The son of a dead Italian nobleman and a wealthy American woman forgets the disappointment of finding he has no talent for being a painter by succumbing to the sexual advances of an amoral model who believes in indiscriminate love affairs.
Spinster poetess Susan Grieve lives in a Manhattan apartment where naval hero Slick Novak comes with her for a nightcap. Next morning they visit her Connecticut farm where Novak tells her ... See full summary »
Bart is a clerk for a publishing company. He has written a novel. His wife Peggy and he have five children. Bart's former girlfriend, Mildred, is manager of the company's Paris office. She ... See full summary »
Jimmy idolizes bootlegger Matt, and when he refuses to implicate his friend, he is sent to reform school. He befriends Shorty, a boy with a heart condition, and escapes to let the world know about the brutal conditions.
The swashbuckling adventures of the Revolutionary War hero and inspiration of the US Navy. His contributions weren't always appreciated by the new U.S. government. After the Revolutionary War, Congress loans him to Catherine the Great of Russia where he fights for her. The story concludes with his death in France.Written by
Steve Crook <firstname.lastname@example.org>
This was John Farrow's final film before his death on January 27, 1963 at the age of 58. See more »
Captain Jones tells Lieutenant Dale that the other two ships in his squadron are privateers, and so are not required to obey his orders. His squadron actually consisted of the Bonnehomme Richard and three other vessels, not two. The Alliance under Captain Landais was a Continental frigate and as such was actually directly subject to Jones' orders; however, Captain Landais felt he should be in command of the squadron, and regularly ignored Jones' orders. The other two ships (not mentioned in the movie) were the frigate-armed merchant ship Pallas and the Vengeance a small brigantine (which took no part in the battle). These two ships were privateers, although both did a generally tolerable job of supporting Jones throughout the cruise. See more »
I was delighted to see this film as I am a voracious consumer of anything about the American Revolution. Aside from any possible historical flaws mentioned by others I found some of the directing touches quite interesting. Most novel was the way George Washington was portrayed when Jones went to visit him at Valley Forge. He was filmed only from the back as would be seen by some observer (e.g. news reporter ) in the room. The effect was quite powerful. It saved us worrying about things like if the actor playing Washington looked enough like him etc. and simply gave us a ghostly impression of the Washington we read about in the history books - namely, a giant of a man both physically and morally and probably the greatest man in history. It occurred to me that Director John Farrow was portraying not the man but rather alluding to the LEGEND on screen. If that was the aim he certainly succeeded.
The 'living presence' of the legend was enhanced by the fact that the image spoke in that arcane English of the time.
The net result was that a huge cinematic impression was provided of a very great man. Nice directing twist innovation !
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