The Queen of Spades (1949) - News Poster


October 15th Blu-ray & DVD Releases Include The Haunting Of Hill House Director’s Cut, 3 From Hell, The Omen Collection

  • DailyDead
As we hit the midway point of October, we have a ton of new horror and sci-fi hitting Blu-ray and DVD this week, featuring a slew of new genre offerings and tons of cult classics. In terms of recent releases, Rob Zombie’s 3 From Hell arrives on Blu, DVD, and 4K Ultra HD this Tuesday, and if you happened to miss the latest from Alexandra Aja, Crawl is making its way onto both Blu and DVD (and is a film this writer highly recommends—perfect for some aquatic horror thrills this October).

Speaking of seasonal horror movies, Haunt comes home this week, and if you can’t get enough of Mike Flanagan’s The Haunting of Hill House, Lionsgate is putting out a special director’s edition release that fans are definitely going to want to pick up.

In terms of classic horror, Häxan is getting the Criterion treatment (and
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‘WWE Nxt’ Review (July 3rd 2019)

  • Nerdly
Welcome to this week’s Nxt review, right here on Nerdly. I’m Nathan Favel and we have a lot of matches to talk about. I hope that the card is not too crowded with only an hour to air them all. Okay, let’s make like Ted Turner and do what Vince McMahon never actually did, which is be in the movie business. Hi, Sal Mandini! Wanna wrestle?

Match #1: Mia Yim def. Aliyah The following is courtesy of

Having suffered Aliyah and Vanessa Borne’s insults for weeks on end, Mia Yim didn’t waste her opportunity to make Aliyah pay the piper. The threat of an angry Yim was enough to make Aliyah quake in her boots, and once she got within arm’s reach of The Head Baddie in Charge, she appeared all but ready to ask for forgiveness. However, a timely assist by Borne,
See full article at Nerdly »

‘WWE Nxt’ Review (March 27th 2019)

  • Nerdly
Welcome to this week’s Nxt review, right here on Nerdly. I’m Nathan Favel and we have item number 121, the so-called “Red Violin”. Ba da da da, ba da da da, da da da. Also, I think we might have a match or two worth talking about (Dusty Rhodes Classic finals), so let’s see what all the noise is about.

Match #1: Kacy Catanzaro & Lacey Lane vs. Aliyah & Vanessa Borne The following is courtesy of

The much-anticipated Nxt TV debut of Mae Young Classic alumnae Kacy Catanzaro & Lacey Lane, against the aggressive combination of Aliyah & Vanessa Borne, ended in painful fashion for the newcomers, thanks to Nxt Women’s Champion Shayna Baszler. Flanked by Jessamyn Duke & Marina Shafir, The Queen of Spades barged in as The Vision and her bougie teammate were doing a number on Lane, before Catanzaro even tagged into the match. Having witnessed
See full article at Nerdly »

‘WWE Nxt’ Review (March 13th 2019)

  • Nerdly
Welcome to this week’s Nxt review, right here on Nerdly. I’m Nathan Favel and there’s a little surprise to come near the end of the show…unless you read the spoilers that have been around for a while.

Match #1: Forgotten Sons def. Moustache Mountain in the Dusty Rhodes Tag Team Classic Semifinals The following is courtesy of

The slick teamwork of Moustache Mountain pushed Tyler Bate & Trent Seven to the brink of victory against Steve Cutler & Wesley Blake, but it wasn’t enough to nullify the ferocious presence of Jaxson Ryker. The Forgotten Sons’ “heavy hitter” disrupted the Semifinal Match as the back-and-forth battle entered the home stretch. By that point, Seven had already survived a prolonged attack on his knee and tagged in “Textbook” Tyler, whose insane power and athleticism turned the tide in Moustache Mountain’s favor. Bate & Seven felled Wesley Blake
See full article at Nerdly »

‘WWE Nxt’ Review (Feb 13th 2019)

  • Nerdly
Welcome to this week’s review of Nxt, right here on Nerdly. I’m Nathan Favel and Nxt has a big main event to show us, so let’s…watch the match. I couldn’t think of a joke so that’s all you get.

