5.9/10
230
14 user 5 critic

Paramount on Parade (1930)

Passed | | Music | 22 April 1930 (USA)
A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting ... See full summary »

Writers:

Josep Carner Ribalta (Spanish version), Joseph L. Mankiewicz
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Cast

Cast overview, first billed only:
Richard Arlen ... Hunter - Episode 'Dream Girl'
Jean Arthur ... Sweetheart - Episode 'Dream Girl'
George Bancroft ... Mug (Impulses)
Clara Bow ... Episode 'True to the Navy'
Evelyn Brent ... Bedroom Apache - Episode 'Origin of the Apache'
Mary Brian ... Sweetheart - Episode 'Dream Girl'
Clive Brook ... Sherlock Holmes (Murder Will Out)
Nancy Carroll ... Episode 'Dance Mad'
Maurice Chevalier ... Apache - Episode 'Origin of the Apache' / 'Park in Paris' / Finale
Gary Cooper ... Hunter - Episode 'Dream Girl'
James Hall ... Episode 'Dream Girl'
Dennis King ... Man to be Hanged - Episode 'The Gallows Song'
Abe Lyman ... Abe Lyman - Episode - 'Dance Mad'
William Powell ... Philo Vance (Murder Will Out)
Charles 'Buddy' Rogers ... Buddy Rogers - Episode 'Love Time' (as Buddy Rogers)
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Storyline

A musical revue that basically has Paramount stars and contract-players doing things some had never done on screen, and wouldn't again; such as Ruth Chatteron , in a French-café setting singing "My Marine" (written by Richard A. Whiting and Raymond B. Eagan) to a group of U. S. Marines, including Stuart Eriwn, Stanley Smith and Frederic March; Buddy Rogers doing a song-duet with Lillian Roth called "Any Time's the Time to Fall in Love" (written by Elise Jans and Jack King), on a cuckoo-clock set; and Clara Bow singing and dancing in the "True To The Nany Now" number to a group of sailors. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

Sparkling as a June night; intimate as marriage. Something entirely new in screen entertainment. (Print Ad- Daily Kentucky New Era, ((Hopkinsville, KY)) 14 June 1930) See more »

Genres:

Music

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English | Spanish | French

Release Date:

22 April 1930 (USA) See more »

Also Known As:

Galas de la Paramount See more »

Company Credits

Production Co:

Paramount Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

(original) | (existing print)

Sound Mix:

Mono (Western Electric Sound System)

Color:

Color (2-strip Technicolor) (some sequences)| Black and White | Color (2-strip Technicolor) (seven sequences)

Aspect Ratio:

1.20 : 1
See full technical specs »
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Did You Know?

Trivia

The Marx Brothers filmed a scene originating from their 1924 Broadway hit "I'll Say She Is", which was later deleted before release but was later placed in the promotional film The House That Shadows Built (1931). See more »

Goofs

The re-release opening credits credit producer Jesse L. Lasky as "Jessie" L. Lasky. See more »

Alternate Versions

An alternate French-language version, Paramount en parade, also produced by Paramount, featured many French movie stars of the time, as well as Maurice Chevalier and Nino Martini from the English version. See more »

Connections

References Why Bring That Up? (1929) See more »

Soundtracks

I'm in Training for You
Written by L. Wolfe Gilbert and Abel Baer
First danced by Mitzi Mayfair and chorus
Then sung and danced by Jack Oakie and Zelma O'Neal
See more »

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User Reviews

 
would love to see the full version
19 December 2006 | by didi-5See all my reviews

Several scenes are still missing from this 1930 film, but what's left is mostly good stuff, and all interesting from a historical point of view. Would you like to see Clive Brook as Sherlock Holmes? Here's a rare chance. Would you like to see Clara Bow sing? Here she is. Would you like to see rather too many songs by Maurice Chevalier? Take your pick of several here. Would you like to see names such as Lillian Roth, Helen Kane, Mitzi Green, and Zelma O'Neill, who are only half-remembered today? Now you can. Would you like to see early appearances by William Powell and Fredric March before they made it big in talkies? They're in this.

The musical numbers fall into the 'ok' camp; they are largely static and stagey, and rather old-fashioned, but no more so than any other early talkie revue film. A lot of the film drags (notably Helen Kane's Boop-de-doop school lesson, and the links by Jack Oakie et al) but as a piece of history, it is fine. It should be a candidate for restoration if the whole film survives in a vault somewhere; let's hope so.


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