Widower Tony is trying to keep a small Miami hotel afloat while raising a 12-year-old son. He's forced to ask his harried brother Mario for help, but he'll only bail Tony out if he quits his bohemian lifestyle and marries a sensible woman.
Edward G. Robinson,
To share expenses unemployed Alabama move in with also unemployed Bill and Toodles. Bill is hired by a gangster's mistress and ultimately becomes the gangster's bodyguard. Alabama ... See full summary »
Alfred E. Green
Douglas Fairbanks Jr.,
Newspaperman Bill Bradford becomes a special agent for the tax service trying to end the career of racketeer Alexander Carston. Julie Gardner is Carston's bookkeeper. Bradford enters ... See full summary »
Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York City as old Broadway itself. Bootlegger Dave the Dude is a sucker for her apples, he thinks they bring him luck. But Dave and girlfriend Queenie Martin need a lot more than luck when it turns out that Annie is in a jam and only they can help. Annie's daughter Louise, who has lived all her life in a Spanish convent, is coming to America with a Count and his son. The Count's son wants to marry Louise, who thinks her mother is part of New York City society. It's up to Dave and Queenie and their Runyonesque cronies to turn Annie into a lady and convince the Count and his son that they are hobnobbing with New York City's elite.Written by
This film contains perhaps the earliest Hollywood use of "godfather" as a synonym for mob boss. Some experts cite mob informer Joe Valachi as the originator of the term in the popular vernacular, but this film predates his Congressional testimony by two years. See more »
1950s-era taxis and other vehicles appear in rear projection footage of city streets seen in the rear window of Dave's limousine. See more »
This movie is long, talky and winded, but there are some wonderful performances. And, the last scene with Bette Davis (can't say more for fear of divulging too much) is a marvel. Deeply moving and Davis is luminous. All of the talk, talk, talk is worth the look on Davis' face at the end of the film. Enjoy it, warts and all.
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