Match #1: Dominik Dijakovic def. Shane Thorne The following is courtesy of

Shane Thorne came prepared for his battle against the dominant Dominik Dijakovic, and he executed his savvy game plan to near perfection. The cunning Aussie relentlessly kicked Dijakovic down to size, then tenaciously went after the big man’s left arm, and when The Rare Breed kept coming at him, Thorne suplexed him on his noggin.

No amount of strategizing, however, could properly account for Dijakovic’s freakish athleticism. While both Superstars tussled on the top turnbuckle, the 270-pound Dijakovic backflipped out of danger and nailed Thorne with a superkick that
See full article at Nerdly »

‘WWE Nxt’ Review (Oct 17th 2018)

  • Nerdly
Welcome to this week’s Nxt review, right here on Nerdly. I’m Nathan Favel and Aleister Black is back! That sounded stupid. Also, did you know that The Cabin in the Woods is a really freaky movie? I did not know that it was a really freaky movie and I just wanted you to know it was a really freaky movie. Oh, Nxt is still missing the letter “E”. Can you imagine the Electric Company without the vowels? The lctrc Cmpn… would you watch that?

Match #1: War Raiders def. Nxt Tag Team Champions Undisputed Era by disqualification when the returning Bobby Fish interfered The following is courtesy of

The Undisputed Era’s Tag Team Championship reign lives on, thanks to a few shocks to the system. After evading The War Raiders’ crosshair for weeks, Kyle O’Reilly & Roderick Strong had nowhere to run when it came
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Trailer for Russian horror Queen of Spades: The Dark Rite

An international trailer has arrived online for the upcoming Russian supernatural horror Queen of Spades: The Dark Rite, which you can watch below after the official synopsis…

There is an ancient ritual known to humankind for more than a hundred years…According to the legend, an ominous entity known as The Queen of Spades can be summoned by drawing a door and staircase on a mirror in the darkness, and by saying her name three times. The Queen of Spades gets her energy from reflective objects; she cuts locks of hair from those asleep, and those that see her go mad or die. Four teenagers decide to call The Queen of Spades as a joke. But when one of them dies of a sudden heart attack, the group realizes they are up against something inexplicable and deadly dangerous.

Queen of Spades: The Dark Rite is directed by Svyatoslav Podgaevskaya.
See full article at Flickeringmyth »

Queen Of Spades: Watch The International Trailer For The Slick Russian Horror

Though Russia has not particularly been a player in the horror arena that may very well change with the impending fall release of local horror title Queen Of Spades, a slick teen oriented affair playing on local legends of an ancient curse.There is an ancient ritual known to humankind for more than a hundred years...According to the legend, an ominous entity known as The Queen of Spades can be summoned by drawing a door and staircase on a mirror in the darkness, and by saying her name three times. The Queen of Spades gets her energy from reflective objects; she cuts locks of hair from those asleep, and those that see her go mad or die.Four teenagers decide to call The Queen of Spades as...

[Read the whole post on]
See full article at Screen Anarchy »

EC backs Berlinale, Rotterdam funds

  • ScreenDaily
Co-production funds run by the Berlin and Rotterdam film festivals and a new day-and-date initiative are among new projects by supported by the European Commission (EC).

A total of €1.3m ($1.8m) has been made available to support five international co-production funds backing European producers for the production and circulation of international film projects annually.

Funding ranging between €70,000 and €300,000 ($95,000 to $407,000) have been allocated to Turins’s Tfl Distribution, the Sarajevo City of Film Fund, Rotterdam’s Hbf+Europe, the Berlinale’s World Cinema Fund Europe (Wcf Europe), and Idfa’s Bertha Fund Europe.

According to the EC, the aim of this funding strand is to “increase the European dimension of the funds and their access for companies from all countries participating in the Media sub-programme”.

