On the stagecoach to Laramie, Wayne Santley rescues singer Nora Brown from the advances of gambler Cole Fender. In Laramie, Wayne discovers his brother Brad is an outlaw, but he refuses to ...
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Lt. Anne Morgan and her fellow Waves are posted to the backwater station on Ranakai, much to the displeasure of Commander Adrian. So his South Seas idyll, including gourmet cook, isn't disrupted has Adrian scheming to transfer the women.
Matt Wade escapes from prison and tries to persuade his brother Bill, a reformed gunslinger, to participate in a hold-up. Billy refuses but Matt frames him and he is forced to ride off with... See full summary »
A District Attorney tries an Indian chief for the murder of an Indian agent, but begins to believe that the chief is possibly being framed by powerful interests who want to start a war between the Indians and the locals.
Edward L. Cahn
Ted de Corsia
Luke Ram seeks revenge against the white renegade who lead a Sioux raiding party against his father's stagecoach way station, killing all the inhabitants except himself. He's joined by his ... See full summary »
On the stagecoach to Laramie, Wayne Santley rescues singer Nora Brown from the advances of gambler Cole Fender. In Laramie, Wayne discovers his brother Brad is an outlaw, but he refuses to join the gang of rustlers and sets up a homestead. He and Nora are married. Later Brad repents and joins his brother, but Brad's former partner Pawnee organizes an attack on the brothers. Despite the source that seems to think so, this was not an M-G-M production.Written by
Les Adams <email@example.com>
When the wounded Wayne and Nora are in brother Brad's cabin preparing to leave, you see the 'logs' of the wall behind them. Each log is perfectly straight, unvarying width, and has exactly the same coarse bark pattern as each of the others. See more »
[Brad and Pawnee listen as Wayne kills a sentry armed with a rifle]
One .44 shot, no Winchester.
Looks like your brother knew the password.
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Gun Fight doesn't exactly have great production values. Nor does it have a well known cast. In fact, I don't think I've ever seen any of these actors in anything else (if I have their roles were inconsequential). It doesn't boast a great script, or great direction, either. So what does it have?
Well, it's got a fairly good story (nothing especially original or outstanding, but a good, solid storyline) and a cast that is honestly doing their best to give good performances. It also has a short running time (69 minutes), so it doesn't drag at any point.
Ultimately, Gun Fight is an anachronism in filmmaking circa 1960 (when it was filmed). It plays out more like a Western from 1941 than 1961 (when it was released). The style of storytelling (the direction, acting, dialogue, and plotting) is a much closer match to what Hollywood was putting out in the early 40's than in the early 60's, so it was already outdated when it was released. And yet, there is an earnestness about the movie that makes it hard to completely dislike or dismiss. No one will ever confuse Gun Fight with the great Westerns of the pre-Spaghetti Western era, but it isn't quite as bad as many people make it out to be.
Gun Fight is mildly diverting and somewhat entertaining for fans of the genre who are looking for something new that they haven't seen before. It isn't far removed from the kind of Western that a Poverty Row studio might have made in the 40's, and maybe that's part of it's charm. With the right expectations Gun Fight can deliver an entertaining one hour and nine minutes. With the right expectations...
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