A retired professor rents his attic apartment to pregnant Peggy and her GI-Bill-student husband. The professor ponders if his life is no longer useful while the young couple faces the challenges shared with many WW II veterans' families.
Two aging playboys are both after the same attractive young woman, but she fends them off by claiming that she plans to remain a virgin until her wedding night. Both men determine to find a way around her objections.
A family is befuddled when a World War II serviceman shows up to meet and marry his pen pal sweetheart. Everyone's in the dark about the romance by mail. Then they discover Ruth's younger sister was the culprit.
William D. Russell
Playwright Stanley Krown has a terrific new play. It's got a great part for reigning Broadway star Beatrice Page, and a young actress named Sally Carver will do just about anything to get the ingénue lead. The problem is that Beatrice doesn't want the great role written for her. She wants the ingénue role, something she could have played wonderfully -- when she was twenty years younger.Written by
Jim Beaver <firstname.lastname@example.org>
The framed caricatures that line the walls of the Sardi's set are black and white sketches that include at least one movie star (Charlie Chaplin); in reality, the caricatures at the actual restaurant in New York are in color and, because they only honor celebrities connected with the Broadway stage, would certainly not have included Chaplin. See more »
This is reminiscent of the theatrics in "All About Eve" but with a sympathetic, light comedic twist to it. There is Ginger Rogers as Beatrice the mature, aging actress who is intent on impressing everyone with the idea that she is 29, no more, no less, and capable of taking on the new female role that's in the works. It doesn't go over too well with a young actress named Sally, played by Pat Crowley, who is willing to charge into every obstacle on her way to 'reaching the top' as an actress. She is very adept at changing her stage name to suit the occasion and meet the needs of the day.
It is great seeing Paul Douglas in top form, here as Beatrice's "ex" yet still devoted to her and her career, but sometimes he does reach the limit of his patience with her. One wonders what other fine, maturer roles he may have had in his career but unfortunately his life was cut short through illness.
William Holden as Stanley the playwright is, as ever, one handsome leading man. He gets entangled emotionally with the two actresses, not sure what to think or which way to turn.
This is an age-old comment of the times that's still prevalent in society, of women's role in life being most appealing when young but having no place when they reach "a certain age." I think these days society is more accepting of the mature, older woman, thanks to woman's lib activity of past decades as well as some outstanding actresses who have influenced opinions and flourished in their senior years, such as Angela Lansbury, Maureen O'Hara, Lauren Bacall, Joan Collins and Kate Hepburn.
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