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Quintessential James Bond 007 Sean Connery's best film my favorite
ivo-cobra89 November 2017
Goldfinger (1964) is Quintessential James Bond 007 it is my number one all time favorite James Bond 007 film from Sean Connery. This one, You Only Live Twice and DR. No from Sean Connery are really my top three all time favorite James Bond 007 films. This was originally the first James Bond film I saw as a kid. Goldfinger was also my dad's favorite James Bond film and in years it become a cult classic. Even for 53 year old movie it still a classic the best 007 flick. I love it to death, I am enjoying it and I have so much fun watching it.

This movie has so much action, action, action and more action. Sean Connery does an excellent performance as James Bond 007 I'm a hard-core James Bond fan. I make no apologies for believing that even the late Sean Connery is the closest thing we've seen to IAN FLEMING's James Bond. Everyone who watched this movie know is a really good Bond movie.

The reason why is this movie so good: - James Bond has new cool car Aston Martin DB5 build with smoke screen in which can throw a co driver seat out of the car and the revolving licence plate. The car also has other applications such as: 30 calibre machine guns, Tire-shredding blade, Oil smoke and water emitters. Actress Shirley Eaton as the murdered Jill Masterson-" is one of the most enduring images in cinematic history. The girl is painted with gold and dies. Memorable and cool villains like are: Auric Goldfinger and Oddjob ( Goldfinger's second henchman.) Oddjob wears a Sandringham hat with a sharpened steel rim, he is using it as a lethal weapon in the style of a chakram. The movie has great sexy beautiful girls like Honor Blackman as Pussy Galore, Shirley Eaton as Jill Masterson and Tania Mallet as Tilly Masterson. Cool dialogues I love it so much.

"Do you expect me to talk? No, Mr. Bond, I expect you to die!"

This was directed by director Guy Hamilton it was his first James Bond 007 film the first two films were directed by Terence Young in which he directed Thunderball next Bond movie after this one. This movie also didn't evolve around SPECTRE this time like was in the first two film it was about a brilliant mastermind criminal in which he planed to blow off Fort Knox to get more profits for his Gold brilliant! It has beautiful great music score by John Barry I love it. The car Aston Martin DB5 James Bond 007 was driving was so cool, it has so many accessories it was beautiful to watch it.

Investigating a gold magnate's smuggling, James Bond uncovers a plot to contaminate the Fort Knox gold reserve.

This movie has so much impact it is well acted it has great brilliant plot.

Gert Fröbe R.I.P was brilliant and excellent as Goldfinger the original villain. He gave his powerful performance as the bad guy from the title of the movie. I love him in this movie.

Harold Sakata R.I.P. as Oddjob was great villain just like Goldfinger, he was really strong and excellent in hand to hand combat. Oddjob and Jaws are two great Bond villains.

Honor Blackman is the first of a long line of James Bond females with patently sexual names And ho could ever forget Shirley Eaton's introduction in the film? She is lying on a chaise longue on the balcony of Goldfinger's Miami Beach hotel suite, attired in black bra and panties, while she observes Mr. Simmons' (Austin Willis) gin hand through binoculars.

What more could you ask for? Well, how about a film in which Bond actually *does* something? For the whole 2nd half of this movie he's just a prisoner who fails every attempt to escape, signal his superiors or even deactivate the bomb himself. Even killing Oddjob at the end is ultimately meaningless as he's still trapped in the vault with a bomb he can't disarm until the Army rescues him.

Goldfinger is a 1964 British spy film and the third instalment in the James Bond series to be produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is based on the novel of the same name by Ian Fleming. The film also stars Honor Blackman as Bond girl Pussy Galore and Gert Fröbe as the title character Auric Goldfinger, along with Shirley Eaton as the iconic Bond girl Jill Masterson. Goldfinger was produced by Albert R. Broccoli and Harry Saltzman and was the first of four Bond films directed by Guy Hamilton.

10/10 Goldfinger and The Spy Who Loved me has such a great villains and they are both in my top 10 James Bond favorite films. I just love and enjoy watching this film. Goldfinger in my opinion is MILES way better then Daniel Craig's last three films he did. This movie deserves a cult classic status movies like this will never be so good like was Goldfinger. It is quintessential James Bond 007 action cult classic film I love this movie to death it is my number one favorite Sean Connery's James Bond 007 film.
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Best Bond movie ever.
MovieAddict20167 May 2004
Goldfinger could best be described as the quintessential, definitive Bond film, the first of the series to set the necessities of the entire saga in motion. It is also the best of the Bond movies, arguably the most suave and sophisticated, far superior to the Roger Moore era and those who followed in Connery's footsteps. It is the Bond ultimatum, so to speak.

Goldfinger was the first of the iconic legacy to feature Q (Desmond Llewelyn) as a recurring comic relief figure. (He was introduced in From Russia with Love, the second film in the series, where he was credited as Major Boothroyd, and given little screen time.) It was also the first to truly setup the suave nature of 007, the tongue-in-cheek humor (absent in the first movie, Dr. No), the far-fetched gadgetry (including fast cars, this one being an Aston-Martin) and, arguably, the first of the series to feature the famous line, "Bond, James Bond," as a 007 catchphrase, versus a mere line of dialogue. When Bond storms out onto the patio of the motel room, the camera zooms in towards his face, the 007 theme song roars through the speakers, and he says his motto with cool confidence. It's Bond, baby.

Both of Goldfinger's predecessors were darker, more serious motion pictures -- more in-tune with the writing of Fleming versus the suaveness to later be salvaged from the series with the third installment. Although Dr. No was a terrific movie, and although From Russia with Love is exciting, Goldfinger beats them both. It features the best (and most famous) Bond villain to ever grace the screen, constantly spoofed in countless productions: Goldfinger (Gert Fröbe), the target of Austin Powers in Goldmember and, according to IMDb, referenced and spoofed in well over 100 other productions.

