In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
A photographer for Life magazine comes to London to do a story on a local theater troupe which never missed a performance during World War II. Flashbacks also reveal the backstage love ... See full summary »
Rusty Parker, a red-headed leggy dancer at Danny McGuire's Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a 'Cover Girl' as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle's granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother's former fiancé's magazine (as a bride). She is pursued by Coudair's pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940's. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. ...Written by
Jenny Lens <firstname.lastname@example.org>
The song "Put Me To the Test" was a complete reworking of an instrumental used in the 1937 Fred Astaire musical A Damsel in Distress (1937) The lyrics for it had already been written by Ira Gershwin, and the original melody by his brother George, but because the song had already been heard only as an instrumental in that film, George Gershwin's melody was discarded in favor of a new one by Jerome Kern when "Cover Girl" was made, and Ira Gershwin's lyrics to the song were finally heard. See more »
The guests at the 1904 wedding are the same people, wearing the same clothes and hairstyles, as the guests at the 1944 wedding. Of particular note are the young girl wearing a giant red flower as a hat, and the white-haired old lady with white boa feathers on the side of her head. See more »
Beautiful Rita, Kern score and Phil Silvers dancing!!!
Two of these things are to be expected, the third is a complete surprise (that would be Phil Silvers dancing).
This is a delightful, if longer than it needs to be musical. A sub-plot with flashbacks and probably the worst Jerome Kern number ever written (Poor John), do not contribute enough to make them worthwhile. It's as if they wrote the movie, realized they didn't have enough material to produce a full-length picture, and added these other scenes to "fill it out". They don't work.
It's funny to see a 1940's musical with Gene Kelly (on loan from M-G-M)clearly taking a backseat to his leading lady. His second act number where he dances with himself is one highlight of the film. Other strong points are "Make Way For Tomorrow" and the lovely, "Long Ago And Far Away" (although I thought it odd that the latter number did not have a dance sequence attached to it). "Put Me To The Test", a number where Rita and Gene get to dance together, is a very good number, but the title song does nothing for me, although it is staged wonderfully.
Rita Hayworth is absolutely breath-taking. Her dancing is excellent, and this is clearly a role that suits her. Some of her hair pieces, however are awful. In a few scenes, the color of them do not match the color of her natural hair. Very distracting.
Phil Silvers is wonderful as Genius, Gene and Rita's friend and co-worker. Seeing him dance, especially as well as he did, was a wonderful surprise.
The major problem I had with this movie was that I never believed the relationship between the three leads. I didn't believe that Kelly and Hayworth were in love, or that Kelly and Silvers were real friends. Can't quite put my finger on it, but I didn't buy it.
Excellent supporting work by Eve Arden, Otto Kruger, Edward Brophy and Leslie Brooks.
6 out of 10
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