When seventeen vessels blow-up and sink nearby Odo Island, Professor Kyohei Yamane, his daughter Emiko Yamane and the marine Hideto Ogata head to the island to investigate. Soon they witness a giant monster called Gojira by the locals destroying the spot. Meanwhile Emiko meets her boyfriend, the secluded scientist Serizawa, and he makes she promise to keep a secret about his research with oxygen. She agrees and he discloses the lethal weapon Oxygen Destroyer that he had developed. When Gojira threatens Tokyo and other Japanese cities and the army and the navy are incapable to stop the monster, Emiko discloses Serizawa's secret to her lover Ogata. Now they want to convince Serizawa to use the Oxygen Destroyer to stop Gojira.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The idea for Gojira (aka Godzilla) was spawned after producer Tomoyuki Tanaka was forced to cancel a planned Japan-Indonesia co-production called Eiko kage-ni (Behind the Glory). The story was inspired by a real-life nuclear accident in which a Japanese fishing boat ventured too close to an American nuclear test and was contaminated. See more »
When the first fact-finding crew helicopters out to Odo Island, they get out of a Sikorsky H-19. But when the storm hits, the cheap toy helicopter that's destroyed is a Sikorsky H-34. See more »
I can't believe that Godzilla was the only surviving member of its species... But if we continue conducting nuclear tests, it's possible that another Godzilla might appear somewhere in the world again.
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Another version of Gojira was released in 1977 in Italy. Supervised by Luigi Cozzi, it used a crude colorization process, in which colored gels were pasted over general areas of the frames; at the time, the only other method of colorizing a film was to hand paint every frame as if making an animated film, which was impossible in the time frame Cozzi was given. Additional footage was added from other movies and war reels to pad out the American version's 80 minute run time. The crude colorizing and badly matching extra footage was added due to Italian theaters refusing to screen a black-and-white movie that was less than 90 minutes (Cozzi could only get rights to the shorter American version, so could not reintroduce the cut scenes from the Japanese version.) See more »