In the case of the Wcf Europe project, for example, the fund will extend its remit to support not only German, but also European producers wanting to work with producers from the Wcf
See full article at ScreenDaily »

Love & Engineering to open Visions du Réel

  • ScreenDaily
Tonislav Hristov’s Love & Engineering is to open the 20th edition of the Visions du Réel documentary film festival.

The film about a Bulgarian computer engineer searching for a formula to create irresistible seductive power for four desperate digital geeks searching for analogue love will open this year’s festival in Nyon, Switzerland tomorrow (April 24). The festival runs from April 25 to May 3.

The German-Finnish-Bulgarian co-production won the Audience Award at DocPoint Helsinki and is set to be screened at Hot Docs Toronto and the Tribeca Film Festival this month.

Nyon’s 2014 edition will see the festival celebrating two anniversaries: in 1969, the Festival international de cinéma Nyon was founded by the later Berlinale director Moritz de Hadeln, and the name change to Visions du Réel was taken by present artistic director Luciano Barisone’s predecessor Jean Perret in 1995

19 feature-length documentaries from 17 countries in the festival’s main competition will be judged by an International Jury comprising UK producer
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(Thorold Dickinson, 1940, BFI, PG)

Although he only directed eight features, Thorold Dickinson (1903-84) had as remarkable and wide-ranging a career in the British cinema as his close contemporaries David Lean and Anthony Asquith. Like Lean, he served a long apprenticeship as an editor. Like Asquith, a fellow liberal, Oxford-educated son of the establishment, he had an early interest in the avant-garde and played a significant role in organising Act, the film industry trade union.

As film critic of the Spectator, Graham Greene praised The High Command and The Arsenal Stadium Mystery, Dickinson's first two films, both thrillers. But there were long absences from commercial cinema. In the late 1930s he spent several years making leftwing documentaries supporting the Spanish government. Much of his second world war was devoted to public information pictures, and for several postwar years he produced pictures for the United Nations. In the 1960s he became Britain's
See full article at The Guardian - Film News »

Kent on Marilyn: 'a totally insignificant little blonde' off-screen

Jean Kent: ‘The Browning Version’ 1951, Gainsborough folds (photo: Jean Kent in ‘The Browning Version,’ with Michael Redgrave) (See previous post: “Jean Kent: Gainsborough Pictures Film Star Dead at 92.”) Seemingly stuck in Britain, Jean Kent’s other important leads of the period came out in 1948: John Paddy CarstairsAlfred Hitchcock-esque thriller Sleeping Car to Trieste (1948), with spies on board the Orient Express, and Gordon Parry’s ensemble piece Bond Street. Following two minor 1950 comedies, Her Favorite Husband / The Taming of Dorothy and The Reluctant Widow / The Inheritance, Kent’s movie stardom was virtually over, though she would still have one major film role in store. In what is probably her best remembered and most prestigious effort, Jean Kent played Millie Crocker-Harris, the unsympathetic, adulterous wife of unfulfilled teacher Michael Redgrave, in Anthony Asquith’s 1951 film version of Terence Rattigan’s The Browning Version — a Javelin Films production
See full article at Alt Film Guide »

The devil's work

From Nosferatu to Twilight, gothic films have explored what frightens us – and why we are willing victims of our fear. A few days before Halloween, and as the BFI begins a nationwide season, Michael Newton is seduced by horror, sex and satanism

Beyond high castle walls, the wolves howl. The Count intones: "Listen to them! The children of the night! What music they make!" And those words usher you into a faintly ludicrous cosiness, the comfortable darkness of gothic. For gothic properties are altogether snug, as familiar as Halloween costumes – a Boris Karloff mask, the Bela Lugosi cape, an Elsa Lanchester wig. So it is that many of us first come to the form through its parodies; I knew Carry On Screaming! by heart before I saw my first Hammer film. And yet, within the homely restfulness, something genuinely disturbing lurks; an authentic dread. And watching these films again, we
See full article at The Guardian - Film News »

Berlin Diary #2

The Berlinale has come and gone so quickly, so intensely. Everyone was catching the flu or a cold, and I was left with the sniffles. My last two days I was lucky to be able to catch some films. Before that I only saw Don Jon’s Addiction which I was charmed by. Scarlett Johanssen played the best role of her life, she is a great comedienne. And Joseph Gordon-Levitt was delightful. Upstream Color bit off more than it could chew. The reviews express my feelings about it better than I can.

