The Country Girl (1954)
Bernie Dodd: Does your wife really want you to play this part?
Frank Elgin: Yeah, she's all for it.
Bernie Dodd: I was just wondering. The day I met her, she seemed a little difficult about terms and rather domineering, I thought.
Frank Elgin: She wasn't always like that.
Bernie Dodd: Oh I know, I know. They all start out as Juliets and wind up as Lady Macbeths.
Georgie Elgin: Let's say I try my small way to help.
Bernie Dodd: That's what my ex-wife used to keep me reminding of, cheerfully. She had a theory that behind every great man there was a great woman. She also was thoroughly convinced that she was great and all I needed to qualify was guidance on her part.
Georgie Elgin: Still does not prove that the theory is completely wrong. I imagine one can go through history and find a few good examples.
Bernie Dodd: It's a pity that Leonardo da Vinci never had a wife to guide him, he might have really gotten somewhere.
Georgie Elgin: Frank's on stage.
Bernie Dodd: I know. I want to talk to you.
Georgie Elgin: The last time we talked, Mr. Dodd, you reduced me to tears. I promise you, it won't happen again.