7.9/10
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208 user 124 critic

The Philadelphia Story (1940)

Not Rated | | Comedy, Romance | 17 January 1941 (USA)
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3:32 | Trailer
When a rich woman's ex-husband and a tabloid-type reporter turn up just before her planned remarriage, she begins to learn the truth about herself.

Director:

George Cukor

Writers:

Donald Ogden Stewart (screen play), Philip Barry (based on the play by)
Won 2 Oscars. Another 3 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
Cary Grant ... C. K. Dexter Haven
Katharine Hepburn ... Tracy Lord
James Stewart ... Macaulay Connor
Ruth Hussey ... Elizabeth Imbrie
John Howard ... George Kittredge
Roland Young ... Uncle Willie
John Halliday ... Seth Lord
Mary Nash ... Margaret Lord
Virginia Weidler ... Dinah Lord
Henry Daniell ... Sidney Kidd
Lionel Pape ... Edward
Rex Evans Rex Evans ... Thomas
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Storyline

Philadelphia socialites Tracy Lord and C.K. Dexter Haven married impulsively, with their marriage and subsequent divorce being equally passionate. They broke up when Dexter's drinking became excessive, it a mechanism to cope with Tracy's unforgiving manner to the imperfect, imperfections which Dexter admits he readily has. Two years after their break-up, Tracy is about to remarry, the ceremony to take place at the Lord mansion. Tracy's bridegroom is nouveau riche businessman and aspiring politician George Kittredge, who is otherwise a rather ordinary man and who idolizes Tracy. The day before the wedding, three unexpected guests show up at the Lord mansion: Macaulay Connor (Mike to his friends), Elizabeth Imbrie - the two who are friends of Tracy's absent brother, Junius- and Dexter himself. Dexter, an employee of the tabloid Spy magazine, made a deal with its publisher and editor Sidney Kidd to get a story on Tracy's wedding - the wedding of the year - in return for Kidd not ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Uncle Leo's bedtime story for you older tots! The things they do among the playful rich - Oh, boy! See more »

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | French

Release Date:

17 January 1941 (USA) See more »

Also Known As:

The Philadelphia Story See more »

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Box Office

Opening Weekend USA:

$258,994, 18 February 2018

Gross USA:

$404,524

Cumulative Worldwide Gross:

$411,442
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the American Film Institute's 2000 list of the Top 100 Funniest American Movies. See more »

Goofs

When Tracey decides to marry Dexter, he needs a best man and choose Mike. Tracey declares that she needs a maid of honor and chooses Liz. But Tracey was already supposed to marry George so she would have already had a maid of honor. There was no reason for her "suddenly" to need a maid of honor for her last-minute marriage to Dexter. See more »

Quotes

Macaulay Connor: [drunk, to driver] Well, this is where Cinderella gets off, now you hurry back to the ball before you turn into a pumpkin and six white mice, goodbye.
See more »

Connections

Referenced in The Rosemary Clooney Show: Tony Curtis (1956) See more »

Soundtracks

I've Got My Eyes on You
(1940) (uncredited)
Written by Cole Porter
Played at the party the night before the wedding
See more »

Frequently Asked Questions

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User Reviews

Great dialogue, great performances and a real fun, urgent pace to the material make this a delightfully fun film
27 December 2005 | by bob the mooSee all my reviews

It is the wedding of the year with socialite Tracy Lord due to marry George Kittredge behind closed doors, with no press allowed. However the editor of Spy Magazine is set to run an exposé of Tracy's philandering father and a New York dancer and strikes a deal with her ex husband CK Dexter Haven if he can get a couple of journalists into the wedding and the reception. Keen to get back at Tracy, Dexter agrees to help and escorts writer Mike Conner and photographer Liz Imbrie into the Lord home in the days before the wedding. With tensions high between Dexter and Tracy, everyone playing games and relationships equally confused and confusing anything could happen and surprises are in store.

Shot in about 8 weeks with a low number of takes and some impressive adlibbed and one-shot scenes this is a movie worth seeing even before you look at the cast list and the professional reviews. The plot is partly a comedy, partly a character drama and partly a romance (albeit a rather tidy one) and each aspect pretty much works in tandem with the others. The comic tension between the characters is really well written and, although it is a cliché, it does fizz and spark across the screen and is regularly hilarious and consistently a delight to the ears. With such superficial energy it would be easy to ignore the fact that it is interesting below this; specifically I liked the character of Tracy and the way that parts of the film show her character being stripped back as she in particular learns something about how she comes across, softening her character a little bit in later scenes. However to suggest that this has great depths is to give it more praise than it deserves, because it doesn't run deep and it isn't a great drama. Likewise the romance isn't a main part of it but it does still work because it is all delivered at such a fresh and funny pace that it draws you in, even to the point where I gratefully accepted the film's conclusion with a smile rather than a sneer.

The cast are a delight, but then that pretty much goes without saying, and they work with the dialogue like a surgeon uses a scalpel. In fact that is a good example because the dialogue is normally almost as sharp as said instrument. Grant may have got top billing and the big money (which he then donated away) but it is very much a shared effort between the three stars, with Grant in fact having the least showy character. If anything the film belongs to Hepburn who is a delight whether spitting back at her father with tears in her eyes or a barbed comment sliding in like a greased knife. Stewart is just as good and is reaction shots show a real comic timing, but he also gives good dialogue and he is fun. Like Stewart, Grant has a great chemistry with Hepburn, which means that he can deliver convincing tension and trade insults without undermining the ending which otherwise would have maybe been an ask too far. Hussey is good and it is easy to forget that she must have felt a bit out of her depth but it never shows in her performance. Support is roundly strong from Young, Nash, Halliday and even Weildler.

Overall this is a delightful film that is such fun and has such a good pace and spark that it is easy to buy into the weaker elements of the narrative and not only forgive them but get into them. The dialogue is sparky and funny while the delivery of same is just what the material deserved. The cast have chemistry and help inject urgency to the story that keeps it all moving forward. A wonderfully delightful film that is fun to watch and surprisingly engaging.


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