A small country on the verge of bankruptcy is persuaded to enter the 1932 Los Angeles Olympics as a means of raising money. Either a masterpiece of absurdity or a triumph of satire, ... See full summary »
The owner of a general store (Harold Bisonette) is hounded by his status-anxious wife ("That's 'Bee-soh-nay'" and "I have no maid you know"). To get some sleep he goes out on the porch where he is tormented by a little boy from the floor above (Baby Dunk) and an insurance salesman down below ("LaFong. Capital L, small a..."). He uses an inheritance to buy an orange ranch through the mail, then drives off with his family for California. The orange grove consists of a withered tree, the ranch house is but a shack, and the car falls to pieces. But a racetrack operator wants the land, so all ends happily.Written by
Ed Stephan <email@example.com>
When the family is picnicking on the estate, Harold looks at a sundial, then consults his watch and comments that the sundial is a little slow. Amelia sarcastically states "The sun is wrong, your watch is right." However, they both could be right as it depends on the longitude of the observer in the time zone whether a timepiece and the sun reading would be identical. See more »
Jean Rouverol's name is misspelled as Jean Rouveral in the opening credits, but was correct in the end credits. See more »
The only real money you'll ever have and you throw it away before you get your hands on a penny of it! What are you lying there for?
Why don't you go to bed?
I thought I'd lie down and take a little nap first.
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The confrontation between W.C. Fields and Baby LeRoy was such a popular success that for this rematch the title card includes "with Baby LeRoy" as if the infant had second billing. See more »
"It's a Gift" is one of Fields' best! Though W.C Fields is rarely thought of as a physical comedian, his performance is as graceful and athletic as you're likely to see. Sharp, biting dialogue and timeless comedic elements (like the universally recognized nagging wife, pesky kids, delivery people, and, [horrors] even the "visually impaired") get the Fields treatment. Like most of Fields' work "It's a Gift" centers, not on the drinking that would become his caricature (though he does "tip a few" in the film), but on the "little guy." Fields is once again in the familiar role of "down-trodden little man" just trying to make it in an increasingly crazy and, sometimes, cruel world. "It's a Gift" is wonderful theatre; brilliantly executed by one of America's comic masters.
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