Mr. Tako, the chairman of a pharmaceutical company, learns the roma tomato-sized berries that grow on Farou Island are a miracle cure, and that the natives worship a god called King Kong who has allegedly grown to giant size from eating the berries. What better way to promote the product, Tako figures, than to bring the creature back to Japan? He leads an expedition with Sakurai and Furue to get the berries and the monster. Meanwhile, some American pilots discover the chunk of the glacier Godzilla was sealed in back in 1955. Sakurai's sister's boyfriend Kazuo is busy trying to sell an invisible but super-strong wire, which of course no one wants until Kong escapes...Written by
Scott Hutchins <email@example.com>
This became one of the most popular films internationally in the original Godzilla series. In the early 1990s, Toho and producer Tomoyuki Tanaka planned to remake this film. However, the new owner of the RKO library, and the underlying copyrights, Turner Entertainment, wanted a license fee for the use of King Kong that was too high for Toho. Toho changed the concept and produced "Godzilla vs. King Ghidorah" (1991) instead. See more »
The face of the King Kong head used for closeups is somewhat wider than that of the suit (look at the skin around the eyes). On the other hand, the head as a whole seems thinner than on the suit. See more »
[King Kong has just encountered Godzilla]
Oh, I'll bet Kong has no chance.
I'll toss you... Heads for King Kong.
[he flips the coin]
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In the credits for the U.S. version, actor Kenji Sahara is listed as "Keji Sahaka." See more »
Most of the scene in Fujita's apartment is deleted from the American version. It opens with Sakurai finding Fumiko's shoes outside of Fujita's apartment and he walks in to find Fujita and Fumiko cooking dinner as well as Sakurai wiping Fumiko's lipstick off of Fujita's lips. See more »
Director Ishiro Honda, who first brought The Big G to the screen in the brilliant 1954 film GOJIRA (re-edited in the US as Godzilla King of the Monsters) decided to scrap the heavy messages and themes of the original film when he made King Kong vs. Godzilla, however he does appeared to have had a great deal of fun making this goofy rubber monster classic. Godzilla breaks out of an iceberg he was imprisoned in and heads to knock down Tokyo. Meanwhile, a pharmaceutical company discovers King Kong on an island full of Japanese actors in blackface playing the natives (!) and the flamboyant CEO decides to bring Kong to Japan as a publicity stunt. The government decides to pit the two titans against each other on the top of Mount Fuji in the climatic scene of the movie. Much of this film is film is intentionally goofy, particularly the island scenes. The screenwriters decided that electricity makes King Kong stronger, but it weakens Godzilla (to make sure it would be a fair fight). Honda also put in several homages (parodies) to the original 1933 King Kong. The final battle on Mount Fuji is similar to watching WWF wrestling, except better, because they're wearing monster suits. If you want a film with epic romance and sweeping drama, you should watch Gone With the Wind, but if you're in the mood for campy monsteriffic fun like only the Japanese can do, watch this.
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