Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private...
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After Gentleman Frank Deegan is shot while robbing a stage, he take refuge in Martha's barn. He then takes Tess and Martha hostage. Sam arrives back in town and is told that Deegan is on the lose. He...
Luke Perry and Simon Kane run a stagecoach line in the Old West, where they come across a wide variety of killers, robbers, and ladies in distress. They are accompanied by Simon's young son... See full summary »
Sam Buckhart was an Apache Indian who had saved the life of a U.S. Cavalry officer after an Indian ambush. When the officer died, he left Sam money that was used for an education at private schools and Harvard University. After school, he returned to New Mexico where he became a Deputy Marshal working for Marshal Andy Morrison and living in a boarding house run by Martha Commager. The only other continuing cast member was 8-year old Tess Logan, an orphan who had been rescued by Buckhart.Written by
J.E. McKillop <email@example.com>
Michael Ansara first played his character in this series on 17 Feb 1959 in the episode "The Indian" and again on 9 June 1959 in the episode "The Raid," both on the series The Rifleman (1958), but neither actually plays like a pilot for this program. See more »
In 1966, Four Star Productions syndicated four of its half-hour Western series under the title of "The Westerners." They were "The Black Saddle," "Johnny Ringo," "Law of the Plainsman," and "The Westerner." The series had a new opening credits sequence featuring Michael Ansara, Peter Breck, Don Durant, and Brian Keith. Keenan Wynn appeared in new opening and closing host segments. The original closing credits were retained. See more »
The Score for Law of the Plainsman was composed by Leonard Rosenman (also composed theme). This information comes from a classic TV Western web site. This show was a fun show to watch and my first exposure to Michael Ansara as a performer and actor. The character originality and plots using a native American character in this show were to me the first sign that the 1960's and the decades following were not going to be just, Old Anglo Saxon knockoffs with guns, on the little or big screen any more. Typically Hollywood: a Syrian, playing a native American. The opening screen of the main character riding across the western plains on a pure white horse still holds my imagination.
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