A financier decides to take a vacation somewhere where nothing can disturb him. He travels to the south of Spain, to a small village where he lives a primitive life. A chance meeting with a... See full summary »
On a small Mediterranean island live Costanza, her father Urbano, and beachcomber Moore, whom she plans to marry. Into this Eden come two plane crash survivors, supermodel Laura and her ... See full summary »
Dodie dreams of marrying a millionaire so that she can live 'the life'. Buzz, her boyfriend, however is not rich as he is a salesman for a housing development. He proposes and Dodie accepts... See full summary »
Set during the Pacific War against the Japanese, this WW2 drama discerns between achieving one's mission at any cost versus preserving the lives under one's command and enforcing discipline through fear as opposed to mutual respect.
Fabius loves his beautiful but vulnerable city, Rome, and he also loves his beautiful but invulnerable fiancée, Amytis. Fascinated by the tales she has heard about Hannibal, who is about to... See full summary »
After five years of war, Clements, a professional seaman, has no ambitions other than to live in peace and carry out his activity. Having settled down in the archipelago of the Aegean Sea, ... See full summary »
Big Top excitement takes a backseat to family melodramatics...
Reworking of "House of Strangers" has Nehemiah Persoff in the Edward G. Robinson role of a widower patriarch, this time a demanding, domineering circus owner who keeps his sons and one daughter tightly under this thumb. Cliff Robertson, who keeps calling Persoff "Pup-puh", takes the rap for Dad once a tragedy strikes; shady sibling Robert Vaughn assumes control of the business after Robertson is sent to prison (what Vaughn plans to do with the circus isn't really clear, except that is sounds like a sell-out). Two sideline romances are much more interesting than the family conflicts, and Persoff is grueling and merciless while criticizing his children (this Daddy Dearest is hardly a sympathetic character, though I'm pretty sure we're meant to feel something for him in the final reel). The circus asides are given surprisingly short shrift in favor of the melodramatics, which are both over-the-top and stilted. Good cinematography helps quite a bit, as does a fine, non-showy performance by Esther Williams as a wealthy woman in love with Robertson. ** from ****
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