There isn't much of a plot, really. Goldfinger plans to rob Fort Knox and become the richest man in the world. Bond finds out and tries to put a stop to his mission. What entices us, and what makes the film so entertaining despite the absurdity, is its leniency towards itself. It doesn't mind being silly because the entertainment value far outweighs any flaws. Plus, it has some of the most memorable scenes in history, and arguably the best Villain Explanation Scene to ever be recorded. "Do you expect me to talk, Goldfinger?" Bond (Sean Connery) asks as a laser beam slowly makes its way towards his groin. "No, Mr. Bond, I expect you to die!" he says with mock ridicule, before walking away. The following shots is one of the only sequences in James Bond history where the iconic character actually seems fairly worried that fate may be playing a deadly hand.

Released in 1964, forty years later it stands as one of the most risqué Bond films to date. Especially for its time, there is brief nudity during the opening credits, sexual scenes, constant innuendo (including a Bond girl named "Pussy Galore," played by Honor Blackman) and implications of lesbianism.

Galore's sexual orientation is not delved into as deeply and explicitly as it may be dealt with in today's day and age, but the inclusion exists. Bond struggles verbally with Galore, trying to woo and seduce her, and she subtly implies from their very first meeting that she will not be seduced, claiming it is impossible for Bond to get very far with her, thereby insinuating that she is, in fact, a lesbian. According to the director of the film, Guy Hamilton, the entire situation is given much more emphasis in the novel by Ian Fleming, but it was simply too foul a subject for audiences back in 1964. Surprisingly, the verbal exchanges and implications behind the subject matter are much more effective.

All of the actors in Goldfinger are, at the very least, very good. But of course, it is really Sean Connery who demands our utmost attention and respect, for it is Connery whose inhumanly strong screen presence launched Bond into the heights of Movie Legend.

Recently in London I attended a James Bond exhibition, and as I made my way through a maze of Bond memorabilia and objects used in all twenty-something movies, I found myself realizing that the myth of 007 propels the films farther than anything else ever could. There is a sort of iconic legacy surrounding the entire Bond franchise that will probably never die. Different action heroes come and go, and nowadays Rambo looks criminally out of date, but Bond, in his black-and-white tuxedo, with all his suave sophistication, will never grow old, because he is a timeless hero who is comprised of all the greatest heroic attributes to ever be assembled, and although his style and looks may grow weary amid the changing ages, his character will remain the ultimate hero, and I very much doubt that we will ever live to see a day when Bond becomes outdated.
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The superlative James Bond film
ToldYaSo20 July 1999
First of all, I must state for the record, Sean Connery is THE James Bond. Even though the first Bond film I ever saw was "For Your Eyes Only" with Roger Moore. I was very young and very much drawn in. I have seen every one of the Bond films and without a doubt, "Goldfinger" is the finest the 007 saga has to offer.

Before I had begun an appreciation of the Connery films, i.e. before I'd seen them, a good friend and cartooning mentor, Ross Paperman, sorted me out. He helped me see how Connery's Bond was suave and sophisticated but also demonstrated a quality the other Bonds do not portray: fear. Not a panicky soil-your-pants kind of fear, mind you. But Connery's Bond actually has a few anxious, sweat-soaked-brow moments. A perfect example is when Bond is strapped to a table as Goldfinger's captive with a laser beam primed to cut him in half. 007 has to think fast. "Do you expect me to talk?" "No, Mr. Bond, I expect you to die!" A famous scene and line from Bond's most enjoyable film.

Perhaps what makes the earlier films more enjoyable is that they had fresh, innovative elements that have now become cliché and gimmicky. The new films are often stale and already covered ground and they don't even appear to be trying anymore.

But it's more than that. Even watching "Goldfinger" today, having seen all the latest in special effects and technology that Hollywood has to offer, it still is riveting and thoroughly entertaining. That is also without the added advantage of being overly nostalgic about "Goldfinger". How could I? I hadn't even been born when it first hit theaters, and it was far from my first 007 experience. The story, the characters and the fun of "Goldfinger" is timeless and if given a chance could probably rope in a whole new generation of fans. It just doesn't seem likely to happen.

Much of the satire from the Austin Powers films is directly derived from the Connery films, especially "Goldfinger" and "Dr. No", proving their lasting effect on popular culture. As well, John Barry's scores from the Connery films are finding their way into the ears of a new generation through pop music as snippets from his soundtracks are sampled by such artists as Robbie Williams, Mono and Curve, to name a few.

But if by some fluke you read this and you haven't seen "Goldfinger" yet, do yourself right and acquaint yourself with the real James Bond. You'll probably be hooked by the time you hear Shirley Bassey's voice in the famous opening theme.
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The superb Aston Martin DB5: a truly lethal combination of beauty and power…
Nazi_Fighter_David7 July 2005
Warning: Spoilers
Although 007 is notoriously careless with the equipment delivered to him by Q, there is one item that retains a close hold on his affections—the superb Aston Martin DB5 entrusted to him on the "Goldfinger" mission…

The Bank of England suspects that Goldfinger has been smuggling large amounts of gold bullion around the world… Armed with a bar of gold as bait, Bond is assigned to uncover the truth about the man with the "Midas touch."

Gert Frobe—who had played a German sergeant on Omaha beach in "The Longest Day"—is perfectly cast in the role… He's an overweight man, but he's dressed smartly and expensively, and he has a certain lightness and grace to him… He's also supremely confident, self-assured, and resourceful… And even though Bond keeps thwarting him, nothing will shake his will to succeed…

Honor Blackman is the first of a long line of James Bond females with patently sexual names… And ho could ever forget Shirley Eaton's introduction in the film? She is lying on a chaise longue on the balcony of Goldfinger's Miami Beach hotel suite, attired in black bra and panties, while she observes Mr. Simmons' (Austin Willis) gin hand through binoculars…

The Swiss location shots add an international dimension to the fun with the chase along the overwhelming Swiss highways with the Alps in the background...

With two immortal exchanges: "You expect me to talk?"/"No, Mr. Bond, I expect you to die!" and "My name is Pussy Galore"/"I must be dreaming."), and with a fairy tense plot between a large number of highlights, and an expected spread of gadgetry, great women, and a menacing heavy with a deadly weapon, "Goldfinger" is probably the liveliest and most amusing of the Bond spy spoofs…

In this entertaining film, Bond enjoys a bottle of Dom Pérignon'53...
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24 carat Bond...even Pussy went down Well
Spondonman26 November 2012
Almost sublime - this James Bond film had it all, from adventure to romance to thrills. It starts with a shocking electrocution and then into the classic saucy gold credits before the scene is set with Goldfinger himself.