A quick list of films seen by me and by other discerning women:

Concussion, starring Catherine Deneuve, a bored house wife story has been told before. This time, the two protagonists were attractive lesbian women and it was beautifully filmed, but nothing beats Belle de Jour also starring Catherine Deneuve.

The Weimar Touch is a series of films from the Weimar era in Germany which preceded the Nazi era and films which were influenced by filmmakers of the Weimar era. MoMA Chief Curator of Film, Rajendra Roy and Laurence Kardish, the former Senior Curator of Film at MoMA were members of the Curatorial Board (along with Rainer Rother, Artistic Director of the Deutsche Kinemathek, Connie Betz (Deutsche Kinemathek, Programme Coordinator Retrospective, and Hans-Michael Bock (Cinegraph, Hamburg). Maybe I could catch more of these fantastic sounding films in New York.

Hangmen Also Die! by Fritz Lang sounded so great. I got the ticket, but damn I missed the film because of a meeting. The notes written for Hangmen Also Die by Rainer Rother of the Deutsche Kinemathek, "Prague 1942. Following the assassination of Nazi Reich Protector Heydrich...a professor’s daughter hides the culprit in her parents’ apartment…sadistic, elegant and effeminate." Doesn’t that sound great? The gender bending in Vicktor Viktoria was charming and funny. Julie Andrews saw this actress and copied her style perfectly. They look like twins. Other films in the Restrospective had me going to the Film Museum to ask for the boxed set, but the prints are from so many places, the clearance on them would be nearly impossible I guess…no boxed set. Other films in The Weimar Touch were so enticing! I had seen A Midsummer Night’s Dream by Max Reinhardt himself and William Dieterle, (U.S. 1935) the last time when I was in high school and then didn’t know who Max Reinhardt was. Car of Dreams was a favorite of those who saw it. Casablanca in which Victor Lazlo and Ilse Lund play out their doomed love was directed by Hungarian born director Mihaly Kertesz (Michael Curtiz) and Humphrey Bogart is almost the only “real” American in the ensemble. I had never been aware of how The Weimar Touch formed that film. Others: The Chase, Confessions of a Nazi Spy, Le Corbeau – what a great film that is, a film that was saved only by Sartre and Cocteau’s speaking out in favor of director Henri-Georges Clouzot. This is a film Michael Haneke saw when he created The White Ribbon. A Dutch film, Somewhere in the Netherlands by Ludwig Berger in 1940, Gerhard Lamprecht’s Einmal Eine Grosse Dame Sein, British film, First a Girl, by Victor Saville, Fury by Fritz Lang, Gado Bravo from Portugal 1934, Gluckskinder from Germany in 1936, The Golem, The Mystery of Moonlight Sonata, Hitler’s Madman, How Green Was My Valley by John Ford in 1941 which was influenced by his friend F.W. Murnau, Max Ophuls’ Comedy About Gold, Letter from an Unknown Woman by Max Ophuls, M by Joseph Losey, Mollenard by Robert Siodmak, None Shall Live by Andre de Toth, Out of the Past by Jacques Tourneur, Peter, Pieges, The Queen of Spades, The Small Back Room, Some Like it Hot, To Be or Not to Be by Lubitsch, Touch of Evil by Orson Welles, Cabaret by Bob Fosse, Dial M for Murder, On the Waterfront, The Student of Prague, Tokyo Story were all touched by The Weimar Touch. What a collection!

