Tomboy Rose Marie Lemaitre, the orphaned ward of Mountie Mike Malone, falls in love with him, and he with her. But when she goes to "learn to be a lady", she meets outlaw trapper James ...
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Three Broadway producers struggling to get backing for their show hope one's sudden inheritance of a half interest in a Parisian fashion house is the answer. They travel to Paris only to learn the salon is in debt and requires their help.
Biff Grimes has spent the last ten years regretting that he hadn't married Virginia Brush, the girl of his dreams. Virginia ran off and married his best friend - breaking his heart. Virginia's best friend, Amy, consoles Biff.
During the early days of the Korean War, U.S. Army colonel Steve Janowski is one of the military advisers training the South Korean army and he's tasked with evacuating American civilians from the war zone.
Radio singing star, Eve Porter, wants a vacation during her show's summer hiatus, but her manager and press have booked her for additional work. She refuses and goes to Las Vegas. When she ... See full summary »
Robert B. Williams
Tomboy Rose Marie Lemaitre, the orphaned ward of Mountie Mike Malone, falls in love with him, and he with her. But when she goes to "learn to be a lady", she meets outlaw trapper James Duval, who also falls in love with her. But Duval is in a dispute with the local Native American chief Black Eagle, and soon Black Eagle is murdered.Written by
Albert Sanchez Moreno firstname.lastname@example.org
The First CinemaScope Musical--a Visual & Vocal Treat!
Why hasn't this MGM musical ever gotten the acclaim it deserves? The CinemaScope/Eastman Color cinematography of the Canadian Rockies serves as a dazzling backdrop for a rousing Mounties adventure saga. Which also happens to feature a gloriously composed and sung score--Ann Blyth and Fernando Lamas's rendition of "Indian Love Call" is enthralling. Check this out the next time it shows up on Turner Classic Movies. Like "River of No Return" (with Mitchum & Monroe--shot the same year in the same breathtaking locale), it was one of the first films to exploit the new anamorphic process in its full glory--and has never been surpassed.
With a deliciously hilarious romantic subplot involving those two comedic geniuses, Marjorie Main and Bert Lahr. What more could one want? As Howard Keel sings to Blythe in the course of the title song, "Rose Marie I love you" . . .
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