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No desearás la mujer de tu hijo (1950)

Not Rated | | Drama | 18 May 1950 (Mexico)
Father and son face a bitter rivalry for the love of the same woman.

Director:

Ismael Rodríguez
Reviews
1 win & 1 nomination. See more awards »

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Cast

Cast overview:
Fernando Soler ... Cruz Treviño Martínez de la Garza
Pedro Infante ... Silvano
Andrés Soler Andrés Soler ... Tío Laureano
Carmen Molina ... Josefa
Alejandro Ciangherotti Alejandro Ciangherotti ... Régulo González Galindo
Amelia Wilhelmy ... Nana Agustina
Amanda del Llano Amanda del Llano ... Marielba
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Storyline

An old man(Fernando Soler), who recently became a widower, Falls in love with Josefa (Carmen Molina) a beautiful young woman, without knowing that she is in love with his son Silvano (Pedro Infante). This event will unchain a harsh conflict between the two men. Written by jairhcastillo

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated
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Details

Country:

Mexico

Language:

Spanish

Release Date:

18 May 1950 (Mexico) See more »

Also Known As:

Thou Shalt Not Covet Thy Son's Wife See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono
See full technical specs »
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Did You Know?

Connections

Follows La oveja negra (1949) See more »

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User Reviews

 
Another acting class by Soler
20 May 2005 | by hawparksSee all my reviews

Just like in "La oveja negra", this one may not be Pedro Infante's best acting role. But Fernando Soler, playing an unusual role for him, shows off again his acting craft to the point that he makes it his picture too. Adopting an almost perfect northern (norteno) Mexican accent, he succeeds to show the danger and stupidity of "machismo". I wonder if in those days it was really welcomed or understood. And this is why movies should not be forgotten. If we forget history, we are bound to make the same mistakes. Maybe this sequel ("no desearas la mujer de tu hijo") was not necessary to make. But with the same dramatical, comical and musical ingredients, it turned out to be just as entertaining. I wonder why nobody cares so far to restore all these Mexican gems from the 40's and early 50's.


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