Tokyo Kazoku (Tokyo Story) by Yoji Yamada was sweet and sad as the parents travel from their hometown of Hiroshima to visit their grown children in Tokyo – different from Ozu’s Tokyo Story, but “the story of family estrangement and the isolation inherent in modern society” as expressed in the story notes of Rainer Rother along with the reminders of the recent tsunami and its losses make this story deeply touching.

Interesting was Dark Blood by George Sluizer. It was not as spooky as The Vanishing, but to see River Phoenix, so beautiful in this role with such a sexy Judy Davis was a treat, if a bit dated. Elle s’en va with a Catherine Deneuve, aged after Umbrellas of Cherbourg and perhaps the same character takes a funny tour through rural France that I enjoyed. I missed Pourquoi Israel, part of the Homage to Claude Lanzmann but got to see Sobibor, 14 Octobre 1943 which was astounding. The bravery of the hero who was on screen the entire time, Yehuda Lerner, looked like a movie star. The entire story was so unexpected for me; how did it happen that I had never heard the story of the uprising at Sobibor before? I know Shoah and sat through it without a minute of disinterest – but that was in college. Claude Lanzmann justifiably said that this story was too unique and special to include in Shoah.

An odd Romanian film, the comedy A Farewell to Fools directed by Goodan Dreyer and starring child actor Boodan Iancu, Gerard Depardieu, Harvey Keitel and a cruelly beautiful Laura Morante, (and dubbed!) it is being sold in the market by Shoreline. It stands out in contrast to the Golden Bear Winner, the Romanian film Child’s Pose directed by Calin Peter Netzer and produced by Ada Solomon. This feisty portrayal of the nouveau riche seems like a fictional continuation of the doc her husband directed and which she produced in 2010: Kapitalism: Our Improved Formula.

Ada Solomon’s speech at the Awards Ceremony Closing Night deserves an award itself. Starting with the comment that she is more used to fighting than to winning, she pointedly thanked not only those who helped her but also those who did not help her whose resistance to her making this film made her stronger and more powerful. She pointed out the great need to have equal representation of women in the ranks of directors and producers as well, a theme which has been expressed repeatedly during this festival in many forms. (Read Melissa Silverstein’s blog on the joint meeting of women's films festivals initiated in Berlin by The International Women's Film Festival Dortmund|Cologone and the Athena Film Festival entitled "You Cannot Be Serious" in which women from many countries discussed the statistics and the status of women directors and other positions in the industry and continued the creation of a worldwide network pushing towards a more level playing field. Check out The International Women's Film Festival Network for more information).

Child's Pose, good in the vein of Separation, went head to head with the Chilean critic's choice, Gloria whose star Paulina Garcia, won the Best Actress Award. Could have gone both ways. The two older women were both great.

By the Way, Gloria was produced by Fabula, the Chilean company of the Lorrain Brothers who produced No as well as Crystal Fairy and director Sebastian Silva’s other films.

Jay Weissberg of Variety describes Child's Pose best as a "dissection of monstrous motherly love" and a "razor-sharp jibe at Romania's nouveau riche (the type is hardly confined to one country), a class adept at massaging truths and ensuring that the world steps aside when conflict arises."

I would like to suggest to the festival event planners that next year the Awards Ceremony’s onscreen presentation (which goes on simultaneously with the announcements of the prize winners) post the name of the winner along with the film title in its own language and in English as well as the country of origin. It’s difficult enough to follow the film with simultaneous translation in English via earphones; at least put the film titles in English for us foreigners.

A friend of mine remarks that the 2 most prestigious prizes at the festival went not to American or West European films, but to those from smaller countries with developing film cultures, Child’s Pose from Romania and Denis Tanovic’s Episode in the Life of an Iron Picker from Bosnia/ Herzogovina.

She goes on with her commentary of what she saw:

"Competition film Gold by Thomas Arslan provoked mixed response, but I liked it – Nina Hoss as the lead is excellent, plus there are long passages of the group on horseback trekking thru Alaska to the Klondike amidst spectacular landscapes. And the camerawork is wonderful. So that’s enough to keep me in my seat.

