A cowboy named Tuck Kirby seeks fame and fortune by capturing an Allosaurus living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out to have an aversion to being shown in public.
As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the east coast of North America. Professor Tom Nesbitt, only witness to the beast's existence, is not believed, even when he identifies it as a "rhedosaurus" to paleontologist Thurgood Elson. All doubts disappear, however, when Elson is swallowed whole during an oceanic bathysphere excursion to search for the creature. Soon thereafter the rhedosaurus emerges from the sea and lays waste to Manhattan Island until Nesbitt comes up with a plan to try to stop the seemingly indestructible beast.Written by
Doug Sederberg <email@example.com>
In most "giant whatzit" movies, a character who is swallowed is gabbed by the creature, lifted vertically, and slides down the throat. The Rhedosaurs takes the cop by the middle, holds him horizontally, the opens its mouth and lunges forward to swallow, as a dog or cat would do. See more »
When Prof Nesbitt is being interviewed in the hospital shortly after the start of the movie, he is being told that sea monsters do not exist and the interviewer mentions Loch Lomond as an example. He obviously means the Loch Ness monster. Given that, he is further erroneous in stating that it had never been photographed, as one of the most famous photos of "Nessie" was taken in the 1930s. See more »
This is Operation Experiment, a secret base far north of the Arctic Circle. Experiment was the codename for a top priority scientific expedition. These men arrived here on X-day minus 60. It has taken them the full two months to get ready. Today is X-day.
See more »
The original 1953 version cuts the shot where the cop is swallowed whole. This shot is restored in the video version of the film. See more »
"The Beast From 20,000 Fathoms" is, quite simply, the best dinosaur-on-the-loose movie ever made. I would say "best monster-on-the-loose movie ever made" if it weren't for that King Kong guy (need we even say which version?). I loved "The Beast" when I was a little kid, and today--some 40 years later--the movie still knocks me out. Forty years ago I loved the fact that, unlike a lot of similar movies that followed in its wake, you don't have to wait a long time for the Beast to make its appearance. It shows up in the first 10 minutes of the film and makes regular appearances thereafter. The look of the creature is very realistic; one of Ray Harryhausen's greatest creations. There are so many terrific set pieces in this film that one doesn't know where to begin, but the attack on the lighthouse, beautifully done in silhouette; the initial sighting of the Beast from the bathysphere; the Beast's attack on lower Manhattan; and the grand finale at the Coney Island roller coaster are certainly all standouts. Music, acting and photography are all first rate, and the script is intelligent and moves along briskly and with purpose. But the main attraction of the movie is the Beasty himself, and every moment that he is on screen is riveting. This picture is a true classic; the inspiration for Godzilla and all the other thawed-out creatures that followed. I have seen this one over 50 times and never seem to get tired o f it. I have seen it several times on the big screen, at one of NYC's many revival theatres, and it is always greeted with cheers whenever the Beast theme begins during the opening whirlpool credits. The movie is well loved and remembered for good reason: It's the best in its class! By the way, it took me many, many years to figure out, but the Professor's last word in the diving bell is "cantileveric." 10/10
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