6.9/10
471
2 user 12 critic

Redes (1936)

Not Rated | | Drama | 20 October 1937 (France)
A story of burgeoning labor rights amongst poor fishermen in a small village in Mexico.

Writers:

John Dos Passos (english titles), Emilio Gómez Muriel | 5 more credits »
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Cast

Cast overview:
Silvio Hernández Silvio Hernández ... Miro
David Valle González David Valle González ... El acaparador
Rafael Hinojosa Rafael Hinojosa ... Candidato
Antonio Lara Antonio Lara ... El Zurdo
Miguel Figueroa Miguel Figueroa
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Storyline

A story of burgeoning labor rights amongst poor fishermen in a small village in Mexico.

Plot Summary | Add Synopsis

Plot Keywords:

revolt | water | fish | fisher | fishnet | See All (6) »

Taglines:

Mexican Film Marvel

Genres:

Drama

Certificate:

Not Rated
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Details

Country:

Mexico

Language:

Spanish

Release Date:

20 October 1937 (France) See more »

Also Known As:

The Wave See more »

Filming Locations:

Papaloapan, Veracruz, Mexico See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »

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User Reviews

Not a great movie, but great nonetheless
26 January 2003 | by Henry-59See all my reviews

This is not a great movie: the characters are made out of cardboard, the plot is standard "Waiting for Lefty" with a heavier emphasis on historical materialism, and some of the actors are barely that. But it is still worth seeing, for two reasons: Paul Strand's beautiful pictures and Silvestre Revueltas' beautiful score.

Strand was not cut out to be a cinematographer: his shots are as static as a still photo. Not surprising, considering that Strand was one of the greatest photographers of the last century. You can see how much he loved taking the portraits of clouds, the sea, and the fishermen who are the heroes of this film-which doesn't make a good movie, but is still a delight to watch. As for Revueltas' score, someone who knows more about music will have to comment on it. It is enough to say that it is powerful, not overstated, and modern. He apparently wrote much of the score before the movie was finished, so it doesn't have the interplay with the film itself that Herrmann's score for Vertigo or Fumio Hayasaka's score for Seven Samurai does. But it is still wonderful, particularly if you hear it played by a good orchestra.


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