In London, a Canadian serving prison time for grand theft escapes prison and attempts to retrieve his loot, kept in a bank safety deposit box, but his accomplice takes the security key while he only has the pass code.
On the eve of his marriage, a young man's fiance disappears. He hires a private detective to help him track her down, but soon finds himself entangled in a web of lies, intrigue and murder ... See full summary »
Descius Heiss is a French expatriate, and former Devil's Island prisoner, with two passions; driving shrewd bargains in antiques at his Sly Corner Shop, and the care of his Beautiful violin-playing daughter, Margaret. But, his comfortable wealth comes more from being a fence for stolen goods than it does buying-and-selling antiques. His secret is discovered by his shop assistant Archie Fellowes (Kenneth Griffith), a nasty, sniveling young scroat, who keeps blackmailing Heiss until he goes to far. The film ends in a London concert-hall where Margaret is playing the Mendelssohm Violin Concerto.Written by
Les Adams <firstname.lastname@example.org>
Oskar Homolka (Mr Heiss) owns an antique shop and is very proud of his violin-playing daughter Muriel Pavlow (Margaret) who is just breaking into the big time. Kenneth Griffith (Archie) is a slimy weasel who works in the shop and is attracted to Muriel. God knows why. She has a boyfriend in the Navy - Derek Farr (Robert) - and they are the rather bland goody-two-shoes couple. It is the other actors who give this film colour and the desire to see things through to the end. Griffith has a weasely plan to get one over Homolka.
One strange thing about the film was making Homolka a French citizen. No, he's not. What's the point in trying to pull that one off? Anyway, I'm not surprised at what he's up to with his antiques and when you have a character like the slimy Griffith as an assistant, then you are asking for trouble. Diana Dors (Mildred) has a memorable small role as a cheap girlfriend for Griffith. As does Katie Johnson as a customer in the shop - you'll recognize her from her pivotal role in "The Ladykillers" (1955).
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