5.1/10
246
4 user 7 critic

Studs Lonigan (1960)

A young man tries to escape the South Side of 1920s Chicago.

Director:

Irving Lerner

Writers:

James T. Farrell (novel), Philip Yordan
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Cast

Cast overview, first billed only:
Christopher Knight Christopher Knight ... Studs Lonigan
Frank Gorshin ... Kenny Killarney
Venetia Stevenson ... Lucy Scanlon
Carolyn Craig ... Catherine Banahan
Jack Nicholson ... Weary Reilly
Robert Casper ... Paulie Haggerty
Dick Foran ... Patrick Lonigan
Katherine Squire Katherine Squire ... Mrs. Lonigan
Jay C. Flippen ... Father Gilhooey
Helen Westcott ... Miss Julia Miller
Kathy Johnson Kathy Johnson ... Frances Lonigan
Jack Kruschen ... Charlie the Greek
Suzi Carnell Suzi Carnell ... Eileen
Madame Spivy Madame Spivy ... Mother Josephine (as Mme. Spivy)
Jim Drum Jim Drum ... Jim Doyle
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Storyline

A young man tries to escape the South Side of 1920s Chicago.

Plot Summary | Add Synopsis

Taglines:

The Boldest Motion Picture of Our Age!

Genres:

Drama

Certificate:

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Parents Guide:

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Details

Country:

USA

Language:

English

Release Date:

September 1960 (USA) See more »

Also Known As:

Studs Lonigan See more »

Company Credits

Production Co:

Longridge Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Westrex Recording System)
See full technical specs »
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Did You Know?

Trivia

Warren Beatty was considered for the title role. See more »

Quotes

Father Gilhooey: I haven't seen you in quite some time. I think the last time was at Paulie Haggerty's funeral. You were drinking with Paulie the night he was killed. You were drinking with Weary the night he raped the girl. Has it ever occurred to you, William, that under the influence of alcohol you could have been Weary, or Paulie? God spared you, William. And now you're afraid he won't spare you again.
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User Reviews

 
Incredibly frustrating
8 January 2003 | by JohnSealSee all my reviews

Uneasily straddling the ways of the old Hollywood and the coming openness of the late 60s and 1970s, Studs Lonigan is neither fish nor fowl and is simply hard to watch. The main attraction for contemporary audiences is the cast, but the most interesting aspect of the film is Haskell Wexler's cinematography. At times overly busy--his use of noirish angles gets annoying at times, and isn't aided by poor editing by Verna Fields--Wexler nonetheless leaves a great impression and hints at the great work to come in films like Bound For Glory. When he gets it right, the photography is simply stunning, channeling elements of the French New Wave and the outside-the-studio naturalism that was soon to be the norm. Unfortunately these moments only comprise about ten minutes of total screen time, the rest of the film consisting of a hackneyed tale of youth in revolt during the Roaring Twenties. Even Jack Nicholson and Frank Gorshin can't do much to render Philip Yordan' s screenplay particularly appetising.


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