s very first sequence and, unless they didn’t hit it off here, it seems rather strange now that they were never paired together when she became a star in her own right a couple of years later!


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