The story of a young woman, Helen Banning, who travels to Munich in search of life experience and romance. While working for America House, she meets a famous symphony conductor, Tonio ... See full summary »
Convicted murderess Valerie Carns (Ann Blyth) is being transported to Norwich to be executed when a flood strands her and her guards at a convent hospital. Nurse Sister Mary (Claudette ... See full summary »
An aging heir-less millionaire wants to leave his fortune to the unsuspecting family of his first love but not before testing his prospective heirs by living with them under the guise of a poor boarder.
In the 1930's, a First World War flying ace named Roger Schumann is reduced to making appearances on the crash-and-burn circuit of stunt aerobatics. His family are forced to live like dogs while Shumann pursues his only true love, the airplane. When Burke Devlin, a reporter, shows up on the scene to do a "whatever happened to" story on Shumann, he is repulsed by the war hero's diminished circumstances and, conversely, drawn to his stunning wife, LaVerne.Written by
Despite the fact that the story is taking place in the early 1930s, all of Dorothy Malone's clothing, hairstyles and make-up are strictly 1957, the year the picture was filmed. See more »
On the level, what'd you do last night?
Nothing much:just sat up half the night discussing literature and life with a beautiful, half naked blonde.
You better change bootleggers.
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I was fortunate enough to attend a screening of "The Tarnished Angels," on a wide screen with a fresh print, at the Museum of Modern Art in New York City back in 1980, with no less than Douglas Sirk himself invited by MOMA as a special guest. The film blew everybody away emotionally; Hudson, Stack, and Malone all give performances that are equally tough and vulnerable, but the grandeur of Sirk's mise-en-scene, which really has to be seen in a theater on a wide screen to be fully appreciated, is a textbook example of the art of telling a story in film terms with both force and grace. Don't mind the other reviewer; Faulkner himself, according to Sirk, said it was the best adaptation of his work he had seen in films.
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