Bond, played by dashing Sean Connery for the third time, has to find out what unpleasant gold-smuggling chap named Auric Goldfinger is up to and put a stop to it. He tracks him down first to Geneva then Kentucky in a sparkling sequence of adventures, occasionally involving bumping into Goldfinger's memorable Korean hatchet-man Oddjob with the odd hat. Favourite bits from so many: short-lived girlfriend Shirley Eaton going for gold; polished Bond being dismissive of the brandy at the Bank Of England much to M's pleb puzzlement; the debut of the special Aston Martin and Q's workshop; the narky golf match between Bond and Goldfinger; Bond's close but rather unnecessary laser shave at Goldfinger's HQ; his various encounters with feisty Pussy Galore (Honor Blackman); the gangster with the pressing engagement; and Shirley Bassey's title song was by miles the best Bond song ever.

The whole film is still a joy, maybe improbable and even ludicrous at times yet I watched it rapt all these years later. It portrays back to us a simpler world though we didn't know it at the time, a world I can sometimes relate to better than the beautiful perfect world we have now. You don't need cgi cartoonery, strong sex, extreme violence, so-called realism – or even a sensible story – if you've got the right mix of escapism and personality put together by people who enjoy what they're doing instead of only being in the middle of a franchise.
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The Blueprint For the Franchise
Orpington21 July 2003
Goldfinger was the third Bond film and, on its release in 1964, proved itself to be the first blockbuster of the series, firmly establishing OO7 in the public imagination. Dr No and From Russia with Love had both been successful, but Goldfinger outperformed both at the Box Office, and in the process laid down the guidelines for nearly every Bond film that has followed since.

There is undoubtedly much to admire about the film, not least the memorable Shirley Bassey theme song, still one of the best. Guy Hamilton directs with impressive assurance, the locations are excellent and Sean Connery is once again the epitome of cool as Bond, although he is not as menacing as he was in the first two films. He is, however, still a believable character and finds himself in genuine danger during the film, having to rely on his wits to survive. Goldfinger is one of the great Bond villains, played with real bonhomie by Gert Frobe, who succeeds in making him a more fleshed-out character than many of the one-dimensional baddies of later films. The wonderfully-named Pussy Galore, meanwhile, is one of the best Bond girls. Honor Blackman plays her as a woman with real spirit and intelligence, and it is a pity she does not get more screen time.

Goldfinger also introduced several elements which have since become cliches of the Bond series. For the first time Bond visits Q's workshop to pick up his equipment, and for the first time he receives some fancy gadgets, packaged up in the famous and stylish Aston Martin. The film is also injected with a lot more humour than its predecessors, with OO7 throwing out one-liners more frequently and a somewhat camper tone being introduced to proceedings. As Oddjob, Howard Sakata is the first in a long line of totally silent but lethal henchmen. He is not as good as Red Grant in From Russia with Love (who spoke), but his deadly hat is memorable, and he is a formidable opponent for Bond.

Good as it is, however, it could be argued that Goldfinger had a malign influence on many of its successors. Because it was so successful, the Bond producers became convinced that later OO7 releases should follow the same gadget-led, tongue-in-cheek style, but on a grander scale. As a result, Goldfinger began the shift away from the relatively serious, hard-edged tone of the first two films towards the light-hearted visual spectaculars that would come to dominate the franchise in the 1970s. Taken on its own terms, though, Goldfinger certainly ranks as one of the best Bond films, and is much better than the later ones which tried hardest to mimic and outdo it. Personally I like the tougher films in the franchise the best, especially From Russia with Love, but Goldfinger is the most enjoyable Bond film of its kind, and deserves its classic status.
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Memories "Galore" For This Bond Film
ccthemovieman-111 March 2006
Whether it's my nostalgia talking or a plain fact, I've always looked at this as the best James Bond film ever produced. It had the most memorable characters and scenes I can remember over these four decades of Bond films. Yes, it's dated by now and not as exciting as when it came out, but it's a treasure among the films of the 1960s.

It has a winning combination of good action, drama, romance and comedy. Best of all, it has great characters that all of us who first saw it years ago still remember: "Auric Goldfinger," Oddjob,." and - of course - "Pussy Galore," one of the all-time great names in the history of film!

The story moves fast without overdoing the action. Sure some of it - especially today - looks contrived and corny, but that's part of the fun and charm of the film. Meanwhile, Bond's Aston-Martin DB5 sports car will never go out of style. It's still very the film.
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No Mr Bond, I expect you to die!
philipposx-1229024 January 2018
Hands down, Goldfinger is the most iconic bond movie of all time. It is the standard by which later Bond films will be judged and it set the bar massively high for the bonds to come. Every, EVERY, E-V-E-R-Y Scene is memorable, unique and legendary in it's own right. The dozen one liners and facials are excellent, all the characters are excellent and all performances are amazing. The story and the plot isn't as deep as we get in movies like Skyfall (2012) or From Russia With Love (1963) but I doubt that this is a flaw. Oddjobb is iconic, Goldfinger is iconic, Pussy Galore is iconic and Sean Connery is at his best! Tied with 2006's Casino Royale as the best Bond Movie of all time.
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Effortless cool, Bond was never greater
Now, we're talking.

What Goldfinger does, that so many subsequent Bond movies forget, is not overdo things. It underplays everything. This is a movie of such effortless cool and style that it's sweeps the viewer along with charm. Many Bond movies also jar between action and non-action scenes (The World is Not Enough, for instance). Goldfinger moves through the gears with aplomb.

Goldfinger is so stylish that even the pre-credit sequence contains more cool than the entirety of most 007 films. You have the iconic wetsuit/tuxedo scene; Bond lighting a cigarette just as an explosion goes off; the unflinchingly brutality of Bond electrocuting a man then just turning away to make a quip; and finally him slamming the door - even than leads perfectly into the Shirley Bassey theme.

