Complete credited cast: | |||
Simone Signoret | ... | Adua Giovannetti | |
Sandra Milo | ... | Lolita | |
Emmanuelle Riva | ... | Marilina (as Emmanuele Riva) | |
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Gina Rovere | ... | Caterina Zellero, detta Milly |
Claudio Gora | ... | Ercoli | |
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Ivo Garrani | ... | L'Avvocato - Adua's ex-customer |
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Gianrico Tedeschi | ... | Stefano |
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Antonio Rais | ... | Emilio |
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Duilio D'Amore | ... | Brother Michele |
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Valeria Fabrizi | ... | Fosca (as Valeria Fabrizzi) |
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Luciana Gilli | ... | Dora - Piero's lover (as Gloria Gilli) |
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Enzo Maggio | ... | Calypso - Stefano's colleague |
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Roberto Meloni | ... | (as Roberto Melone) |
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Nando Angelini | ... | (credit only) |
Marcello Mastroianni | ... | Piero Salvagni |
When a brothel closes because of new laws, four of the prostitutes decide to go into business running a restaurant. They discover they cannot escape their past.
Very fine, gloriously black and white, very well acted drama involving four girls who decide to pool their resources and run a restaurant together when their brothel is closed down. There are so many moments where this could easily have become sentimental and doesn't and is much to the director's credit that this looks so good throughout. The jazz soundtrack is a great help as are the snatches or 'real life' - the steam trains rushing below car dealer Mastroianni's window, the fine moment in the main street when he passes off Signoret's failing car to another whilst slipping her into one more. But the best of all such sequences is the final shot upon the cobblestoned street in the pouring rain and without a cloying close-up, we all know exactly what the facial expression is. As I say all the acting is good but Signoret particularly puts in another excellent performance where she ranges from sexy to sad and energetic to dejected, but perhaps best of all her verbal onslaught upon 'the landlord'.