A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at high noon when the gang leader, an outlaw he sent up years ago, arrives on the noon train.
Shane rides into a conflict between cattleman Ryker and a bunch of settlers, like Joe Starrett and his family, whose land Ryker wants. When Shane beats up Ryker's man Chris, Ryker tries to buy him. Then Shane and Joe take on the whole Ryker crew. Ryker sends to Cheyenne for truly evil gunslinger Wilson. Shane must clear out all the guns from the valley.Written by
Ed Stephan <firstname.lastname@example.org>
I first saw this in the early 90s. Revisited it recently on a DVD which i own. When you love a western, it's a film like Shane that you go back to time and time again. Everything has already been said about this great film n there seems to be little left to say but as a fan of western films, lemme contribute by praising how good this film is. The single greatest asset is the wonderful cinematography. The mountains, the lakes, the hills, farms n houses all looked straight outta poetry n painting. Loyal Griggs did an amazing work with the film's cinematography. The story is about a mysterious gunfighter (Alan Ladd) who helps a farming family against cattle barons wanting the farmers land. Jack Palance in a role of pure malevolence with his evil smirk n few dialogues. George Stevens' direction is truly stunning. He made a very touching film. This film has contributed a lot towards the western genre.
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