Everything is pitch perfect. Goldfinger himself is the ideal combo of vulgar greed and gentlemanly host. A perfect foe for for Bond. Pussy Galore combines the voluptuousness of 60's Bond girls with the spirit of the more modern ones. Connery himself is the epitome of Bond; charismatic, tough, ultra-suave.

There are plenty of standout scenes; the laser-beam table is unmatched in the series for sheer, pure tension; the aston martin chase is again one of the best in the series and shows up similar scenes in the likes of Die Another Day as merely visual showcases - this one is genuinely exciting. Bond's fight with Oddjob set the template for numerous, 'How do I stop this guy?' cat-and-mouse fight scenes, especially in Spielberg movies.

You might argue than Goldfinger could do with at least one more action set-piece, as it does slow down before the climax whilst Bond is Goldfinger's guest. But it wouldn't really fit into the story. As a Bond film, Goldfinger is practically perfect. Connery even has the best wig.
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"No Mr Bond, I expect you to die!"
uds312 September 2002
Could anyone not recognise that line today...and still be clinically alive?

You hear talk about a "hit movie" today...what's that? "xXx" ??? (which itself owes its total existence to this film!) No my friends, "Success" is queuing up down the street to watch a film screening two sessions ahead. GOLDFINGER was such an enormous hit in '64 nothing much else mattered but THE BEATLES and seeing Connery do his thing! and let me add, NO-ONE has ever done the James Bond thing Vin Diesel himself readily admits.

GOLDFINGER was everything that James Bond, action movies and escapism in general ever COULD amount to. Dated it may be, laughable back-projections yes! outrageous jump-suits and hair-styles....but still no one has come up with a better Bond film - and God they've had 18 stabs at it! PLUS a few ring-ins. (CASINO ROYALE, NEVER SAY NEVER AGAIN) Much of the credit for this fantastic film must go to the (then) new Bond Director Guy Hamilton, who ushered-in here an acknowledgment that Bond must grow and develop as a character and the ability to be able to send both himself and the series up via some smart dialog. How they ever managed to get away with the name "Pussy Galore" on screen, still staggers me!

The gadgets hit a new high with this third outing which at the box office that year blew most everything else off the screen. At the London theater premiere, they had the famous Aston Martin actually there in the foyer...and you people think the latest Holden Commodore has some meaning???? Gimmee a break guys! Its taken them forty years to make publically available the satellite tracking system used here. THAT'S how far ahead of its time it was!

Was this packed with memorable dialog too? "This is GOLD Mr Bond!" "Lovely sport!" "Oh, he had a pressing engagement," "You don't look like the sort of girl should be ditched!" and the quintessential "I never joke about my work 007" Gert Frobe's villainous Goldfinger has never been improved upon and Harold Sakata's bad-guy Oddjob simply never equalled.

GOLDFINGER had everything. It stands as perhaps THE icon of 60's movie-making and for those lucky enough to have been around then, it remains the most beloved of nostalgic revisitations.
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Bond… Quintessential Bond!
Coventry10 September 2017
Every individual James Bond film has some good assets and at least two or three special qualities that make it fantastically entertaining. "Goldfinger", however, exclusively has great assets and special qualities! I think this third entry in the series is almost unanimously – and righteously – labeled as THE best Bond movie of all. It's definitely also the most quintessential title to watch in order to get fully acquainted with the lead character's personality and working methods, as well as with the type of assignments he receives from his employer, his opponents and the hi- tech attributes he gets to help him. You'd expect all this to become clear already in the first film, "Dr. No", but the character created by Ian Fleming was still fairly unknown back then and hence the production values were a lot lower. Barely two years and only one sequel later, James Bond had already become a phenomenon and "Goldfinger" delivered the incredibly high expectations of the fans. It truly also is a terrific film, with an utmost solid script, a top three legendary villain and various highly memorable action & suspense sequences. Personally, I have the bizarre habit of ranking my favorite Bond movies based on the evil- factor and charisma of the villains, and thus "Goldfinger" is quite high up there thanks to the sublime roles of Gert Fröbe as the titular character and Harold Sakata as Oddjob, his silent but deadly henchman who pulverizes golf balls with his bare hands and throws around his killer-hat of steel. The gold-obsessed magnate has thought up an ingenious plan to rob the entire American gold supply from Fort Knox and naturally it's 007's job to prevent this from happening. Therefore Bond infiltrates into Goldfinger's private affairs twice; messing up his game cheating routines and seducing his female accomplices. Auric Goldfinger is undoubtedly one of the most vicious Bond-villains, but arguably also one of the dumbest! Never before or after did 007's opponents receive so many open and easy chances to eliminate him, but Goldfinger decides not to take the risk and kill his disloyal female assistants instead! Many, many sequences in this third Bond film are pure vintage, including the white tuxedo underneath the diving suit, Shirley Eaton's golden corpse, an uncomfortable laser beam moment and – of course – every scene with that awesome Aston Martin!
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The best Bond movie with Sean Connery
bellino-angelo201416 August 2018
Always had been a great fan of the 007 movies (especially the Sean Connery and Roger Moore ones), and this is maybe, along with DR. NO and THUNDERBALL, the best of the Sean Connery as James Bond movies.

The story is simply one of the best for a Bond movie, the movie is full of action sequences, the acting is great, and the theme song by Shirley Bassey is just a delight to hear at. And there are lots of great gadgets too!

The characters are the best in a 007 movie. James Bond is charming and womanizer as ever, Pussy Galore is stunning and so Jill Masterson. And the villains, Goldfinger and henchman Oddjob are top-notch, and Goldfinger is bizarre because he is obsessed with gold objects.

I liked in particular the gadgets, like Oddjob's hat that cuts everything, and liked also Shirley Eaton's silver death, the fight between Bond and Oddjob, and Goldfinger's death (sucked from a plane!!).

And the acting is great. Sean Connery is great as always, Honor Blackman and Shirley Eaton are very SEXY and perfect for their roles, and Gert Frobe is a perfect villain!

