8.3/10
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Vertigo (1958)

Trailer
2:14 | Trailer
A former police detective juggles wrestling with his personal demons and becoming obsessed with a hauntingly beautiful woman.

Director:

Alfred Hitchcock

Writers:

Alec Coppel (screenplay by), Samuel A. Taylor (screenplay by) (as Samuel Taylor) | 2 more credits »
Reviews
Popularity
838 ( 318)
Top Rated Movies #91 | Nominated for 2 Oscars. Another 8 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
James Stewart ... John 'Scottie' Ferguson
Kim Novak ... Madeleine Elster / Judy Barton
Barbara Bel Geddes ... Midge Wood
Tom Helmore ... Gavin Elster
Henry Jones ... Coroner
Raymond Bailey ... Scottie's Doctor
Ellen Corby ... Manager of McKittrick Hotel
Konstantin Shayne ... Pop Leibel
Lee Patrick ... Car Owner Mistaken for Madeleine
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Storyline

John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia, and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, as he believes she has been possessed by a dead ancestor who committed suicide. Scottie is skeptical, but agrees to the assignment after he sees the beautiful Madeleine. Written by filmfactsman

Plot Summary | Plot Synopsis

Taglines:

The most intense SUSPENSE.....EXCITEMENT....EMOTION ever generated by a motion picture! See more »


Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 May 1958 (UK) See more »

Also Known As:

Darkling I Listen See more »

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Box Office

Budget:

$2,479,000 (estimated)

Opening Weekend USA:

$252,880, 18 March 2018

Gross USA:

$7,705,225

Cumulative Worldwide Gross:

$7,779,797
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1996 restored)

Sound Mix:

Mono (Westrex Recording System)| DTS (70 mm prints)

Color:

Color (Technicolor)

Aspect Ratio:

1.50 : 1
See full technical specs »
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Did You Know?

Trivia

This movie was unavailable for three decades because its rights (together with four other movies of the same period) were bought back by Sir Alfred Hitchcock and left as part of his legacy to his daughter. They've been known for long as the infamous "Five Lost Hitchcocks" amongst movie buffs, and were re-released in theatres around 1984 after an approximately thirty-year absence. The others are The Man Who Knew Too Much (1956), Rear Window (1954), Rope (1948), and The Trouble with Harry (1955). See more »

Goofs

During the opening scene when Scottie hangs onto the rain gutter, the tiling of the roof top he slid down changes from flat wooden tiling to half-cylindrical brick tiling when the police officer returns to try save Scottie. Close-up shots of the police officer show half-cylindrical brick tiling, whilst the medium shots with the officer and Scottie hanging on, show flat wooden tiling. See more »

Quotes

[first lines]
Officer on rooftop: Give me your hand. Give me your hand.
See more »

Crazy Credits

There is no end title on this film. See more »

Alternate Versions

An entirely new audio track was created for the 1996 re-release using modern recordings and mixed in DTS surround sound. New elements not present in the original film were added and several important details (such as creaky roof tiles) were omitted. This was the version used on all subsequent theatrical re-issues, home video releases and television broadcasts until 2012, when Universal made a DTS soundtrack retaining the original sound effects. See more »

Connections

Referenced in The Psycho Legacy (2010) See more »

Soundtracks

Sardis #4
(uncredited)
(Forever Female), from Skylark (1941) (Poochie)
Composed by Victor Young
Orchestrated by Gus Levene
Played as 'cue 12D' by the orchestra while Scottie and Judy are dancing
See more »

Frequently Asked Questions

See more »

User Reviews

 
A Standard Rave

Starting in 1958, Alfred Hitchcock directed a remarkable sequence of films in a row, each of them a classic; Vertigo (1958), North by Northwest (1959), Psycho (1960) and The Birds (1963). Never has a director made four such genuinely great movies in such a short space of time, either before or since.

The pick of this high standard bunch is undoubtedly Vertigo. From the opening titles, with their circling spiral imagery, to the dramatic final scene this is a movie that takes you to a different time and place. Specifically, to a San Francisco of the past; full of deserted parks, discrete rooming houses, oddly menacing art galleries and florists where the customers enter and exit through the back door. Through this landscape wanders Jimmy Stewart, towering in the lead roll as a former detective recently retired after a bungled arrest leaves him with chronic vertigo. Plot machinations lead him to the alluring Kim Novak (one of Hitchcock's famous "blondes"), the young wife of a friend who has started behaving rather oddly.

"To reveal more," as Leonard Maltin wrote, "would be unthinkable."

While the performances of Novak and Stewart are memorable, the movie is really set apart by the intelligent script and the stylistic touches provided by the director. Hitchcock is in his very best form creating hypnotic scenes and a general sense of unease and dread in even the most banal of situations. He is aided in this by the wonderful score of Bernard Herrman. A particular favourite of mine is the extended (largely silent) segment where Stewart follows Novak for the first time. Nothing much happens, but the atmosphere of these scenes is enough to keep you on the edge of your seat!

One of the all-time greats. They definitely don't make them like this anymore.


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