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Orpheus (1950)

Orphée (original title)
Not Rated | | Fantasy, Drama, Romance | 29 November 1950 (USA)
A poet in love with Death follows his unhappy wife into the underworld.

Director:

Jean Cocteau

Writer:

Jean Cocteau
Reviews
Nominated for 1 BAFTA Film Award. Another 1 nomination. See more awards »

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Cast

Complete credited cast:
Jean Marais ... Orphée
François Périer ... Heurtebise
María Casares ... The Princess - Death
Marie Déa ... Eurydice
Henri Crémieux ... L'éditeur
Juliette Gréco ... Aglaonice
Roger Blin Roger Blin ... The Poet
Edouard Dermithe ... Jacques Cégeste
André Carnège André Carnège ... Judge (as Maurice Carnège)
René Worms René Worms ... Judge
Raymond Faure Raymond Faure
Pierre Bertin Pierre Bertin ... Le commissaire
Jacques Varennes ... Judge
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Storyline

Orphee is a poet who becomes obsessed with Death (the Princess). They fall in love. Orphee's wife, Eurydice, is killed by the Princess' henchmen and Orphee goes after her into the Underworld. Although they have become dangerously entangled, the Princess sends Orphee back out of the Underworld, to carry on his life with Eurydice. Written by <P.M.Laws@education.leeds.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Grand Prix de la Critique International Venice 1950

Genres:

Fantasy | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

29 November 1950 (USA) See more »

Also Known As:

Orpheus See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Jean-Pierre Aumont and Gerard Philippe were considered for the part of Orphee. See more »

Quotes

Orphée: What does marble think when it's being sculpted? It thinks, "I am struck, insulted, ruined, lost." Life is sculpting me. Let it finish its work.
See more »

Connections

Featured in Brows Held High: Beauty and the Beast: Part 1 (2014) See more »

Soundtracks

Dance of the Blessed Souls -- from Orphée et Eurydice
Written by Christoph Willibald Gluck
See more »

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User Reviews

 
A timeless fantasy classic
17 September 2000 | by rdoyle29See all my reviews

"Orpheus" is still one of the most magical fantasy films, despite the technical advances made in special effects. The journeys through mirrors (achieved by using doubles, vats of mercury, troughs of water, and unsilvered glass) have a dreamlike quality and the zone beyond them has the haunted nightmare feeling of a 1940s neoromantic painting. A versatile poet, playwright, essayist, artist, and filmmaker, Jean Cocteau made this film when he was 60. He identified with the egotistical, death-loving Orpheus, and the hostility that characters in the movie have towards Orpheus reflect the homosexual, dilettante, politically uncommitted Cocteau's own resentment of the attacks levelled against him by the Surrealists and communists in the 1920s, and after the war by younger critics. The tribunal in the underworld is a combination of wartime resistance meetings and postwar courts set up to judge collaborators. The cryptic snatches of poems on the car radio were inspired by the coded messages sent by the BBC to the French Resistance. The casting of Jean Marais as the fading poet and Edouard Dermithe as the rising one reflects the position the two actors had in Cocteau's life. The film is at one timeless and a reflection of Paris in the postwar years.

"Orpheus" has its weaknesses, but it has worn well. While it may seem less obscure today, it has lost little of its poetic charm. Some of its particular grace comes from the performances by the handsome Marais, the striking Maria Casares, and Francois Perier.


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