In the end, a masterpiece and one of the best movies ever in the James Bond franchise!
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Bond's third is a charmer
goya-47 September 2000
Sean Connery's third go around as James Bond has become the quisessential James Bond Flick and for good reason..from the catch opening chorus by Shirley Bassey and the intro pretty lady decked out in gold to oddjob's hat and the name of the bond girl Pussy Galore..What else could one ask for? The most popular and arguable the best Bond as James tries to stop Goldfinger and his pilot from robbing Fort Knox.. On a scale of one to ten... Goldfinger strikes a 9
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'64 Classic Elevates 007 to Pop Phenomena!
cariart5 May 2004
Forty years after it's initial release, the third 'James Bond' film, GOLDFINGER, remains the quintessential 007 film for many fans, with a level of hysteria upon it's initial release that younger fans may not fully appreciate. It set records at that time as the fastest-grossing film in history (making back it's $3,000,000 production cost in a mere 2 weeks, on only 67 screens), spawned the first massive 007 merchandising 'blitz' (with everything from jigsaw puzzles, dolls, and lunchboxes, to shoes and cologne, and even Aston Martin DB5 automobiles offered as 'collectibles'), launched a whole new genre of 'spy thrillers' to TV and film (with the debut of the Ian Fleming-approved TV series, "The Man from U.N.C.L.E." in America, and the increased popularity "Danger Man" and "The Avengers" would enjoy in Britain), and gave the franchise it's first worldwide #1 hit song, sung by Shirley Bassey. Everyone was crazy about 007, with a resulting pandemonium that rivaled the adoration of the Beatles in it's intensity!

The story, pitting the British secret agent against a megalomaniac whose master plan was to explode a 'dirty' nuclear device at Fort Knox, thus poisoning the American gold supply, and making his own gold reserves infinitely more valuable, would benefit from 'perfect' casting. German actor Gert Frobe (his voice dubbed, as he barely spoke English), was an ideal Goldfinger, a rotund, piggish monster who always 'cheated' to win, at cards, golf, or dealing with adversaries. His 'right-hand man', Oddjob, played by Hawaiian wrestler Harold Sakata, became the prototype of every subsequent villainous henchman; silent, nearly invulnerable, with an evil grin and a steel-edged bowler hat he would toss that could cut the head off a marble statue.

Bond's women were never sexier; Shirley Eaton, 27, created a sensation in a 5-minute appearance as 'Jill Masterson', who betrays Goldfinger for a tryst with 007, and ends up a nude corpse covered in gold paint; and 27-year old "Avengers" alumni Honor Blackman, as the lesbian pilot 'Pussy Galore' (yes, the name DID cause problems with American censors), who discovers the joys of male lovers after Bond pins her in a fight. Sean Connery, at 34, was simply irresistible in his third outing as 007!

Director Guy Hamilton, making his first Bond movie, said that the character of 007 only needed a 'push' to become a Superman, and he provided it, by increasing the humor and ever-present gadgets, most memorably the prototype Aston Martin DB5, complete with armor plating, machine-gun turrets, rotating license plates, and an ejector seat.

Unforgettable moments abound, from the "shocking" pre-title sequence, to the golf match between Goldfinger and Bond (introducing Connery to the sport that would become his lifelong passion), to the famous laser torture scene ("Do you expect me to talk?" "No, Mr. Bond, I expect you to DIE!"), to the climactic fight between Bond and Oddjob (during which Connery was actually injured, and Sakata burned his hand, badly).

007 author Ian Fleming passed away during production, after a last visit to the Pinewood set (although the story takes place in Florida, Switzerland, and Kentucky, nearly all of the film was shot in England). He was very pleased at the success his creation had achieved, thus far, thought Connery made an ideal Bond, and was confident in the future of the series, in the hands of producers Albert Broccoli and Harry Saltzman.

And speaking of the future...A few months later, in Ireland, twelve-year old Pierce Brosnan would view GOLDFINGER (the first Bond film he'd ever seen), and decide to become an actor, fantasizing about playing the spy, someday...
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Probably the Most Popular of the 1960's Bond Films Shows the Origins of the Modern Action Film
classicalsteve25 June 2017
By the last couple of decades of the 20th century and into the first decades of the 21st century, action films became the highest grossing offerings from Hollywood. Prior to circa 1960, period dramas were more often the pictures which brought movie-goers into the theater seats with their popcorn: "Gone with the Wind", "Spartacus", "Ben Hur", etc. A few action-suspense films, such as those directed by Alfred Hitchcock and film noir, did also bring in the box office bucks. Westerns were probably the most prevalent action movie prior to James Bond but many of them were lower-budgeted B-films. In 1956, the only action movie among the top-10 grossing films was "The Searchers", a western starring John Wayne. All others in the top-10 were epic period pictures and dramas. However, by circa 2000, the reigning king of film genres became the action film. By 2014, 50 years later, all the top-10 grossing films were action-oriented including science fiction, fantasy and/or superhero. Unlike decades gone by, the highest-grossing films and best picture winners are almost never the same.

The original James Bond films of the 1960's, particularly "Goldfinger", paved the way and included so many of the elements currently found in the genre. Firstly, the James Bond films were the first action films outside of detective films/series and Westerns to feature a recurring character in multiple offerings. Secondly, much of the genre's formula was established with "Goldfinger" and other Connery-Bond installments. The action doesn't begin with the main plot but instead begins with Bond engaged in another mission as a kind of "prelude" to the main story. This device has been used ever since ad infinitum, such as in some of the later Die Hard films with Detective John McClane (Bruce Willis) which began in the late 1980's and even up to the Mission Impossible films starring Tom Cruise in the late 20th and early 21st centuries. Thirdly, Bond makes little funny comments which has become such a trademark in entertainment action films. Often these comments are in the wake of a kill. For example, in "Dr. No", Bond kills a man with a bow and arrow and says, "I think he got the point."

