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Citizen Kane (1941)

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Following the death of publishing tycoon, Charles Foster Kane, reporters scramble to uncover the meaning of his final utterance; 'Rosebud'.

Director:

Orson Welles

Writers:

Herman J. Mankiewicz (original screen play), Orson Welles (original screen play)
Popularity
1,183 ( 60)
Top Rated Movies #92 | Won 1 Oscar. Another 9 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joseph Cotten ... Jedediah Leland / Screening Room Reporter
Dorothy Comingore ... Susan Alexander Kane
Agnes Moorehead ... Mary Kane
Ruth Warrick ... Emily Monroe Norton Kane
Ray Collins ... James W. Gettys
Erskine Sanford ... Herbert Carter / Screening Room Reporter
Everett Sloane ... Mr. Bernstein
William Alland William Alland ... Jerry Thompson
Paul Stewart ... Raymond
George Coulouris ... Walter Parks Thatcher
Fortunio Bonanova ... Matiste
Gus Schilling ... The Headwaiter / Screening Room Reporter
Philip Van Zandt ... Mr. Rawlston
Georgia Backus ... Miss Anderson
Harry Shannon ... Kane's Father
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Storyline

A group of reporters are trying to decipher the last word ever spoken by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud". The film begins with a news reel detailing Kane's life for the masses, and then from there, we are shown flashbacks from Kane's life. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the top of the world. Written by Zack H.

Plot Summary | Plot Synopsis

Taglines:

Everybody's talking about it! See more »

Genres:

Drama | Mystery

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English | Italian

Release Date:

5 September 1941 (USA) See more »

Also Known As:

American See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$839,727 (estimated)

Gross USA:

$1,585,634

Cumulative Worldwide Gross:

$1,594,107
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The American Film Institute's poll ranked the film #1 on its list of greatest American movies of all time in 1998, and again on the 10th anniversary list from 2007. See more »

Goofs

In the projection room after the NEWS ON THE MARCH reel, Joseph Cotton can clearly be heard saying..."Yeah, sure." See more »

Quotes

[first lines]
Charles Foster Kane: Rosebud...
See more »

Crazy Credits

In a very rare move the director's credit is shown on the same card as the cinematographer's. This was Orson Welles's personal decision to show his thanks to cinematographer Toland for his enormous contributions to the film, meaning equal rights. See more »

Alternate Versions

Some of the Turner prints have the famous RKO logo removed and replaced with the Turner logo. See more »

Connections

Referenced in Cinematic Titanic: The Oozing Skull (2007) See more »

Soundtracks

Funeral March
(1837) (uncredited)
(Third Movement of "Piano Sonata No. 2 in B-flat minor, Op. 35" (1839))
Written by Frédéric Chopin
Arranged by Roy Webb
See more »

Frequently Asked Questions

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User Reviews

 
All That Ballyhoo!
5 May 2008 | by WriterDaveSee all my reviews

On the Criterion Collection DVD of Orson Welles' classic "Citizen Kane" there is an original theatrical trailer where Welles cleverly advertises the film by introducing us to the cast including the chorus girls, whom he refers to as some nice ballyhoo. That pretty much sums up my opinion of the often over analyzed film that always shows up at the top of the list of greatest films ever made. Even though this was the first time I sat down to watch the film as a whole, I knew everything about it from studying it in film class and from the countless number of essays, homages, and parodies that have come down the pike over the years. It seems impossible now to judge the film against a blank slate, but with great ballyhoo comes great scrutiny.

Released in 1941 by RKO as a Mercury Theater Production, "Citizen Kane" is the tale of an influential and shockingly wealthy newspaper tycoon (Welles) inspired by the life of William Randolph Hearst. The story follows the investigation into the origins of "Rosebud"-the mysterious word Kane utters on his deathbed. Following newsreel footage announcing Kane's death, we are then thrust into a series of flashbacks through interviews with various people who knew Kane that reveal the nature of his character.

From a technical standpoint, Welles' film is as innovative and engrossing today as it was yesterday. Every single piece of cinematic trickery, every dissolve, every long tracking shot, every seamless edit, every play with chronology, every special effect is perfect. Welles was audacious and inventive with his art, and it is for these technical aspects that "Citizen Kane" will always stand the test of time.

However, the story of "Citizen Kane" remains cold and distant. I didn't instantly connect with the characters and the plot the way I did with other classics from the period like "Casablanca" or "The Third Man" or even more recently, "There Will Be Blood." Often, the supporting players over-act, and the flashbacks are tedious (especially the one detailing Kane's second marriage) or emotionless (like the scene showing Kane's snow covered childhood). There's a certain smug arrogance to the whole production that makes it seem like perhaps Welles was secretly making a comedy. It leaves one wondering how it would've come across had Welles actually been allowed to do a straight up biopic of Hearst.

Is it any wonder that so many critics today hail this as THE all time great? Much of today's cinema is geared towards style and technique over substance, and way back in 1941, Welles was the first to author this very modern brand of cinema where the art is not in the story but how it is told and shown to the audience. His "Citizen Kane" is technically rich, layered, and enthralling but narratively vapid. Did I ever really care about Kane or Rosebud? No, but it was fascinating to watch. It's some very nice ballyhoo indeed.


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