Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the ... See full summary »
When a death row prisoner tells him he wouldn't have led a life of crime if only he had had one friend as a child, Father Edward Flanagan decides to do something about. An advocate of child... See full summary »
In late 18th century Italy, a beautiful young woman finds herself married to a rich but cruel older man. However, she is in love with another, younger man. When the husband finds out, he kills the lover in a swordfight, and takes his wife on a long trip throughout Europe. Months later, she dies giving birth to a son. The husband leaves the child at a convent, where he is raised until the age of 10; then he is apprenticed to a local merchant, who gives him the name "Anthony Adverse" because of the adversity in his life. But his adversity has only begun, as fate takes him to Cuba, Africa, and Paris.Written by
John Oswalt <email@example.com>
The score by Erich Wolfgang Korngold won an Oscar, though as was the custom at the time it was awarded to the music department and collected by its head, Leo F. Forbstein. However Korngold's other Oscar, for 'The Adventures of Robin Hood (1938)', was awarded to Korngold. See more »
I noticed an omission. There wasn't a 'goof' section. During the duel between Don Luis (Claude Rains) and Denis Moore (Louis Hayward) the sword wielded by Moore was "unbated", i.e., his fencing foil was blunted with a protective guard on the tip. As Osric, would say when Don Luis thrusts home, "a hit, a hit, a most palpable hit..." See more »
Marquis Don Luis:
I dare say you wish you'd never left Versailles. You had a very pleasant time at court with those gallant young officers. With one in particular, I recall.
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Hervey Allen (1889-1949) spun quite an elaborate, sweeping 18th-19th century yarn in the form of a gigantic novel, published in 1933, called "Anthony Adverse." It became a best-seller, and three years later Warner Bros. brought it to the screen, directed by Mervyn LeRoy.
The film was very long, comprehensive, and romanitc, in Allen's quasi-Dumas-Dickens-Tolstoy style.
Heading the cast were four of the screen's finest actors, leading players Fredric March and Olivia de Havilland; and supporting character players Claude Rains and Gale Sondergaard.
Providing the musical score was the legendary Eric Wolfgang Korngold (with orchestrations by Hugo Friedhofer) and classic masque and operatic excerpts by Monteverdi and Francetti.
The 141-minute film today seems much longer than it is, as we follow Anthony's detailed "adventures" in Europe, Cuba, and Africa, with America targeted as a final future destination. The whole production, which was considered of blockbuster size in 1933 (and still looks impressive), emerges more like a historic relic that is occasionally pulled from a treasure cabinet, to observe and ponder.
The whole feel of the film now seems dated and out-of-fashion, but then that's what most memorabilia is. It's merely dusted it off, polished, felt for the moment, then replaced along side other treasured pieces from the past.
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