Night Train to Lisbon has been panned by virtually every trade publication critic as boring at the least. Nevertheless I enjoyed all the famous actors –Jeremy Irons, Lena Olin, Charlotte Rampling, Tom Courtenay, and yes Bruno Ganz. It is a story about the oppressive regime and a secret resistance group of in 1970s Portugal. Circles is a powerful and tough film by Srdan Folubovic about the revelations amidst survivors of a terrible event 12 years after the end of the war in Yugoslavia. Terrific performances support a complex and tough tale of how history permeates memory and behavior down thru the generations. Cold Bloom is the 4th feature of Atsushi Funahashi, who made last year’s powerful Nuclear Nation documentary about the effects if the tsunami. A drama about how the tsunami affected young workers and small businesses in the region is told thru the tragedy of a young couple. The title refers to a fantastic closing sequence under the cherry trees at night illuminated by street lamps, at once beautiful and bizarre. Gloria winner of the Golden Bear was clearly everyone’s favorite (although I could not get into the screening). Portrait of a middle aged woman in Chile (and winner of Best Actress award) it will hopefully make it across the ocean to these shores.

And finally, it is worth noting that the Forum Expanded section was extensive this year, showing diverse kinds of work including off site installations from every corner of the globe. Probably it is the single most important showcase for artists work in the film festival world. Kudos to the curators and the artist/filmmakers for keeping this exciting new work in front of the public year after year!"

Another friend who can’t decide whether to be credited here, a transplanted Los Angeleno who was born in Germany and lives in Berlin now had a very interesting insight into Two Women, wondering out loud if the two women and the two boys were transferring their homosexual feelings upon their cross parental lovers and likewise whether the two mothers were not actually acting out their lesbian affinities.

She also noted the sexual complexities of many of the films was of great interest to her. Examples she sites are the homosexual (But Not) pedophiliac feelings of a priest as depicted in In The Name Of; Gloria – not breaking news that a 58 woman is sexually alive – this film has a popular crowd pleasing charm which almost disqualifies it from the “festival” seriousness of a film like Child’s Pose, but both women are stellar.

My unnamed friend also said that, Camille Claudel failed to engage as did The Nun.

I would like to take this further, but it is very late for Berlin and now on to Guadalajara, a fascinating city and the seat of international, Iberoamerican co-productions which I think will become my obsession for the rest of the year.

See full article at SydneysBuzz »

What to Buy this Week: Game releases 13th June – 19th June

Each week we bring you news on what is being released into the gaming world…. So lets get it started! Kicking off this list of games which will be released 13th June – 19th June 2011 is:

The Legend Of Zelda: Ocarina Of Time 3D (3Ds): The Legend of Zelda: Ocarina of Time 3D takes the Nintendo classic – one of the most critically acclaimed games ever made – and returns it to the Nintendo 3Ds system with the added depth and realism of stunning, glassesfree 3D visuals. In this game, Link sets off on a legendary journey through time to stop Ganondorf, the Gerudo King of Thieves who is seeking the Triforce, a holy relic that gives its holder ultimate power. The graphical upgrades and three-dimensional depth breathe new life into the expansive world of Hyrule. An improved and intuitive interface, coupled with the easier navigation offered by playing in a world with 3D visuals,
See full article at Nerdly »

The Forgotten: Bad Vats and Jeroboams

  • MUBI
"Alone in the hissing laboratory of his wishes, Mr Pugh minces among bad vats and jeroboams, tiptoes through spinneys of murdering herbs, agony dancing in his crucibles, and mixes especially for Mrs Pugh a venomous porridge unknown to toxicologists which will scald and viper through her until her ears fall off like figs, her toes grow big and black as balloons, and steam comes screaming out of her navel." —Dylan Thomas, Under Milk Wood.

