Matt Brennan runs into Jo Holloway, the Red Cross girl he romanced in Europe when he was a flyer in World War II, when he is offered a job by jet manufacturer Leland Willis as a test pilot.... See full summary »
Andrew Morton is an attorney who made it out of the slums. Nick Romano is his client, a young man with a long string of crimes behind him. After he lost his paycheck gambling, hoping to buy his wife some jewelry, she announced she was pregnant, Later he finds her dead from suicide. When he turns again to robbery he's caught by a cop and Nick pumps all his bullets into him in frustration. Morton's appeal to the court emphasizes the evils of the slums.Written by
Ed Stephan <firstname.lastname@example.org>
When Humphrey Bogart was told that director Nicholas Ray wanted to film the entire 'sentencing statement for the defense' sequence in a single take, Bogart was concerned because he had never delivered such a long speech without cuts and feared he couldn't do it. Ray calmed Bogart down, suggested several rehearsals, and much to Bogart's surprise, Ray rolled during the rehearsals filming most of what has become the famous and well-played sentencing sequence. See more »
In Mortons' office, after Ed stands up and leaves, Morton's right hand is on the desk. In the next shot his right hand is high over the desk. See more »
Until we do away with the type of neighborhood that produced this boy, ten will spring up to take his place, a hundred, a thousand. Until we wipe out the slums and rebuild them, knock on any door and you may find Nick Romano.
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Bogey is superb as defense attorney with too soft a heart under his tough guy exterior, and Derek is chillingly believable as the cool, young delinquent who thinks nothing of playing his friends for marks. Macready, as the relentless D.A, pulls no punches, and allows for no softness in an indelible performance.
A pioneering movie blazes a trail later imitated but never bested.
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