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All That Heaven Allows (1955)

Not Rated | | Drama, Romance | 5 April 1956 (Italy)
Clip
3:34 | Clip
An upper-class widow falls in love with a much younger, down-to-earth nurseryman, much to the disapproval of her children and criticism of her country club peers.

Director:

Douglas Sirk

Writers:

Peggy Thompson (screenplay) (as Peg Fenwick), Edna L. Lee (story) | 1 more credit »
Reviews
1 win. See more awards »

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Cast

Cast overview, first billed only:
Jane Wyman ... Cary Scott
Rock Hudson ... Ron Kirby
Agnes Moorehead ... Sara Warren
Conrad Nagel ... Harvey
Virginia Grey ... Alida Anderson
Gloria Talbott ... Kay Scott
William Reynolds ... Ned Scott
Charles Drake ... Mick Anderson
Hayden Rorke ... Dr. Dan Hennessy
Jacqueline deWit ... Mona Plash (as Jacqueline de Wit)
Leigh Snowden ... Jo-Ann Grisby
Donald Curtis ... Howard Hoffer
Alex Gerry ... George Warren
Nestor Paiva ... Manuel
Forrest Lewis Forrest Lewis ... Mr. Weeks
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Storyline

Cary Scott is a widow with two grown children. She's been leading a quiet life since her husband died, socializing with a small circle of friends. Her children no longer live with her full-time but come home every weekend. She's not unhappy but also doesn't realize how bored she is. Her friend Sara Warren encourages her to get a television set to keep her company but she doesn't want that either. She develops a friendship with Ron Kirby who owns his own nursery and comes every spring and fall to trim her trees. Ron is much younger than Cary and their friendship soon turns to love. Her circle of friends are surprised that she is seeing such a younger man and she might be prepared to overlook that - Ron certainly doesn't care about the differences in their ages - but when her son and daughter vehemently object, she decides to sacrifice her own feelings for their happiness. Over time however, she realizes that her children will be spending less and less time with her as they pursue their... Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

How much does Heaven Allow a Woman in Love?

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

5 April 1956 (Italy) See more »

Also Known As:

All That Heaven Allows See more »

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Box Office

Cumulative Worldwide Gross:

$170
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Recording)

Color:

Color (Eastmancolor and Technicolor)

Aspect Ratio:

2.00 : 1
See full technical specs »
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Did You Know?

Trivia

A major part of the movie revolves around the fact that Jane Wyman's character is supposed to be substantially older than Rock Hudson. In reality, Jane Wyman was only 38 and Rock Hudson was only 30 when they filmed this movie. See more »

Goofs

Cary reads two quotations from the same page in Walden: "The mass of men lead lives of quiet desperation" and "If a man does not keep pace with his companions..." Those two quotations are from opposite ends of the book, the first and last chapters, respectively. See more »

Quotes

Dr. Hennessy: I was just going over the findings. There's nothing organically wrong with you, Cary.
Cary Scott: Well then why do I have these headaches? It's not my imagination, and they're getting worse all the time.
Dr. Hennessy: You're punishing yourself.
Cary Scott: For what?
Dr. Hennessy: For running away from life. The headaches are nature's way of making a protest.
Cary Scott: Well, will you give me something for them?
Dr. Hennessy: Do you expect me to give you a prescription to cure life?
See more »

Connections

Featured in In Bad Taste (2000) See more »

Soundtracks

Joy to the World
(uncredited)
Lyrics by Isaac Watts
Music by Lowell Mason
See more »

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User Reviews

You go, girl!
18 November 2005 | by marcslopeSee all my reviews

I'll simply align myself with the other commentators who are bowled over by this Sirkfest's vibrant colors, use of lush fake-Liszt and Rachmaninoff, and surprising willingness to attack materialistic '50s values (in this last instance, the film's hardly dated a bit). True, the central romance isn't always convincing -- what does Ron see in Carrie, anyway? -- and the film has to oversimplify its characters to make its points. Carrie's daughter, a social-working bobby-soxer who quotes Freud and wears unflattering glasses, is meant to be something of a joke (until she sheds some feminine tears and suddenly becomes sympathetic); while Carrie's older suitor, underplayed by Conrad Nagel, is looked on as less than a desirable man simply because he limits himself to one drink. (In common with many films from this period, an awful lot of liquor is consumed.) Too, there's an impossibly melodramatic third act, where the circumstances of Ron's accident are howlingly implausible. Nice, though, that the always-reliable Agnes Moorehead plays a socialite who's not as shallow as she first seems, and that Wyman gets to model some attractive '50s fashions. Also note the sumptuous midcentury interiors -- whether the happy couple ends up living in Wyman's suburban mansion or Hudson's renovated barn, I want to live in them both.


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