Dublin, 1920. Gypo Nolan, strong but none too bright, has been ousted from the rebel organization and is starving. When he finds that his equally destitute sweetheart Katie has been reduced to prostitution, he succumbs to temptation and betrays his former comrade Frankie to the British authorities for a 20 pound reward. In the course of one gloomy, foggy night, guilt and retribution inexorably close in...Written by
Rod Crawford <firstname.lastname@example.org>
John Ford kept Victor McLaglen continually off-balance (and thus in character) by getting him drunk, changing his schedules, verbally abusing him on and off the set and filming scenes when he'd told McLaglen that they were only rehearsing. For the crucial rebel court scene, the story goes that Ford reduced the actor to a trembling wreck by promising him the day off only to bring him into the studio early and extremely hung over, insisting that he spit out his lines. McLaglen was so furious with Ford over this that he threatened to quit acting and kill the director. See more »
After Gypo is shot several times in the chest and lower torso, he stumbles into the church and falls face down. When he rises, there's no blood on the floor of the church. See more »
Gypo, where did you get that money? Look at it, and not an hour ago you hadn't a penny to warm your pocket. Did someone die and leave you a pot of gold?
Why are you sayin' that for?
Well, did you rob a church or what?
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Opening credits prologue: 1920 "Then Judas repented himself-and cast down the thirty pieces of silver - and departed." See more »
A VHS version in Argentina was lifted from an original 16mm print, in English with Spanish language subtitles, with the credits replaced with Spanish language translations. See more »
A lot of movies of John Ford (Sean O'Feeney) deal with Ireland.At every stage of a long and brilliant career,he gets back to his roots in his homeland:"the informer" and "the plough and the stars" are early period;"the quiet man " is middle, "young Cassidy" is late.
Far from being "one of the worst movies of the thirties" ,"the informer " belongs to its time:that's true that the studios deny realism but that was true for Fritz Lang's "M" and Marcel Carné's "réalisme poétique" too.Anyway,at a pinch,no matter if it's a political subject in the Ireland of the twenties:what Ford has to say to us is universal:when a man betrays his best friend,be it for thirty coins of silver or for twenty quids,he will be eaten with remorse ,everything that he'll see and hear will remember him of the awful thing he's done.Gypo won't take advantage of his pitiful reward,he will loose everything except the victim's mother's compassion and forgiveness. All through this dark movie,Gypo will roam the foggy streets ,a desperate man:you should not forget that he is an outcast from the beginning:dismissed by the IRA,because he hadn't guts enough to kill a prisoner,and outside a girl,and Jackie (the man he will betray),he's on his own ,a man who suffers from hunger and,worse, lack of self-esteem -the one time when he finds solace is when he has a rest near his girl's fireplace-This character is not that much far from Peter Lorre's part in "M":both movies feature a secret trial.
As always in Ford's cinema,women are figures of peace love and understanding,and for them a man can always redeem his soul: here Katie and the mother.In "quiet man" ,Wayne is given a second chance thanks to Ireland and... Maureen O'Hara.And after all Ford's last movie will be "seven women" (1966) :a doctor(Ann Bancroft) will triumph over barbary against all odds.
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