Esposito is a thief who cons tourists in Rome. A lengthy persecution by police Bottoni, who manages to catch it starts. In an oversight Esposito manages to flee again. Bottoni superiors inform him that if no catches him will lose his job.
When Algernon discovers that his friend, Ernest, has created a fictional brother for whenever he needs a reason to escape dull country life, Algernon poses as the brother, resulting in ever increasing confusion.
The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio when in reality, it is all part of the scheme of a bitter Ensign named Iago.
Andrew Crocker-Harris, a classics teacher at an English school, is afflicted with a heart ailment and an unfaithful wife. His interest in his pupils wanes as he looks towards his final days in employment.Written by
Les Adams <firstname.lastname@example.org>
With a screenplay by the author of the play on which it is based (Terence Rattigan), "The Browning Version", although it records the manners and morals of an age and social milieu that have now vanished, remains a powerful and deeply moving film, its essential insights intact, and of continued relevance to our own time.
Arthur Crocker-Harris (Michael Redgrave) is a master at an English public school. Once a brilliant young classicist and a promising poet, he has turned into a desiccated, unfeeling and spiteful pedant, despised by his colleagues and feared by his pupils. Ill-health has prompted his early retirement, but it is apparent that his departure will go unmourned, in contrast to that of his attractive and personable young wife (Jean Kent), who is well-liked by all.
The genius of this remarkable film consists in the effortless skill with which it inverts the viewer's initial perceptions. Dismissed as outdated and irrelevant after the Angry Young Men of the mid 50s rendered his middle-class scenarios unfashionable, Rattigan was a master technician of drama, and his dialogue and pacing are faultless. Michael Redgrave was born to play the role of Crocker-Harris, to which he brings a restraint and control that render his performance all the more affecting. Asquith shows remarkable judgment in refusing to manipulate the viewer's emotions with a schmaltzy soundtrack (except for a burst of Beethoven at the end, there is no music). In the event this is unnecessary. It is a rare film that moves me to tears, but "The Browning Version" wins this distinction. Do not waste your time on the 1994 re-make.
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