In Buenos Aires, a man who has decreed that his daughters must marry in order of age allows an American dancer to perform at his club under the condition that he play suitor to his second-oldest daughter.
William A. Seiter
In order to cover up his philandering ways, a married Broadway producer sets one of his dancers up on a date with a chorus girl for whom he had bought a gift, but the two dancers fall in love for real.
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X". After Alyce goes to London to meet a beau... See full summary »
When the fleet puts in at San Francisco, sailor Bake Baker tries to rekindle the flame with his old dancing partner, Sherry Martin, while Bake's buddy Bilge Smith romances Sherry's sister Connie. But it's not all smooth sailing: Bake has a habit of losing Sherry's jobs for her; and despite Connie's dreams, Bilge is not ready to settle down.Written by
Diana Hamilton <email@example.com>
During the final dance sequence on the boat it is possible to see Fred Astaire hit in the face by Ginger Rogers' beaded sleeve. The sequence was shot again 23 times in the hope of capturing the magic of that take without the accident, but it wasn't to be, and this original take was used. See more »
Honey, why don't you admit it, you're lonesome. Some men aren't half bad.
I don't know why? I just seem to frighten them away.
You look too darn intelligent. You know, it isn't that gentlemen really prefer blondes, it's just that we look dumber.
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This is one of the best Fred Astaire-Ginger Rogers films, or at least one of my favorites. Most of the A-R movies feature great dancing but sappy romance stories. This still has the courtship corniness but not as pronounced as the other films.
This movie features not just great dancing but likable characters and a bunch of good songs. The music is the central theme here and what's nice is the addition of a tap solo by Rogers. She not only was a super dancer but a very pretty woman and one with tremendous figure. She dances also with Fred, of course, and they're always a fun pair to watch on the dance floor.
Growing up in the 1950s watching "Ozzie & Harriet" on television, it was a real kick the first time I saw this to see such a young Harriet Hilliard. No surprise than Ozzie fell for this beauty. Although she had that short early '30s hairstyle, I recognized her voice right away. Also in this movie are quick appearances by Betty Grable and Lucille Ball, but I have to admit that I have yet to out Ball. I can't find her, but I know she's in here.
Astaire, except for some obnoxious gum-chewing in the first third of the film, was fun to watch and Randolph Scott - although better in westerns - is likable, too.
This is simply a nice, feel-good film and good one if you want to to enjoy the great talents of Astaire and Rogers.
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