"Goldfinger" became the second-highest grossing film of 1964 behind "My Fair Lady" and is probably one of the two best Connery/Bond films, the other "From Russia with Love". The plot is typical of many of the Bond stories: a kingpin criminal magnate, called simply Goldfinger, is suspected of smuggling large amounts of gold out of first-world nations and possibly reselling it to third world nations who pay more. (This couldn't happen today since international markets constantly track the price of gold.) James Bond (Sean Connery), Agent 007, is sent on a mission to find out about Goldfinger (Gert Fröbe). Turns out he's vacationing at the same hotel in Miami Beach as Bond! Then Bond turns up at a golf course where Goldfinger just happens to be playing. The informal gold, I mean golf competition, is worth the price of admission alone.

The trail leads to a complex in Switzerland where Bond finds out about an operation called "Grand Slam". Bond doesn't know what Grand Slam is but is apprehended by the baddies in which Bond is shackled to a table and going to be sliced into pieces for 007 sandwiches by a laser. Bond must find out the nature of Goldfinger's scheme, but if he doesn't somehow get off the table, it will be Bond mince pies. Eventually he also meets Pussy Galore (Honor Blackman), a beautiful blond who knows automatic weapons, judo and airplane flying. She is part of Goldfinger's operation for the money and immune to Bond's "charms".

A very enjoyable installment in the Bond canon and does uphold relatively well. Some of the sequences were a bit unbelievable by today's standards, such as Goldfinger puts only one guard on Bond initially. Of course the guard is not given reinforcements and Bond easily subdues him! (Goldfinger should be smart enough to use a lot more manpower to guard a hired assassin!) Although we may expect a bit more from action pictures (or may we don't!), the Bond cycle was the original blueprint which has influenced so many action films for over the next half-century. The series itself has continued at this writing with Daniel Craig as 007, for my money the best Bond since Connery. Still the Connery-Bond installments still provide good escapist entertainment. Pass the popcorn.
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The Gold standard
Kingslaay4 June 2017
Goldfinger is almost a universal favorite for Bond fans and audiences and it's not hard to see why. Goldfinger introduces some key Bond elements that later become a formula for future successful Bond films. You have a great car equipped with gadgets, a great villain and henchman, great Bond girl, soundtrack and off course, Sean Connery.

Sean Connery is in his element for this film and it shows. Many people put forward their actor who they think is the best Bond but in Goldfinger and Thunderball Connery shows he IS James Bond. Goldfinger is perhaps one of the greatest villains in Bond history as his plans are evil and ingenious. The Bond girl played by Honor Blackman is superb and probably the first Bond girl who shows she can hold her own and is very much his equal. The action sequences, plot and direction of this film was fantastic. Goldfinger is easily one of the greatest Bond films and its elements used became a standard formula to be applied in future Bond movies.
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The Standard by which later Bond films will be judged....
big_bellied_geezer24 October 2001
A great piece of escapism that has held up well thru the years as a tightly paced film and a standard by which other Bond films are often judged by. There are so many great scenes in this film that tickle me every time, when Bond outsmarts Goldfinger on the golf course, the Pussy Galore flying circus scenes, the scenes where the Mob bosses are eventually snuffed out, the Lincoln crushing scene because it's so outrageous to have crushed a new car, and the scene where Goldfinger gets pulled thru the plane's broken window to his demise, and many others. The classic theme as sung by the still great Shirley Bassey is a "10"!!(I saw her perform recently in Atlantic City NJ and she is awesome!..only odd thing is she did every Bond theme she recorded except "Goldfinger"..not sure why.) I have always enjoyed this film upon repeat viewings thru the years and always looked forward to it's occasional showing on Sunday night on ABC network in the years before video players were a common household item. I have always wondered about one scene in the movie if it's a mistake or not....when Bond and Goldfinger are fighting in the Plane for the gun and the gun goes off, there is a long shot of Bond grabbing hold of one of the plane's seats as Goldfinger is flying toward the broken window..but I swear there is a person lying in the isle on the floor near Bond!?? If this is so, who is it supposed to be? A person who got knocked out when debris started flying? Is it the Asian hostess that spied on Bond when he was on board the last time? It's such a quick shot I swear my eyes are fooling me! I hope someone can answer my question!
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If Only All Bond Movies Were This Good
Theo Robertson14 July 2003
Warning: Spoilers
I first saw GOLDFINGER round about 1977 and it has been shown on British television more times than I can count . In fact it`s somewhat ridiculous the amount of times it`s been repeated and having seen it so many times after more than 25 years I find it impossible to say much on it.

I will say however that future Bond production teams seem to have taken all the lesser bits of GOLDFINGER while completely ignoring all the good elements . The lesser bits are the awful puns like " Shocking " and " He blew a fuse " . How many times have you watched a Bond movie where the hero has dispatched a bad guy and you`ve made your own pun which is ten times better than the one Bond says to camera ? Exactly . Of course in 1964 these one liners might have been ground breaking but after the franchise has gone on you feel that the screenwriters have been ordered to write a sequence so that Bond can make a groan inducing one liner . Oh and I haven`t even mentioned Pussy Galore ( Insert your own joke here ) , this is another thing that the producers seem obsessed with - woman with completely unreal names , everytime someone makes a Bond movie we get a Plenty O Toole or some such weird name . The novelty wears out very quickly .

What I liked about GOLDFINGER is that James Bond is shown as being vulnerable , it`s about the only film in the franchise when he is unable to save the lives of his lovers for example , and lets not forget the classic scene of the lazer beam creeping up the table where he has to use his wits , and has anyone noticed that he doesn`t actually save the day at the Fort Knox climax ? He doesn`t even need to be there . Compare that scenario with the later Bond movies ( Especially the Roger Moore ones ) when he stops the baddies single handed in a ridiculously contrived and OTT manner , such a pity they don`t make Bond films like this anymore .

Despite seeing GOLDFINGER more times than I care to mention I`ll no doubt watch it again next time it`s on British television
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Everything he touches turns to excitement!
sme_no_densetsu22 February 2013
Well, that's what the movie poster promised, anyway. And, for once, the poster wasn't lying. "Goldfinger", the third James Bond movie, is generally considered one of the very best of the 20 some odd entries in the James Bond series to date. In fact, before Daniel Craig breathed new life into the character this movie was basically seen as the quintessential Bond film.

