Julia Ross secures employment, through a rather nosy employment agency, with a wealthy widow, Mrs. Hughes, and goes to live at her house. 2 days later, she awakens - in a different house, ... See full summary »
When a reporter claims that New York police are on the take letting the mob run its horse parlors at will, a shocked District Attorney Michael Norris decides to do something about it. Not ... See full summary »
Fed up with the inhumane prison living conditions, a general prison riot breaks out, leading to hostage-taking, a stand-off with the guards and eventual negotiations with the prison administration officials.
In San Francisco, two police inspectors are on the case when a rogue taxi driver, with the help of a rogue porter, manages to steal the suitcase of an antiques collector before running down a cop, whose dying gesture is to shoot the cabbie dead. The inspectors discover that a statuette in the suitcase contains heroin. Meanwhile, a psychopathic gangster, his malignant mentor and their dipsomaniac driver have the job of picking up the other heroin shipments, hidden in the luggage of unsuspecting travelers. All goes well until they attempt to retrieve the heroin stuffed in a Japanese doll. A little girl and her lovely young mother have the doll, but when the crooks take possession of it, they find that the heroin has mysteriously vanished.Written by
Several locations given in the film are indeed the actual locations used for those scenes in San Francisco. This is unusual, since most addresses given by characters in films are changed to fictitious ones. See more »
In the scene where the passengers are disembarking the ship, Staples gives Dancer the address of the couple as "9020 Jackson." Dancer then relays it to his driver, McLain, as "2090 Jackson." McLain then drives to the correct house on 2090 Jackson Street, which was then being used as the headquarters of the California Historical Society. See more »
[while being held captive, in distress]
What kind of men are you?
See, you cry. That's why women have no place in society. Women are weak. Crying's aggressive and so's the law. Ordinary people of your class, you don't understand the criminal's need for violence.
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This was a breezy, fast-paced little piece of noir that crosses the time barrier pretty efficiently. Each of the three main villains, driving through the sun-lit streets of San Francisco, delivering violence and death, leave up with strongly etched character studies. The locations are wonderful, particularly the ice rink. It's a privilege to sit back, follow, a simple, well-woven plot and travel back in time to a place you never been, yet know pretty intimately anyways. Films that flow with such ease are becoming rare items
This would be a great double bill with Bullitt or Dirty Harry. Heck, it would be a great double bill with anything.
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