Britain's film industry in the nineteen-forties, stoked to new heights of relevance and seriousness by the mission of wartime, rolled on with considerable momentum, arguably climaxing in 1948, the year that saw production of Powell & Pressburger's The Red Shoes, Thorold Dickinson's The Queen of Spades, Olivier's Hamlet and David Lean's Oliver Twist. (It couldn't last: the same year saw the Rank Organisation introduce Production Facilities Limited, quickly nicknamed Piffle, a body intended to strategize
See full article at MUBI »

Film festival picks of the week

The Mad Hatter's Film School, London

As Tim Burton's Alice continues to create box-office overspill, the influence of Lewis Carroll's fantasies is paid due homage by the BFI, with vintage Alice screenings and workshops aimed at Carroll's very inspiration: children. Send your kids down the (safe and legal) rabbit hole of film-making this Easter, where they can learn to design Alice puppets and comics, compose a new soundtrack for one of the oldest celluloid versions of Alice, and dabble in green screen to see how things might appear larger, smaller, and altogether curiouser and curiouser.

BFI Southbank, SE1, Tue to 9 Apr

Andrea Hubert

Quadrophenia Day, Margate

It may be set in Brighton, but this well-worn 1979 mod classic is being given an outing to help fund a heritage theme park and pop culture archive in rival seaside town Margate, which also enjoyed its fair share of mods v rockers rumbles.
See full article at The Guardian - Film News »

This week's DVD and Blu-ray releases

Fish Tank

DVD, Artificial Eye

Andrea Arnold's Fish Tank is very much in the UK's lineage of social realist dramas. As with the works of Tony Richardson, through Ken Loach and Alan Clarke, Fish Tank presents, or rather captures, the world warts and all – even going as far as being filmed in the more TV-like aspect ratio of 1.33:1 to avoid any accidental glamour that widescreen might have delivered. The situations here are familiar to any follower of kitchen-sink drama but the settings and language have been updated, and it's in these details that Arnold really shows her talent. Mia (Katie Jarvis) is an argumentative and bored Essex teenager who dreams of becoming a dancer – her lonely practice sessions in a vacant council flat are her only real moments of calm. It's easy to see why she's so aggressive, with her limited opportunities and her single mother constantly chipping away at her.
See full article at The Guardian - Film News »

The Queen of Spades | Film review

Thorold Dickinson (1903-1984) was almost forgotten at the time of his death, but in his heyday as a director, and subsequently as a pioneer of film studies, was one of the most important figures in British cinema. The High Command (1936), was acclaimed by Graham Greene; The Next of Kin (1942) is one of the most important films of the Second World War; Lindsay Anderson's Making a Film is a diary of the production of Dickinson's political thriller The Secret People (1952). The Queen of Spades (1949), a stylish, polished melodrama based on the Pushkin novella, is his most accomplished film, and it's good to have it back on the big screen. Anton Walbrook is outstanding as the impoverished, embittered engineer officer in the tsarist army, set apart by his poverty from his aristocratic fellow officers and attempting to get rich by obtaining the demonic gambling secrets of an ancient countess (Edith Evans
See full article at The Guardian - Film News »

Christmas and new year cinema releases

Out This Week

Avatar (12A)

(James Cameron, 2009, Us) Sam Worthington, Zoe Saldana, Sigourney Weaver. 163 mins

The King Of The World returns with an awesomely expensive epic that makes everything else out there look cheap. It really is a visit to a strange new world: part-prog rock album cover, part-Japanese anime come to life. The mix of real action and animation is flawless, the 3D is unobtrusively immersive, and Cameron has lost none of his gift for gripping, purposeful action. It's a shame the story is so un-revolutionary: a formulaic mix of A Man Called Horse, other Cameron movies, The Matrix Sequels, and Ferngully: The Last Rainforest, all washed down with an eco message that's at odds with the technological spectacle served up. But you'd be churlish not to be carried away by the experience. Come on, this is amazing!

Nine (12A)

(Rob Marshall, 2009, Us) Daniel Day-Lewis, Marion Cotillard, Penélope Cruz.
See full article at The Guardian - Film News »

See also

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