All of the ingredients that made James Bond a household name are present here. Globetrotting action? Check. Beautiful women? Check. A larger than life villain? Check. A memorable henchman? Check. Mordant humour? Check. You name it, "Goldfinger" has it.

The movie centres around improbably named gold smuggler Auric Goldfinger, who is at the bottom of some decidedly villainous activity which our man Bond is tasked with uncovering. Along the way he meets the equally improbably named vixen Pussy Galore and Goldfinger's mute henchman, Oddjob. Each of these characters are among the most memorable in the Bond canon, due in no small part to the acting talents of Gert Frobe, Honor Blackman & Harold Sakata. Of course, due credit must also be given to Sean Connery who contributed his most assured Bond yet.

Taking over from Terence Young, who directed the first two films, Guy Hamilton upped the ante with some highly memorable set-pieces. True, some rear projection & slightly questionable special effects detract a bit from the visuals but that's to be expected in a movie of this vintage. Musically, we're treated to one of the best Bond theme songs during the opening credits (courtesy of Shirley Bassey), not to mention one of John Barry's best scores.

All in all, this seems to be the one James Bond movie where absolutely everything fell into place. To top it all off, the plot is full of twists and turns that continually take the viewer by surprise. In conclusion, if you want a taste of classic James Bond, "Goldfinger" is the one to see.
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Sean Connery shines as Bond. The first great movie. 85/100
dfle32 July 2010
In his 3rd outing as super spy James Bond, Sean Connery gives his finest performance in this role. He's suave in this movie in a way that he wasn't before...especially compared to the debut of this franchise ("Dr.No"). Never before has he been this just want to be with him...or better yet, be him! (hmmm...that's if you are a bloke).

There are times in this movie when his attempts at bon mots or interaction with women aren't his high points, but they are buried under the rest of his charismatic performance.

When I first saw this movie a month or so back, I was looking at scoring it around 8/10. Having watched it again the other day, I have to say how pleasurable it still was...the lovely chemistry between Connery and Honor Blackman, and just the winning persona of Connery as Bond in this movie. The first two Bond movie don't really have that 'repeat' viewing quality. For me, this is ultimate Connery as Bond movie. The plot is simple and Goldfinger's personal assistant is one of the most memorable henchman in the franchise...more memorable than some of the principle villains in the past or future movies.

The setting:

The U.S.A. (Miami, Kentucky); Geneva.

The plot:

Seemingly legit businessman Auric Goldfinger is suspected by Bond's organisation (MI5) of being a gold smuggler, so James is assigned to find out how Goldfinger is managing to smuggle gold undetected. Just by the by, you do get a nice snapshot of the business of gold early on in the movie...the world's changed since then...the British currency no longer is supported by the value of Britain's gold reserves. As for Goldfinger's actual's wonderfully ambivalent...initially I just found it totally absurd, yet it does have its own diabolical logic which makes it insanely sensible!

Looking at the end credits, it seems that the scenes supposedly shot in the US were done at Pinewood studios, in England...the studio made famous by the Bond movies. With this bit of information, it sort of makes sense now why the Americans didn't really sound convincing to me...but maybe they are real American actors, and not British impersonators.

This is the first Bond movie to 'tick all the boxes' as far as the franchise formula is concerned:

Pre-title sequence:

Yes. You get the iconic gun barrel graphic, theme music and gunshot. Then the pre-theme sequence which now appears for the 2nd time, after the first movie did not feature it.

Movie title theme:

Yes. The first Bond movie where the theme song is at the start. And this is the first classic Shirley Bassey, of course. Surely the greatest exponent of this formula. The lyrics pretty much give you the back story to Auric Goldfinger!


Yes. Bond comes off as patronising a couple of times in his dealings with what he says ("Man talk") or a slap on the bum. This is a minor quibble, as he does come across as cooler other times, even when he isn't being the perfect gentlemen to some of the female characters.

Silly female character names:

Yes. You get the impression that "Dink" is a rather lame attempt at this formula, but gosh, you ain't seen nothing yet! One of the male characters has a rather odd name...literally. Both of these names gets 'satirised' in one of the Austin Powers movies.

Wine snobbery:

Yes. Thank God that even M has gotten sick of this trait by now! (he describes one of Bond's digressions as a "lecture"...bravo M!).


Yes. Second time in a movie, after the debut movie didn't have it. A fixture now.

End credits teaser:


Things to look out for:

Famous last words by Bond:

He makes a gratuitous comment about The Beatles, which had by then taken the world by storm...note how it combines old world taste in music with Bond's signature snobbery!...not often you hear the phrase "The Beatles" and "earmuffs" in the same sentence!

"My dear girl, there are some things that just aren't done, such as drinking Dom Perignon '53 above the temperature of 38 degrees Fahrenheit. That's just as bad as listening to the Beatles without earmuffs!"

008 -

This might be the first mention of other "00" spies...and that they may be better for some assignments than Bond M lets him know, not too subtly.

Bond's prowess -

Not sure, but maybe the principle female character in this movie is supposed to be a seems to be hinted at, obliquely. Bedding her would surely cement the Bond legend, right? S.P.E.C.T.R.E. - you can't look at them. It's not featured in this movie...which might actually be why I like it so much.

