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The Magnificent Ambersons (1942)

Not Rated | | Drama, Romance | 10 July 1942 (USA)
The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.

Directors:

Orson Welles, Fred Fleck (uncredited) | 1 more credit »

Writers:

Booth Tarkington (from the novel by), Orson Welles (script writer)
Nominated for 4 Oscars. Another 4 wins. See more awards »

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Cast

Complete credited cast:
Joseph Cotten ... Eugene Morgan
Dolores Costello ... Isabel Amberson Minafer
Anne Baxter ... Lucy Morgan
Tim Holt ... George Minafer
Agnes Moorehead ... Fanny Minafer
Ray Collins ... Jack Amberson
Erskine Sanford ... Roger Bronson
Richard Bennett ... Major Amberson
Orson Welles ... Narrator (voice)
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Storyline

The young, handsome, but somewhat wild Eugene Morgan wants to marry Isabel Amberson, daughter of a rich upper-class family, but she instead marries dull and steady Wilbur Minafer. Their only child, George, grows up a spoiled brat. Years later, Eugene comes back, now a mature widower and a successful automobile maker. After Wilbur dies, Eugene again asks Isabel to marry him, and she is receptive. But George resents the attentions paid to his mother, and he and his whacko aunt Fanny manage to sabotage the romance. A series of disasters befall the Ambersons and George, and he gets his come-uppance in the end. Written by John Oswalt <jao@jao.com>

Plot Summary | Add Synopsis

Taglines:

Real life screened more daringly than it's ever been before! See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 July 1942 (USA) See more »

Also Known As:

Soberbia See more »

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Box Office

Budget:

$850,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Mercury Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (original cut) | (preview)

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

In the newspaper reporting the auto accident that injured George Amberson Minafer, the left-hand column is "Stage Views" featuring the picture and byline of "Jed Leland", the theater critic in Citizen Kane (1941), also directed by Orson Welles. Leland was played by Joseph Cotten, who plays Eugene Morgan in this movie. See more »

Goofs

In the law office, as George is telling Mr. Bronson he can't take the job there, Mr. Bronson refers to him as 'Jack' ("I got her in that headlight business, Jack"). See more »

Quotes

[first lines]
Narrator: The magnificence of the Ambersons began in 1873. Their splendor lasted throughout all the years that saw their midland town spread and darken into a city. In that town, in those days, all the women who wore silk or velvet knew all the other women who wore silk or velvet, and everybody knew everybody else's family horse and carriage. The only public conveyance was the streetcar. A lady could whistle to it from an upstairs window, and the car would halt at once and wait for her, ...
See more »

Crazy Credits

All of the credits except the RKO logo, the film's title and the copyright notice are recited orally (by Orson Welles) at the end of the film, not written out onscreen. As Welles recites the names of the production crew, we see such items as a motion picture camera when he says "Director of Photography", a pair of hands turning knobs as he says the words "Sound Recording By", etc. See more »

Alternate Versions

There are three alternate version to The Magnificent Ambersons, none exist any more:
  • the original version, Welles' first cut is the only one that has any type of record that exists. It was 132 minutes long. It included an extended Ball sequence. An extended sequence of Jack and George in the kitchen, a completely different ending, as well as other cuts too numerous to mention. The original last part of the movie was (in order): George and Jack at the Rail Station, George's walk home and comeuppance, Fanny at the boiler, Bronson's office, Eugene and Lucy in the garden, George in accident, Eugene hears of accident, Eugene visits Fanny in the Boarding house. The cutting continuity, which was recorded five days before the first preview, is included in the book, The Magnificent Ambersons- A Reconstruction.
  • The first preview audience saw the original cut for the most part. Welles ordered small cuts and one major cut prior to preview but no record of what they were exists. The movie ends the same way except the scene of Eugene and Lucy in the garden was dropped.
  • The second preview audience saw version that ran about 110 minutes. Twenty minutes of footage was scrapped and the ending went: George and Jack at the railroad station, Fanny's breakdown, Bronson's office, George's walk home, Eugene and Lucy in garden, George hit by car, Eugene hearing about accident, (shorter version of) Eugene visits Fanny in Boarding House.
  • When the previews still weren't to the studios satisfaction, the film was cut over and over, a new ending was filmed (not by Welles) and the film was finally released at its current run of 88 minutes.
See more »


Soundtracks

The Man Who Broke the Bank at Monte Carlo
(1892) (uncredited)
Music and Lyrics by Fred Gilbert
Sung a cappella by Joseph Cotten, Dolores Costello, Anne Baxter,
Tim Holt, Agnes Moorehead and Ray Collins
See more »

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User Reviews

 
What might have been...
19 April 1999 | by coop-16See all my reviews

The fate of this almost magnificent film must rank as one of the greatest tragedies in the history of the cinema. viewing it in its present state is like looking at the Venus Di Milo, or at a beautiful Greek vase that has been shattered. One can only admire the fragments...and what gorgeous fragments they are: Major Ambersons heartbreaking meditation by the fireplace,the quarrel between Eugene Morgan and Georgie about the Automobile, Isabel's death, Agnes Moorehead's magnificent performance, the splendor of the Amberson mansion, and the ballroom scene. Perhaps someday, some powerful computer might be able to reconstruct the missing footage from stills and from Welles script...perhaps. Until that almost impossible moment, one can only envy the handful of men and women who were able to see it whole, and to understand what they were seeing.


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