In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
Chronicles the early life of gay nineties-era songwriter Paul Dresser as he outgrows his job as carnival entertainer and moves up into New York society, writing one hit song after another. ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
After his wife discovers a telltale diamond bracelet, impresario Martin Cortland tries to show he's not chasing after showgirl Sheila Winthrop. Choreographer Robert Curtis gets caught in the middle of the boss's scheme. Army conscription offers Robert the perfect escape from his troubles- or does it?Written by
Diana Hamilton <firstname.lastname@example.org>
As Fred Astaire and Robert Benchley are discussing the upcoming show they pass several soldiers who are working with shovels. Though the soldiers are supposed to be breaking up clods and smoothing the dirt the shovels never come within six inches of the ground. See more »
Confidentially, Sheila, I'm delighted every time you make a mistake. It gives me the chance to dance with you.
Confidentially, I make mistakes for the same reason.
See more »
The opening credits are presented as a series of roadside advertising signs observed by one of the characters. See more »
Though the 42 year old Fred Astaire was certainly not eligible for the peacetime draft still he plays the would be soldier very well in You'll Never Get Rich. Leaving Rita Hayworth is certain to be a problem though.
The first peacetime draft in American history forms the background for this film in the same way as Universal's Abbott and Costello classic, Buck Privates. You'll Never Get Rich bares some resemblance to Buck Privates in the comedy portions of the film though it does stay away from the burlesque aspects that Abbott and Costello brought to it.
Remember this is a Fred Astaire film and in the plot it has a lot of resemblance to what Astaire had been recently doing over at RKO with Ginger Rogers. The same kind of kittenish romantic complications with humorist Robert Benchley taking the Eric Blore/Victor Moore part as the one who causes all the problems.
The dance numbers bear a strong resemblance to the routines Astaire did with Rogers. But here he is being brought over to Columbia to showcase the woman who would be Columbia Picture's mealticket for the next decade and a half.
Rita Hayworth was just coming into her own as a box office attraction when this film was done. On the dance floor she complements the elegant Mr. Astaire divinely. This was the first of two films she did with Astaire and while I like You Were Never Lovelier a lot better than this one, You'll Never Get Rich is still entertaining.
Cole Porter wrote the score for this film and it's probably one of his lesser efforts for the screen and stage. Still it did have an Oscar nominated song in Since I Kissed My Baby Goodbye. It's not a song that immediately brings Cole Porter to mind for today's audience though.
Will both Rita Hayworth and Uncle Sam get the services of Fred Astaire? See You'll Never Get Rich and find out.
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