The end credits mention a technical adviser called "Russhon"...which is a name that appears in the movie...on a sign near Fort Knox. Speaking of is accurate is the representation of Fort Knox?
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The best Bond film
gridoon201922 May 2009
One of the strangest things about "Goldfinger" is that, although it is probably one of the least action-packed films in the entire series (basically there is the opening, the climax, and a car chase in-between), time flies by when you're watching it. That probably happens because the pacing is so knowingly unhurried, allowing the film to tell a story and the dialogue to take center stage over the action (a lesson that a lot of other Bond films would benefit from). IMO, Sean Connery hit his absolute peak as Bond in the next film, "Thunderball", but this is his second-best performance; for those who think that he can't play the "emotional" Bond, his often neglected scene with M should be enough proof of the opposite. Goldfinger is a superior villain, often ahead of Bond in his plans, and Oddjob still remains the best henchman in the series - they both receive memorably creative exits! Pussy Galore is one of the most voluptuous Bond girls, and watching her in her figure-hugging outfits is perhaps even sexier than a nude scene would have been. She is also one of the first (if not THE first) women to perform martial arts moves of any type in a theatrically released film. The two Masterson girls are underrated, especially Jill, who apart from being the famous "golden girl", manages to create a playful, fun character in about 5 minutes of screen time. The gadgets are among the neatest in the series, especially the "ejector seat". John Barry's work is so good that a music-score-only version of the movie would be worth seeing (and listening to). "Goldfinger" is filled with classic moments, and, along with "From Russia With Love", still remains the highest point the Bond series has reached to this date. *** out of 4.
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That's Goldfinger, Not Goldwater
bkoganbing9 May 2009
I wouldn't put too much money on it, but in a small friendly wager, I'd be willing to bet that those who are Bond fans like Goldfinger best of all Bond films. Especially those who think Sean Connery is the best and only man whoever should have played 007.

Certainly the most dangerous opponent Bond ever faced was Odd Job, who was Auric Goldfinger's bodyguard and all around assassin. I believe he was the most dangerous opponent James Bond ever fought with in all of his films. Watch that fight scene that Harold Sakata had with Sean Connery, he's got Connery almost down for the count. Fighting skills can only carry you so far when your opponent outweighs you and is built like a brick outhouse. In fact it's only sheer trickery in which Connery overcomes Sakata in a shocking conclusion.

As for Gert Frobe who was Goldfinger he's the ultimate Bond villain with the ultimate plan. He's even got his men fooled who think they're going to rob Fort Knox so he can corner the world's gold supply. Actually Goldfinger plans to blow up Fort Knox with an atomic bomb and then he'll really corner the market. Of course it's up to 007 to stop him.

The Bond girls are more luscious than ever with two of them, Shirley Eaton and Tania Millet meeting their demise. Eaton was the famous golden girl who Goldfinger suffocated by painting her entire body with gold paint. And of course there's Honor Blackman who switched sides do to the charms of James Bond. Who can ever forget a character name like Pussy Galore.

I well remember when Goldfinger was released in 1964 just in time for the presidential campaign. The Republican candidate was Barry Goldwater that year for you young people, not alive at the time. Poor Barry was busy defending himself from charges that he would scrap Social Security, sell the Tennessee Valley Authority and lob one into the men's room at the Kremlin. So all he needed was a film to come out with a master villain with a name so similar. The Democrats had a field day spoofing the title song that Shirley Bassey made such a hit from.

Without the Goldwater reference, Goldfinger is still a great action film, one of the best of Bond.
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Certainly better bred than the owner.
lastliberal6 May 2007
Yes, Bond is misogynistic, but that is the genre of writing from whence it came. That has to be overlooked to truly enjoy the film. This was one of the better bred Sean Connery films. No, I'm a Brosnan fan and I think he did the best job, but you cannot deny Connery's appeal.

This film had Q and the comic repartee between Bond and he is born. There was also a lot a double entendres and witticisms in this one; certainly something that the Daniel Craig Bond lacks.

Gert Fröbe was a formidable villain as Auric Goldfinger; Honor Blackman was great as the lesbian seduced by Bond (They couldn't play that up in 1964); and Shirley Eaton looked fabulous in gold.

You have to watch them all to get the full flavor. This is a great Connery example.
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From Ian Fleming novels to the screen..
dbdumonteil10 February 2005
Warning: Spoilers
This is,along with "Thunderball" my all-time favorite Bond.These two movies were the last to follow just about Ian Fleming's plots.After his death,the writer asked the screenwriters to write new stories while keeping his titles.This may account for the long and steady decline of the stories after "Thunderball" .Even a genuine artist like Roald Dahl could not save "you only live twice".

Not that Fleming's novels were that much good.What he wrote was very flat but it was daring,bold for the time.The movies (the first ones that is)are much more entertaining,but they are also watered-down!People who read "Goldfinger" do know that the main Bond Girl character is Tilly Masterton (who is killed in the movie by Odd's hat after a ten-minute appearance) .The writers treated the character as anyone of them would have done with a gay character at the time.In the book ,Tilly who is a lesbian meets Pussy Galore and falls in love with her (not with Bond !).She dies only at the very end of the book,the same way .Pussy Galore is a lesbian too -in movie it's suggested :her clothes,her swagger,her female pilots- but it's kept to the minimum .In the book ,Pussy changes totally after meeting Bond,claiming she came to hate men because in her native state " a virgin is a girl who runs faster than her uncle" .What remains amazing is that the censorship did accept the very suggestive name "Pussy Galore" (the scenarists wanted to change it for "Kitty Galore" but an article in an English magazine which showed "Prince Charles and Pussy " made them change their mind.

A scene which scared me to death when I saw it in the movie theaters when I was 12 was that of the Golden Girl.The scenarists did a good job here:in the book ,James Bond does not see Jill Masterton's body ,he's

told the horrible story by sister Tilly just before both get captured by Goldfinger.Fleming's obsolete circular saw had been smartly replaced, by a laser beam.

All in all,Guy Hamilton's film is better than Fleming's book .His sense of space (and of humor) made "Goldfinger" the most appreciated of all James Bond.Quite rightly so.
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Completely overrated.
T-eschberger1 January 2009
I respect Goldfinger for what it did for film and I respect thats its also the most important Bond film as far as formula goes, but I just cant help but feel completely confused by its popularity.

Connery is pretty much the only highlight of the film. Goldfinger lacks the suspense and intrigue Dr. No and From Russia With Love had as well as the well staged action. The plot of Goldfinger, while good on paper, is executed without any type of suspense or build up. Everything just sort of "happens". Goldfinger himself is also highly overrated as a villain. Even the most cartoonish of villains like Scaramanga and Drax feel more threatening than Goldfinger. Another overrated aspect in my eyes is Pussy Galore. Whats so great about her? She does next to nothing the whole film and she is regard as one of, if not the best Bond girl. I guess its just the name.

All in all I find Goldfinger completely un-remarkable. It lacks the suspense and well executed plot of the previous two films and the sheer fun later films had.

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